Popularity: 2 (history)
Director: | Emma Westenberg |
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Writer: | Ruby Caster, Clara McGregor, Vera Bulder |
Staring: |
In an effort to reunite with his daughter after a period of absence, a father takes her on a road trip to Santa Fe, New Mexico. Along the way they encounter some interesting characters and obstacles while sorting out their relationship. | |
Release Date: | Feb 16, 2024 |
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Director: | Emma Westenberg |
Writer: | Ruby Caster, Clara McGregor, Vera Bulder |
Genres: | Drama |
Keywords | |
Production Companies | Killer Films, Sobini Films, Black Magic, Deux Dames Entertainment |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 15, 2024 |
Name | Character |
---|---|
Clara McGregor | Daughter |
Ewan McGregor | Father |
Kim Zimmer | Elsie |
Devyn McDowell | Young Daughter |
Sasha Alexander | Michelle |
Jake Weary | Kip |
Vera Bulder | Tommy |
Travis Hammer | Eli |
Clint Obenchain | Motel Employee |
Kristin K. Berg | Abigail |
Jacob Browne | Shiloh |
Esther-Rose McGregor | Teenage Girl |
Willard Runsabove | Amos |
Helen Trencher | Shelly |
Eve Kozikowski | Kentucky |
Erica Bitton | Valerie |
Ilasiea Gray | Pearl |
Fischer Knapp | Cashier |
Mat Mahboub | Employee |
Sale Taylor | Bartender |
Farooq A. Qureshi | Nurse |
J. Nathan Simmons | Diner Patron (uncredited) |
Joann Kline | Waitress |
Rachael Edlow | AA Member |
Stephonik Youth | Singer |
Name | Job |
---|---|
Amber LeRae Earls | Second Assistant Director |
Carma Harvey | Property Master |
Ed Duran | Stunt Coordinator |
Ruby Caster | Writer |
Clara McGregor | Writer |
Clare Kramer | Driver |
Joel C. High | Music Supervisor |
Luis Peña-Alvarez | Location Assistant |
Sam Holdren | Location Scout |
Emma Westenberg | Director |
Chris Ripley | Director of Photography |
Autumn Dea | Editor |
Stephonik Youth | Production Design |
Kristen Kogler | Set Decoration |
Jacqueline Pettitt | Set Decoration |
Sophie Hardeman | Costume Design |
Brent Morris | Unit Production Manager |
Eric Braun | Second Second Assistant Director |
Dennis Crow | First Assistant Director |
Ryan Pederson | First Assistant Director |
Mykel Salazar | First Assistant Director |
David Stevens | Sound Mixer |
Milan Golding | Music Coordinator |
Luke Sheldon | Script Supervisor |
Ursula Coyote | Still Photographer |
Harland Espeset | Key Grip |
Ryan Halsey | Gaffer |
James Kwan | Camera Operator |
Georgia Packard | Camera Operator |
Peter Westervelt | First Assistant "A" Camera |
Vera Bulder | Story |
Jenn Garcia | Production Coordinator |
Jillian Guiles | Production Assistant |
Rosey Padua | Production Assistant |
Stephanie Ponce de Leon | Production Assistant |
Mike McKenny | Cast Driver |
Trina Kapuscinski | Driver |
Steven Cordova | Driver |
Jason Kapuscinski | Transportation Captain |
Lia Avraham | Music Coordinator |
Kevin Schulmeister | Location Manager |
Makahla Harapat | Location Manager |
Briana Leslie Gonzales | Location Assistant |
Tino Duvick | Assistant Location Manager |
Alexis Doll | Location Assistant |
Joppo | Colorist |
Andrea Porter | First Assistant Editor |
Samantha Anastasiou | Wardrobe Supervisor |
Tara Mazzucca | Casting Associate |
Taylor Poyfair | Grip |
Olivia Montaño | Second Assistant Camera |
Luigi Guillermo Marquez | Best Boy Grip |
James Kwan | "A" Camera Operator |
Jordan Rae Herron | Second Assistant Camera |
Zachary Grace | First Assistant "B" Camera |
Daniel Luke Fitch | Drone Operator |
John Wesley DeWolfe | Loader |
Gerald Cavalier | Grip |
Joseph Barrett | Lighting Technician |
May Satsuki Asai | Visual Effects |
A.J. Pyatak | Supervising Sound Editor |
Emily Jane Price | Boom Operator |
Rick Ash | Sound Re-Recording Mixer |
Jacqueline Harvey | Assistant Property Master |
Danielle Vigil | Hair Department Head |
Raven Aartsen | Original Music Composer |
Name | Title |
---|---|
Christine Vachon | Producer |
Ewan McGregor | Executive Producer |
Mark Amin | Producer |
Tyler Boehm | Executive Producer |
Greg Lauritano | Producer |
Clara McGregor | Producer |
Vera Bulder | Producer |
Brent Morris | Executive Producer |
Mason Plotts | Producer |
Adam Sigal | Co-Executive Producer |
Emma Westenberg | Executive Producer |
Cami Winikoff | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 10 | 19 | 4 |
2024 | 5 | 9 | 12 | 6 |
2024 | 6 | 9 | 20 | 5 |
2024 | 7 | 13 | 24 | 7 |
2024 | 8 | 6 | 13 | 3 |
2024 | 9 | 7 | 10 | 3 |
2024 | 10 | 7 | 17 | 3 |
2024 | 11 | 6 | 20 | 2 |
2024 | 12 | 6 | 12 | 3 |
2025 | 1 | 6 | 14 | 3 |
2025 | 2 | 3 | 5 | 1 |
2025 | 3 | 3 | 5 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 276 | 523 |
The family McGregor must have decided that a dad/daughter road movie was just what we all needed, so Ewan and Clara set about manufacturing this really rather unremarkable and tedious drama. We gather from fairly early on that their's is a strained relationship and he has a lot of ground to make up ... with a daughter who has just emerged from the ER but a few hours earlier. Of course all the details of that duly unfold and the usual smattering of entirely predicable familial baggage is also unpacked for us as this trundles along. Luckily (for us) their truck breaks down and that offers us a chance to meet the entertaining tow-truck driver (Kim Zimmer - easily the highlight of the whole enterprise) and as it's fixed, un-named daughter sneaks a few snifters with "Kip" (Jake Weary) before dad saves the day and on they travel. She's a bit prone to toilet stops, and on one she unknowingly encounters a little spider that leaves quite an agonising gift in her nether regions. Luckily, again, we have a local hooker on hand who knows just how to apply the ice and yep, more tarmac and white lines.... Road movies work if you care about the passengers. I can honestly say that I didn't at all here. I'm a bit weary of these stories that just show us yet another dysfunctional relationship being played out against a background of desertion or addiction or adultery or just plain boredom, and I am afraid that much of the tortuous and over-delivered dialogue did little to engage me further. It didn't need a big budget, the production is fine - but the story and both performances here are just yawn, yawn, yawn. Sorry.
It's not that bad. I really appreciate her dedication to her habits. Had to skip some of the yelling. ...