Dead Man Down
Blood demands blood
2013 | 118m | English
Popularity: 6 (history)
| Director: | Niels Arden Oplev |
|---|---|
| Writer: | J. H. Wyman |
| Staring: |
| In New York City, a crime lord's right-hand man is seduced by a woman seeking retribution. | |
| Release Date: | Mar 08, 2013 |
|---|---|
| Director: | Niels Arden Oplev |
| Writer: | J. H. Wyman |
| Genres: | Action, Drama, Crime, Thriller |
| Keywords | new york city, revenge, mysterious woman, crime lord |
| Production Companies | Original Film, IM Global, WWE Studios, Frequency Films |
| Box Office |
Revenue: $19,600,000
Budget: $30,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Niels Sejer | Production Design |
| Niels Arden Oplev | Director |
| Paul Cameron | Director of Photography |
| Renee Ehrlich Kalfus | Costume Design |
| Jacob Groth | Music |
| Jay Carrado | Stunt Double |
| Gabriel Nunez | Stunt Double |
| Brian Smyj | Stunt Coordinator |
| Jalil Jay Lynch | Stunt Double |
| Peewee Piemonte | Stunt Coordinator |
| Jodi Michelle Pynn | Stunts |
| Stephen Mann | Stunts |
| Nnamdi Nwosa | Stunts |
| Arthur Swain | Stunt Driver |
| Caroline Vexler | Stunt Double |
| Frédéric Thoraval | Editor |
| Chryss Hionis | Set Decoration |
| Amanda Mackey | Casting |
| Jesse Rosenthal | Art Direction |
| Dhumal Sagar | Compositors |
| Carolyn Sapp Daniels | Stunt Driver |
| Aaron Vexler | Stunts |
| J. H. Wyman | Screenplay |
| Myles Humphus | Utility Stunts |
| James McMillan | Key Grip |
| Name | Title |
|---|---|
| Stuart Ford | Executive Producer |
| Brian Kavanaugh-Jones | Executive Producer |
| Michael Luisi | Executive Producer |
| Neal H. Moritz | Producer |
| J. H. Wyman | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 23 | 31 | 16 |
| 2024 | 5 | 28 | 44 | 21 |
| 2024 | 6 | 30 | 50 | 18 |
| 2024 | 7 | 36 | 67 | 18 |
| 2024 | 8 | 41 | 101 | 16 |
| 2024 | 9 | 21 | 42 | 13 |
| 2024 | 10 | 27 | 56 | 15 |
| 2024 | 11 | 23 | 70 | 12 |
| 2024 | 12 | 18 | 28 | 11 |
| 2025 | 1 | 19 | 33 | 13 |
| 2025 | 2 | 16 | 25 | 4 |
| 2025 | 3 | 7 | 23 | 2 |
| 2025 | 4 | 2 | 3 | 2 |
| 2025 | 5 | 2 | 3 | 2 |
| 2025 | 6 | 2 | 3 | 2 |
| 2025 | 7 | 2 | 3 | 2 |
| 2025 | 8 | 3 | 3 | 2 |
| 2025 | 9 | 4 | 6 | 3 |
| 2025 | 10 | 6 | 7 | 6 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 222 | 272 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 660 | 663 |
This is actually quite a good thriller. Colin Farrell works well as "Victor", a roguish character who has ingratiated himself into the heart of a criminal empire with a view to avenging himself on the boss, Terrence Howard, for ordering an attack that caused fatal consequences for his long term, tho ... ugh ignorant of this, sidekick Dominic Cooper. Unbeknown to him, he is being observed by a woman who lives opposite - Naomi Rapace - who cottons on to his grand design and demands that he help her carry out her own particular retribution or face exposure. The script isn't at all bad, and the direction keeps the plot twists coming thick and fast, but not so thick as DC's rather daft accent - and indeed, his whole really wooden performance. The action scenes are way too long and as usual in these latter day shoot 'em ups; one person is always more than a match for 25 well armed, dug in, henchmen - and as such the ending is really rather predictably weak.