Popularity: 2 (history)
Director: | André Bonzel, Benoît Poelvoorde, Rémy Belvaux |
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Writer: | André Bonzel, Benoît Poelvoorde, Vincent Tavier, Rémy Belvaux |
Staring: |
The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them. | |
Release Date: | Aug 20, 1992 |
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Director: | André Bonzel, Benoît Poelvoorde, Rémy Belvaux |
Writer: | André Bonzel, Benoît Poelvoorde, Vincent Tavier, Rémy Belvaux |
Genres: | Comedy, Crime |
Keywords | movie business, dark comedy, mockumentary, brutality, found footage, arab |
Production Companies | Les Artistes Anonymes |
Box Office |
Revenue: $205,569
Budget: $33,000 |
Updates |
Updated: Oct 09, 2025 Entered: Oct 09, 2025 |
Name | Character |
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Benoît Poelvoorde | Ben |
Rémy Belvaux | Rémy |
André Bonzel | André |
Jacqueline Poelvoorde-Pappaert | Ben's Mother |
Valérie Parent | Valerie |
Édith Le Merdy | Nurse |
Jenny Drye | Jenny |
Malou Madou | Malou |
Willy Vandenbroeck | Boby |
Nelly Pappaert | Ben's Grandmother |
Hector Pappaert | Ben's Grandfather |
Rachel Deman | Mamie Tromblon |
André Laime | Bed-ridden Old Man |
Sylviane Godé | Rape Victim |
Zoltan Tobolik | Rape Victim's Husband |
Alexandra Fandango | Kalifa |
Olivier Cotica | Benichou |
Benoît Mariage | Journalist |
Name | Job |
---|---|
André Bonzel | Director, Screenplay, Director of Photography |
Eric Dardill | Editor |
Benoît Poelvoorde | Director, Screenplay |
Vincent Tavier | Production Manager, Screenplay, Sound Director |
Franco Piscopo | Sound Recordist, Sound Mixer, Sound Editor |
Olivier de Laveleye | Special Effects |
Rémy Belvaux | Editor, Director, Story |
Laurence Dufrene | Music |
Bénédicte Lescalier | Makeup Artist |
Alain Oppezzi | Sound Director |
Annamaria Szomolanyiova | Production Assistant |
Bertrand Boudaud | Sound Effects |
Florence Thonet | Special Effects Assistant |
Jean-Marc Chenut | Music |
Philippe Malempré | Music |
Clotilde Francois | Sound Recordist |
Valérie Parent | Script Supervisor |
Name | Title |
---|---|
Rémy Belvaux | Producer |
André Bonzel | Producer |
Benoît Poelvoorde | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 16 | 23 | 12 |
2024 | 5 | 17 | 25 | 10 |
2024 | 6 | 18 | 27 | 11 |
2024 | 7 | 20 | 36 | 11 |
2024 | 8 | 16 | 28 | 11 |
2024 | 9 | 17 | 31 | 13 |
2024 | 10 | 16 | 23 | 8 |
2024 | 11 | 15 | 27 | 6 |
2024 | 12 | 13 | 18 | 9 |
2025 | 1 | 14 | 20 | 8 |
2025 | 2 | 12 | 19 | 3 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 2 | 1 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 828 | 855 |
**A film very experimental and devoid of meaning, but with some notes of quality.** I didn't like this film. It's a low-budget film, directed by Rémy Belvaux, which basically makes a kind of false documentary around the criminal and violent activities of a cruel and bloodthirsty killer, who accep ... ts being filmed while he kills his victims. A film that looks like an academic work by a film student, and not something made for the public. It will certainly be an interesting film for film students and cinema critics, but it is not something I recommend to the general public. The film has frankly positive points, starting with the excellent performance of Benoit Poelvoorde, who plays the main character and is the only character worthy of the name here. Everything else is extras or people who simply have to appear there. The realism is impressive and, at times, shocking, and the cinematography, in black and white, is very good and worked with creativity by the director. The film's biggest problem is the feeling of amateurism and experimentalism that is felt at various moments. It's also one of those extremely violent films where everything happens without there really being a reason, a reason for being. Much of the film is a succession of violent crimes where there is nothing more than purposeless violence. The killer kills because he does, and it seems that the journalists following him are also filming because they have to film something.
One of the most amateur movies I have laid my eyes on. This entire movie is an agonizing display of the directer/writer's alter ego, over acted and over the top with violence. Everything feels pointless, and the ending really exasperates that. Also, as a warning there's an entire gang rape sce ... ne.