Popularity: 3 (history)
Director: | Otto Preminger |
---|---|
Writer: | Jerome Cady, Kathleen Winsor, Philip Dunne, Ring Lardner, Jr. |
Staring: |
Amber St Clair, orphaned during the English Civil War and raised by a family of farmers, aspires to be a lady of high society; when a group of cavaliers ride into town, she sneaks away with them to London to achieve her dreams. | |
Release Date: | Oct 10, 1947 |
---|---|
Director: | Otto Preminger |
Writer: | Jerome Cady, Kathleen Winsor, Philip Dunne, Ring Lardner, Jr. |
Genres: | Drama, Romance, History |
Keywords | prison, england, suppressed past, duel, king |
Production Companies | 20th Century Fox |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 02, 2025 Entered: Apr 20, 2024 |
Name | Character |
---|---|
Linda Darnell | Amber St. Clair |
Cornel Wilde | Bruce Carlton |
Richard Greene | Lord Harry Almsbury |
George Sanders | King Charles II |
Glenn Langan | Capt. Rex Morgan |
Richard Haydn | Earl of Radcliffe |
Jessica Tandy | Nan Britton |
Anne Revere | Mother Red Cap |
John Russell | Black Jack Mallard |
Jane Ball | Corinne Carlton |
Robert Coote | Sir Thomas Dudley |
Leo G. Carroll | Matt Goodgroome |
Natalie Draper | Countess of Castlemaine |
Margaret Wycherly | Mrs. Spong |
Alma Kruger | Lady Constance Redmond |
Billy Ward | Little Bruce |
Edmund Breon | Lord Redmond |
Alan Napier | Landale |
Norma Varden | Mrs. Abbott |
Ellen Corby | Marge |
Edith Evanson | Sarah |
Will Stanton | Deadeye |
Peter Shaw | Deacon |
Patrick Whyte | Courtier |
Name | Job |
---|---|
Otto Preminger | Director |
Jerome Cady | Writer |
Leon Shamroy | Director of Photography |
Lyle R. Wheeler | Art Direction |
René Hubert | Costume Design |
David Raksin | Original Music Composer |
Kathleen Winsor | Novel |
Thomas Little | Set Decoration |
Philip Dunne | Writer |
Ring Lardner, Jr. | Writer |
Ben Nye | Makeup Artist |
Name | Title |
---|---|
William Perlberg | Producer |
Darryl F. Zanuck | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 10 | 24 | 3 |
2024 | 5 | 13 | 22 | 5 |
2024 | 6 | 11 | 36 | 4 |
2024 | 7 | 9 | 19 | 4 |
2024 | 8 | 13 | 35 | 6 |
2024 | 9 | 7 | 11 | 4 |
2024 | 10 | 7 | 12 | 2 |
2024 | 11 | 5 | 11 | 2 |
2024 | 12 | 4 | 7 | 2 |
2025 | 1 | 7 | 17 | 2 |
2025 | 2 | 4 | 7 | 1 |
2025 | 3 | 3 | 5 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 3 | 0 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
Perhaps had Otto Preminger just been a bit more judicious with the razor blade in the edit, this rather over-long drama might have been more enjoyable. As it is, it takes far too long to establish the story of the disenfranchised "Amber" (Linda Darnell) whose family were on the wrong side at the end ... of the English Civil war. Upon the restoration of King Charles II (George Sanders) her prospects start to look better, and to that end she allies herself with "Lord Carlton" (Cornel Wilde) and his friend "Lord Almsbury" (Richard Greene) and a bumpy ride of men, prison and opportunity ensues. Not to put too fine a point on it, "Amber" is quite prepared to use all of her feminine wiles to achieve her goals, and as she moves onwards and upwards, she equally finds herself more and more alone - a position that becomes much clearer as the great fire of London changes everything. The drama depicts well the ambitious woman, and Darnell carries off the part quite successfully, but Wilde is well past his best here and Green doesn't really impose himself often enough to make much impact on rather plodding nature of the chronology. Sanders is adequate in a role he played more than once and the whole look of the film captures well the sense of optimism and opportunism that prevailed upon the return of the King. Keep an eye out for Jessica Tandy amongst a competent supporting cast that also features Richard Haydn in the rather implausible guise of her wealthy and jealous husband "Radcliffe". It's a largely forgotten film, this, and though I did quite enjoy watching it, I can understand why. I am fan of the genre, and Darnell does well here, but despite the lavishness of the costumes and the sets, it's all just a bit lacklustre.