Popularity: 0.8 (history)
Director: | Guy Bennett |
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Writer: | Guy Bennett |
Staring: |
Ariel is a troubled girl with more than the usual teenage problems. When her emotion and temper get the best of her, she is drawn into a world where she can take out her anger with her fists. In the tradition of 'Girlfight' comes a wildly original story of rage and redemption. | |
Release Date: | Sep 10, 2002 |
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Director: | Guy Bennett |
Writer: | Guy Bennett |
Genres: | Action, Drama, Thriller |
Keywords | anger |
Production Companies | |
Box Office |
Revenue: $0
Budget: $1,200,000 |
Updates |
Updated: Feb 03, 2025 Entered: Apr 27, 2024 |
Name | Character |
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Michael Riley | Sam |
Sonja Bennett | Ariel |
Meredith McGeachie | Julie |
Marcia Laskowski | Mary |
Vincent Gale | Irwin |
Kathryn Kirkpatrick | Beth |
Don Ackerman | Markus |
Sarah Lind | Liz |
Mercedes de la Zerda | Tanya |
Name | Job |
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Guy Bennett | Writer, Director |
James Bamford | Stunt Coordinator |
Name | Title |
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Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 3 | 6 | 1 |
2024 | 5 | 5 | 8 | 1 |
2024 | 6 | 5 | 22 | 1 |
2024 | 7 | 4 | 12 | 2 |
2024 | 8 | 5 | 13 | 1 |
2024 | 9 | 2 | 4 | 1 |
2024 | 10 | 3 | 8 | 1 |
2024 | 11 | 3 | 6 | 1 |
2024 | 12 | 2 | 3 | 1 |
2025 | 1 | 2 | 4 | 1 |
2025 | 2 | 1 | 2 | 1 |
2025 | 3 | 1 | 2 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 1 | 0 |
2025 | 10 | 1 | 1 | 0 |
Trending Position
If the intention and goals of a film were all that counted, Punch would rate much higher for me. I like what the movie sets out to do, and I don’t mind the less than premier production values. Imagine a movie listing only twelve actors in the credits! But the movie takes shortcuts and stretches m ... y belief of how much change is possible quickly in a character. And where it might have hoped to be edgy and original, it comes off as exploitive and somewhat icky, to use a less than technical review term. Given the level of her psychological damage and pain, Ariel comes too far too fast in her development as a character. This story should have been handled in a miniseries at least, its time frame extended, and less emphasis on the shock value of a social taboo and, well, ickiness. But I watched the whole thing under some weird fascination, because there were kernels of potential here and there that, if explored rather than exploited, might have made for a complex and perhaps more engrossing story. But, sigh, I don’t usually rate for potential and I shouldn’t start now. I don’t regret watching it, but if I had paid 15 cannolis and used a rare trip to the theater doing it, it would be a different story.