Popularity: 3 (history)
Director: | Barry Levinson |
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Writer: | Dean Jennings, James Toback |
Staring: |
New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A sharp-dressing womanizer with a foul temper, Siegel doesn't hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea. | |
Release Date: | Dec 10, 1991 |
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Director: | Barry Levinson |
Writer: | Dean Jennings, James Toback |
Genres: | Drama, Crime, Mystery |
Keywords | casino, hotel, hitman, biography, psychopath, romance, mafia, money, hollywood, las vegas, hoodlum, 1940s |
Production Companies | TriStar Pictures, Baltimore Pictures, Mulholland Productions |
Box Office |
Revenue: $49,114,016
Budget: $30,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Warren Beatty | Ben 'Bugsy' Siegel |
Annette Bening | Virginia Hill |
Harvey Keitel | Mickey Cohen |
Ben Kingsley | Meyer Lansky |
Elliott Gould | Harry Greenberg |
Joe Mantegna | George Raft |
Bebe Neuwirth | Countess di Frasso |
Bill Graham | Charles "Lucky" Luciano |
Lewis van Bergen | Joe Adonis |
Wendy Phillips | Esta Siegel |
Richard C. Sarafian | Jack Dragna |
Karen Russell | Dancer |
Robert Beltran | Alejandro |
Stefanie Mason | Millicent Siegel |
Kimberly McCullough | Barbara Siegel |
Andy Romano | Del Webb |
Bryan Smith | Chick Hill |
Eric Christmas | Ronald the Butler |
Ray McKinnon | David Hinton |
Joseph Roman | Moe Sedway |
Don Carrara | Vito Genovese |
Carmine Caridi | Frank Costello |
Don Calfa | Louie Dragna |
Robert Glaudini | Dominic |
Joe Baker | Lawrence Tibbett |
Ksenia Prohaska | Marlene Dietrich |
Bruce Ed Morrow | D.A. McWilde |
Clive Rosengren | Deputy D.A. Hartman |
Traci Lind | Natalie St. Clair |
Anthony Russell | Jerry the Bookie |
Wendie Malick | Woman On Train |
Ralph Tabakin | Elevator Operator |
Julie Strain | Bit Part (uncredited) |
Name | Job |
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Peter Sorel | Still Photographer |
Richard Beggs | Sound Designer, Sound Re-Recording Mixer |
Julie Pitkanen | Script Supervisor |
James Flamberg | Executive Music Producer |
Leslie McDonald | Art Direction |
Stu Linder | Editor |
Dean Jennings | Book |
William H. Burton Jr. | Stunt Coordinator |
J. Roy Helland | Key Hair Stylist |
Kathryn Fenton | Makeup Artist |
Tim Holland | Sound Effects Editor |
Reggie Newkirk | First Assistant Camera |
Clay Pinney | Special Effects, Special Effects Supervisor |
Paul C. Babin | Camera Operator |
Allan Mason | Music Supervisor |
Nancy Haigh | Set Decoration |
Hallie D'Amore | Key Makeup Artist, Makeup Artist |
Shawn McKay | Hairstylist |
Gloria S. Borders | Supervising Sound Editor |
Martin Kohn | Art Department Coordinator |
Robert Shoup | Sound Effects Editor |
Eric Engler | Camera Operator |
Cynthia L. Hamilton | Assistant Costume Designer |
Paige Sartorius | Dialogue Editor |
Bob Stradling | First Assistant Camera |
Stacey A. Foiles | Dialogue Editor |
Barry Levinson | Director |
James Toback | Screenplay |
Ennio Morricone | Original Music Composer |
Allen Daviau | Director of Photography |
Allegra Clegg | Production Coordinator |
Dennis Gassner | Production Design |
Ellen Chenoweth | Casting |
Albert Wolsky | Costume Design |
Matthew W. Mungle | Makeup Artist |
Charles Newirth | Production Manager |
Tom Johnson | Sound Re-Recording Mixer |
Willie D. Burton | Sound Mixer |
Rob Bottin | Makeup Effects |
Christopher Boyes | Foley Recordist |
Cheri Minns | Special Effects Makeup Artist |
Tom Lupo | Stunts |
Mike Watson | Stunts |
Dennis Scott | Stunts |
Larry Wallace | Chief Lighting Technician |
Dennon Rawles | Choreographer |
