Popularity: 3 (history)
| Director: | Joan Chen |
|---|---|
| Writer: | Allison Burnett |
| Staring: |
| Will Keane, a Manhattan restaurateur, is content with his playboy lifestyle until he meets Charlotte Fielding, a free-spirited young woman. Together the pair pursue a passionate affair that forces them both to reevaluate what they want out of life, even as fate threatens to steal away their future. | |
| Release Date: | Aug 11, 2000 |
|---|---|
| Director: | Joan Chen |
| Writer: | Allison Burnett |
| Genres: | Drama, Romance |
| Keywords | new love, love of one's life, unexpected happiness, dying and death, success, kiss, love, relationship, unhappiness, woman director, fear of dying |
| Production Companies | Metro-Goldwyn-Mayer, Lakeshore Entertainment |
| Box Office |
Revenue: $90,726,668
Budget: $65,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Richard Gere | Will Keane |
| Winona Ryder | Charlotte Fielding |
| Anthony LaPaglia | John Volpe |
| Elaine Stritch | Dolores "Dolly" Talbot |
| Vera Farmiga | Lisa Tyler |
| Sherry Stringfield | Sarah |
| Jill Hennessy | Lynn |
| J.K. Simmons | Dr. Tom Grandy |
| Sam Trammell | Simon |
| Mary Beth Hurt | Dr. Sibley |
| Kali Rocha | Shannon |
| Bill Raymond | Michael (Doorman) |
| Tawny Cypress | Melissa |
| Steven Randazzo | Alberto |
| George Spielvogel III | Netto |
| Ranjit Chowdhry | Fakir |
| Toby Poser | Autumn Woman #1 |
| Audrey Quock | Eriko |
| Gabriel Portuondo | 458 Waiter |
| Laurent Schwaar | 458 Waiter |
| Patrick Price | 458 Waiter |
| Ted Koch | 458 Bartender |
| Alvin H. Einbender | 458 Bartender |
| Daniella van Graas | Model at Bar |
| Rachel Nichols | Model at Bar |
| Steven Ravid | 458 Customer |
| Ron Emanuel | 458 Customer |
| Dan Camins | 458 Customer |
| John Guidera | 458 Customer |
| Russell Hunston | 458 Customer |
| Nik Pjeternikaj | 458 Customer |
| Paige Handler | Charlotte's Birthday Friend |
| Liza Lapira | Charlotte's Birthday Friend |
| Sarah Teresa Burns | Little Girl at Playground |
| Earl Carroll | Will's Driver |
| David Filippi | Taxi Driver |
| Becca Lee | Michelle |
| Estelle Robinson | Old Frail Lady |
| Brittney Bunkis | Little Girl at Museum |
| Delores Mitchell | Librarian |
| Hatsumi Yoshida | Clown at Halloween Party |
| Kristi Lee Guinness | 50's Girl at Halloween Party |
| Luca Waldman | Vampire at Halloween Party |
| Daniella Canterman | Twin |
| Deanna Canterman | Twin |
| Harry Burney | Choirmaster |
| Cheyne M. Hansen | Boy at Rockerfeller |
| Iris Flick | Nurse at New Haven Hospital |
| Pamela Twyble | Nurse at Cleveland Heart Institute |
| Kathleen Goldpaugh | St. Vincent's Nurse |
| Robert Plunket | Grubby Man |
| Shawna Bermender | Ballroom Dancer (uncredited) |
| Lindsay Canton | Young Teacher at Museum (uncredited) |
| Jamie Harrold | (uncredited) |
| Kathryn Hayzer | Ballroom Dancer (uncredited) |
| Timothy Huang | 458 Waiter (uncredited) |
| Christopher Lucas | Dance Partner (uncredited) |
| Nami Paix | Charlotte's Birthday Friend (uncredited) |
| Rohan Quine | The Moroccan (uncredited) |
| Adriana Souza | Ballroom Dancer (uncredited) |
| Randy Troy | Package Boy (uncredited) |
| Jade Viggiano | Good Fairy Witch (uncredited) |
| Name | Job |
|---|---|
| Gabriel Yared | Original Music Composer |
| Gu Changwei | Director of Photography |
| Ruby Yang | Editor |
| Allison Burnett | Screenplay |
| Sheila Jaffe | Casting |
| Georgianne Walken | Casting |
| Peter Afterman | Music Supervisor |
| Carol Oditz | Costume Design |
| Harvey Waldman | Unit Production Manager |
| Joseph R. Burns | First Assistant Director |
| Michelle L. Keiser | Second Assistant Director |
| Al Cerullo | Pilot |
| James McQuaide | Post Production Supervisor |
| Pat Jackson | Supervising Sound Editor |
| Todd Boekelheide | Sound Re-Recording Mixer |
| Dan Olmsted | Sound Re-Recording Mixer |
| Catherine Davis | Set Decoration |
| Mario Ventenilla | Assistant Art Director |
| Nancy Winters | Assistant Art Director |
| Jacqueline Jacobson Scarfo | Assistant Set Decoration |
| Phil Oetiker | Camera Operator |
