Mansfield Park
For everyone who loved "Emma" and "Sense & Sensibility" comes the comedy Jane Austen loved best.
1999 | 112m | English
Popularity: 1 (history)
| Director: | Patricia Rozema |
|---|---|
| Writer: | Patricia Rozema, Jane Austen |
| Staring: |
| Fanny, born into a poor family, is sent away to live with wealthy uncle Sir Thomas, his wife and their four children, where she'll be brought up for a proper introduction to society. She is treated unfavorably by her relatives, except for her cousin Edmund, whom she grows fond of. However, Fanny's life is thrown into disarray with the arrival of worldly Mary Crawford and her brother Henry. | |
| Release Date: | Nov 12, 1999 |
|---|---|
| Director: | Patricia Rozema |
| Writer: | Patricia Rozema, Jane Austen |
| Genres: | Drama, Romance |
| Keywords | based on novel or book, country estate, woman director |
| Production Companies | BBC Film, HAL Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Frances O'Connor | Fanny Price |
| Jonny Lee Miller | Edmund Bertram |
| Alessandro Nivola | Mr. Henry Crawford |
| Hannah Taylor-Gordon | Young Fanny |
| Lindsay Duncan | Mrs. Price / Lady Bertram |
| James Purefoy | Tom Bertram |
| Sheila Gish | Mrs. Norris |
| Harold Pinter | Sir Thomas Bertram |
| Victoria Hamilton | Maria Bertram Rushworth |
| Hugh Bonneville | Mr. Rushworth |
| Justine Waddell | Julia Bertram |
| Embeth Davidtz | Mary Crawford |
| Sophia Myles | Susan "Susie" Price |
| Talya Gordon | Young Susan |
| Bruce Byron | Carriage Driver |
| Elizabeth Eaton | Young Maria |
| Elizabeth Earl | Young Julia |
| Philip Sarson | Young Edmond |
| Amelia Warner | Teenage Fanny |
| Charles Edwards | Yates |
| Anna Popplewell | Betsey |
| Hilton McRae | Mr. Price |
| Danny Worters | Boy with Bird Cart |
| Gordon Reid | Dr. Winthrop |
| Jack Murphy | Ballroom Dancer |
| Peter Curtis | Ballroom Dancer |
| Emma Flett | Ballroom Dancer |
| Wendy Woodbridge | Ballroom Dancer |
| Name | Job |
|---|---|
| Patricia Rozema | Screenplay, Director |
| Jane Austen | Novel |
| Martin Walsh | Editor |
| Glenn Freemantle | Supervising Sound Editor |
| Patricia Edwards | Set Decoration |
| Andrew Munro | Art Direction |
| Christopher Hobbs | Production Design |
| Graham Daniel | Sound Re-Recording Mixer |
| Miriam Ludbrook | Foley Editor |
| Helen Smith | Makeup Artist |
| Astrid Schikorra | Hairstylist, Makeup Artist |
| Michael Coulter | Director of Photography |
| Cathy Lord | Line Producer |
| Andie Derrick | Foley Artist |
| Max Hoskins | Dialogue Editor |
| Tamsin Dorling | Makeup Artist |
| Liz Tagg | Hairstylist, Makeup Artist |
| Andrea Galer | Costume Design |
| Ray Merrin | Sound Re-Recording Mixer |
| Veronica McAleer | Makeup Designer |
| Peter Burgis | Foley Artist |
| Chris Lyons | Special Effects Makeup Artist |
| Gail Stevens | Casting |
| Drew Jones | Digital Effects Producer |
| Lesley Barber | Original Music Composer |
| Name | Title |
|---|---|
| Trea Leventhal | Executive Producer |
| Sarah Curtis | Producer |
| David Aukin | Executive Producer |
| Colin Leventhal | Executive Producer |
| Harvey Weinstein | Executive Producer |
| Bob Weinstein | Executive Producer |
| David M. Thompson | Executive Producer |
| Allon Reich | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 18 | 28 | 12 |
| 2024 | 5 | 18 | 27 | 12 |
| 2024 | 6 | 19 | 28 | 12 |
| 2024 | 7 | 17 | 27 | 9 |
| 2024 | 8 | 32 | 68 | 12 |
| 2024 | 9 | 12 | 21 | 8 |
| 2024 | 10 | 16 | 28 | 9 |
| 2024 | 11 | 11 | 20 | 6 |
| 2024 | 12 | 11 | 16 | 8 |
| 2025 | 1 | 12 | 21 | 6 |
| 2025 | 2 | 9 | 18 | 3 |
| 2025 | 3 | 5 | 15 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 1 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
Trending Position
I have always liked Jane Austen’s novels and have read most of them multiple times. Similarly, I am okay with. Scriptwriters taking small liberties with the stories, meaning I don’t dislike it just because of the changes. However, as I watched this adaptation, I found myself not liking it as much ... as I had other versions. I had to think about why, because I thought a couple of the performances were better than average and the sets and costumes were fine. It seems there was no rhyme or reason for some of the changes. Events or spoken lines occurred at different times than I expected, or a different person said it, and even at least temporary changes in personality of characters occurred a couple of times. It didn’t reach the level of me giving up on the movie or contemplating a dismal rating here, but it was enough to leave my mentally scratching my head and vaguely thinking it could have been better.