Sayhber Rawles | Choreographer |
Name | Title |
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Warren Beatty | Producer |
Barry Levinson | Producer |
Mark Johnson | Producer |
Charles Newirth | Co-Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Picture | N/A | Nominated |
Academy Awards | Best Picture | N/A | Nominated |
Academy Awards | Best Director | Barry Levinson | Nominated |
Academy Awards | Best Actor | Warren Beatty | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 23 | 31 | 18 |
2024 | 5 | 21 | 36 | 15 |
2024 | 6 | 23 | 54 | 11 |
2024 | 7 | 20 | 34 | 9 |
2024 | 8 | 44 | 120 | 15 |
2024 | 9 | 12 | 29 | 6 |
2024 | 10 | 17 | 33 | 6 |
2024 | 11 | 16 | 47 | 8 |
2024 | 12 | 13 | 19 | 9 |
2025 | 1 | 14 | 31 | 9 |
2025 | 2 | 10 | 17 | 3 |
2025 | 3 | 5 | 16 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 780 | 793 |
Benjamin Siegel. Bugsy is directed by Barry Levinson and written by James Toback. It stars Warren Beatty, Annette Benning, Harvey Keitel, Ben Kingsley, Elliott Gould and Joe Mantegna. Music is by Ennio Morricone and cinematography by Allen Daviau. Film is a biography adaptation of Benjamin Bugsy ... Siegel, a notorious American mobster who rose to prominence in the 30s and 40s. Barry Levinson’s epic film didn’t turn out to be the mobster film many had hoped for. There was great anticipation that this would be Levinson’s Goodfellas. What ultimately came to pass was a film of epic scope and detail, alive not with violence and mobster edginess, but of romanticism, of visionary peccadilloes and of folly. This is both a blessing and a curse, for Levinson seems to be caught in two minds between being respectful to his main characterisation, or unleashing the beast as we know it. Story concerns itself with Siegel being sent to tidy up West Coast operations, from where he would fall in love with starlet Virginia Hill and become one of the most prominent names in Hollywood of the 40s. Whilst the pic has moments where Siegel seethes and teeters on the edge of murderous rage, much of the history here is scratchy to say the least, where again Levinson and Toback ignore just what a nasty piece of work Siegel was in real life, and instead put dreamy ideals and hot to trot passions in instead. It’s all perfectly mounted, this is very good film making, it just always seems to be on the periphery of making a telling contribution to the Siegel legacy on film. Beatty is dandy and ever watchable, but this is not a Bugsy Siegel we can identify with, rendering an air of falseness to the story telling. The support cast are strong, though Mantegna as George Raft is miscast, but the likes of Kingsley and Gould make telling contributions with only morsels to feed off of from the screenwriter. In its longest form it runs at two and half hours, and it’s testament to the film maker's craft that it always maintains interest. Yet the various splinters trying to dovetail into one never quite make it and that’s a shame. 6.5/10
I just reviewed Reds, a movie where they managed to make John Reed boring and now I am reviewing Bugsy... a movie where they manage to make Bugsy Siegel boring. And honestly, like with Reds, Bugsy helped Luciano rise to power in what is one of the most interesting mafia stories in American histor ... y... which you really don't see here. In fact, it's hardly even mentioned. But... after Bugsy did that he built Vegas, that has to be a cool story, right? And... yeah, it is a pretty cool story, only they kind of ignore that and focus on a love story instead with the whole Vegas thing as a secondary plot. So, you know, at least they made Bonnie and Clyde good.