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Holiday Poster

Holiday

An astonishing drama of double life and double love!
1930 | 91m | English

(795 votes)

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Popularity: 0.4 (history)

Details

A young man is torn between his free-thinking lifestyle and the tradition of his wealthy fiancée's family.
Release Date: Jul 03, 1930
Director: Edward H. Griffith
Writer: Horace Jackson, Philip Barry
Genres: Comedy, Romance
Keywords black and white, pre-code, courtship
Production Companies Pathé Exchange
Box Office Revenue: $0
Budget: $0
Updates Updated: Apr 20, 2024
Entered: Apr 20, 2024
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Full Credits

Name Character
Ann Harding Linda Seton
Mary Astor Julia Seton
Robert Ames Johnny Case
Hallam Cooley Seton Cram
Creighton Hale Pete Hedges
Elizabeth Forrester Laura Cram
Edward Everett Horton Nick Potter
Hedda Hopper Susan Potter
William Holden Edward Seton
Mabel Forrest Mary Jessup
Monroe Owsley Ned Seton
Mary Forbes Mrs. Pritchard Ames
Name Job
Edward H. Griffith Director
Norbert Brodine Director of Photography
Harold E. Stine Sound Engineer
Daniel Mandell Editor
Josiah Zuro Music
Carroll Clark Art Direction
Gwen Wakeling Costume Design
Horace Jackson Writer
Denzil A. Cutler Sound Engineer
Clarence Slifer Assistant Camera
Walter Hermann Makeup Artist
Philip Barry Writer
Name Title
E.B. Derr Producer
Organization Category Person
Popularity Metrics

Popularity History


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Reviews

Geronimo1967
6.0

A pretty wooden Ann Harding tops the bill here in this rather stagily delivered rom-com. She ("Linda") is the independently-minded daughter of a wealthy family whose sister "Julia" (Mary Astor) has a whirlwind romance and wants to get married. Thing is, her intended "Johnny" (Robert Ames) doesn't qu ... ite measure up to expectations of blue-blooded father Edward" (William Holden) but "Linda" takes quite a shine to his free-spirited attitude, especially when he declares that he wants little of her family's wealth, but to retire early and enjoy the simple things in life. "Julia" isn't so impressed with the prospect of having an "idler" for an husband and so a denouement with all concerned looks set to recalibrate the relationships and reveal the truth about these characters. It's watchable enough, this, but the presentation is very stilted. The actors seem to be too pre-occupied seeking their cue spots to deliver their very set-piece lines for much of this sitting-room drama naturally, and that is especially obvious with the little thinly-stretched humour Philip Barry's original play provided. It does take a gentle swipe at new versus old money and at double standards, and would probably work quite well in a theatre, but on screen it's all a bit static.

Feb 15, 2024