| Andrew Priestley | First Assistant Camera |
| Rod Calarco | Second Assistant Camera |
| Stephen Consentino | Steadicam Operator, "B" Camera Operator |
| Chris Silano | First Assistant "B" Camera |
| Andrew D. Schwartz | Still Photographer |
| Lisa Katcher | Script Supervisor |
| Robert Sciretta | Chief Lighting Technician |
| Thomas Ford | Assistant Chief Lighting Technician |
| Richard Guinness Jr. | Key Grip |
| Glen Engels | Best Boy Grip |
| Rick Marroquin | Dolly Grip |
| Billy Kerwick | Key Rigging Grip |
| Chris Newman | Sound Mixer |
| Marc-Jon Sullivan | Boom Operator |
| Gregg Harris | Cableman |
| Diana Burton | Property Master |
| Sarah Frank | Graphic Designer |
| Timothy Metzger | Leadman |
| Winnie Cheng | Post Production Coordinator |
| Mike Bruining | First Assistant Editor |
| Julie Kuehndorf | Unit Publicist |
| Grant Wilfley | Extras Casting |
| Steven R. Hammond | Transportation Captain |
| Gene O'Neill | Transportation Co-Captain |
| Brian Carmichael | Video Assist Operator |
| Daniel Sperry | Dolby Consultant |
| Stephen R. Sheridan | Color Timer |
| Theresa Repola Mohammed | Negative Cutter |
| Dianna Stirpe | Dialogue Editor |
| Karen G. Wilson | Dialogue Editor |
| Kyrsten Mate | Sound Effects Editor |
| Robert Shoup | Sound Effects Editor |
| Malcolm Fife | Sound Effects Editor |
| Eric Thompson | ADR Mixer |
| Marnie Moore | Foley Artist |
| Margie O'Malley | Foley Artist |
| Frank Canonica | Sound Recordist |
| Andrew Dorfman | Music Editor |
| Joan Chen | Director |
| Mark Friedberg | Production Design |
| Jodi Michelle Pynn | Stunt Coordinator |
| Blaise Corrigan | Stunt Driver |
| David Parker | Sound Re-Recording Mixer |
| Jess Gonchor | Art Direction |
| Rena DeAngelo | Assistant Property Master |
| Barbara Harris | ADR Voice Casting |
| Katharina Eggmann | Casting Assistant |
| Sean Fogel | Production Coordinator |
| Name | Title |
|---|---|
| Tom Rosenberg | Producer |
| Gary Lucchesi | Producer |
| Andre Lamal | Co-Producer |
| Ted Tannebaum | Executive Producer |
| Ron Bozman | Executive Producer |
| Amy Robinson | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 17 | 29 | 12 |
| 2024 | 5 | 20 | 29 | 15 |
| 2024 | 6 | 20 | 37 | 9 |
| 2024 | 7 | 20 | 45 | 13 |
| 2024 | 8 | 20 | 43 | 10 |
| 2024 | 9 | 15 | 20 | 10 |
| 2024 | 10 | 21 | 38 | 11 |
| 2024 | 11 | 20 | 53 | 10 |
| 2024 | 12 | 17 | 31 | 10 |
| 2025 | 1 | 15 | 23 | 8 |
| 2025 | 2 | 12 | 21 | 3 |
| 2025 | 3 | 5 | 14 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 1 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
**_“Love Story” in New York with an older man, younger woman_** A handsome restaurateur in upscale Manhattan is also a notorious womanizer (Richard Gere). When he is wowed by a too-young woman (Winona Ryder), will she become the catalyst to positive change despite her secret? “Autumn in New ... York” (2000) is a romance that mixes “Love Story” (1970) with a little “Pretty Woman” (1990). It has a lot of good in it, especially the Fall cinematography of the better parts of the Big Apple, as well as the characters played by Elaine Stritch and JK Simmons, not to mention Vera Farmiga. The "human lie detector" scene is great too. Unfortunately, there’s zero build-up to consummation and Gere’s character is depicted in an outrageously negative light despite his good-looking charisma. I’m talking the first 40 minutes of the movie. Why would anyone with a brain want to waste their precious time on such a person? I suppose you could view it as a character study and the power of love to change an attractive-but-loathsome person but, if that’s the case, explain what contemptibly happens at the Halloween party. Still, it's a bold scene that captures the viewer unaware and should be respected for that. No one can say it's an imitation of "Love Story" from 30 years earlier. Also, the close with Vera’s character is notable in a heartwarming way. There’s hope for ANYONE, if they’re humble and penitent. The film runs 1 hour, 43 minutes, and was shot in Manhattan. GRADE: B-