Popularity: 3 (history)
| Director: | John Lee Hancock |
|---|---|
| Writer: | John Lee Hancock, Leslie Bohem, Stephen Gaghan |
| Staring: |
| Based on the 1836 standoff between a group of Texan and Tejano men, led by Davy Crockett and Jim Bowie, and Mexican dictator Santa Anna's forces at the Alamo in San Antonio, Texas. | |
| Release Date: | Apr 07, 2004 |
|---|---|
| Director: | John Lee Hancock |
| Writer: | John Lee Hancock, Leslie Bohem, Stephen Gaghan |
| Genres: | Drama, History, War |
| Keywords | texas, uprising, alamo |
| Production Companies | Imagine Entertainment, Touchstone Pictures |
| Box Office |
Revenue: $25,819,961
Budget: $107,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Dennis Quaid | Sam Houston |
| Billy Bob Thornton | Davy Crockett |
| Jason Patric | James Bowie |
| Patrick Wilson | William Travis |
| Emilio Echevarría | Antonio Lopez de Santa Ana |
| Edwin Hodge | Joe |
| Emily Deschanel | Rosanna Travis |
| Jordi Mollà | Juan Seguin |
| Leon Rippy | Sgt. William Ward |
| Marc Blucas | James Bonham |
| Robert Prentiss | Albert Grimes |
| Kevin Page | Micajah Autry |
| Joe Stevens | Mial Scurlock |
| Stephen Bruton | Captain Almeron Dickinson |
| Laura Clifton | Susanna Dickinson |
| Ricardo Chavira | Private Gregorio Esparza |
| Steven Chester Prince | Lieutenant John Forsythe |
| Estephania LeBaron | Juana |
| Brandon Smith | Lieutenant Colonel J.C. Neill |
| Elena Hurst | Stunning Tejana |
| Rance Howard | Governor Smith |
| Nathan Price | Charlie Travis |
| Tom Davidson | Colonel Green Jameson |
| Afemo Omilami | Sam |
| Name | Job |
|---|---|
| Craig Barron | Visual Effects Supervisor |
| Greg Funk | Key Makeup Artist |
| Chris Castaldi | Second Second Assistant Director |
| Phil Neilson | Second Unit Director, Stunt Coordinator |
| Carter Burwell | Conductor, Original Music Composer |
| Keith Woulard | Stunt Coordinator |
| Eric L. Beason | Editor |
| Elaine Ramires | Costume Supervisor |
| Ronna Kress | Casting |
| Mitchell Ray Kenney | Costume Supervisor |
| Craig Byrom | Construction Foreman |
| Randall D. Wilkins | Set Designer |
| James J. Gilson | Gaffer |
| Adam Milo Smalley | Music Editor |
| Deana Newcomb | Still Photographer |
| Dan Webster | Art Direction |
| Carla Curry | Set Decoration |
| Lauren E. Polizzi | Art Direction |
| Edouard F. Henriques | Makeup Department Head |
| Dan Bronson | Costume Supervisor |
| Dewey Rash | Sculptor |
| Tom Ward | Construction Coordinator |
| Mark O'Kane | Camera Operator |
| Christian P. Minkler | Sound Re-Recording Mixer |
| David E. Fluhr | Sound Re-Recording Mixer |
| Patrick Thornton | Sculptor |
| Gina Grande | Script Supervisor |
| Kevin Cross | Assistant Art Director |
| Ana Martinez | Art Department Coordinator |
| Randy Severs | Sculptor |
| Ken Rogerson | Visual Effects Editor |
| Laura Hodges | Set Costumer |
| Stephany Baskin | Set Costumer |
| Al Hobbs | Assistant Art Director |
| Jerry Evans | Choreographer |
| Larz Anderson | Special Effects Coordinator |
| John L. Lewis | Gaffer |
| Sonny Kompanek | Orchestrator |
| Trevor Doyle Nelson | Camera Intern |
| Thomas V. Johnson | Standby Painter |
| Wendy Bonn | Assistant Property Master, Scenic Artist |
| Richard E. Chapla Jr. | Production Supervisor |
| Stephen Beasley | Best Boy Electric |
| Tony Rivetti Sr. | Steadicam Operator |
| Brown Cooper | Additional Camera |
| Steve Salada | Production Office Coordinator |
| Kevin Lin | Quality Control Supervisor |
| Lonnie Nelson | Transportation Captain |
| Chris Silver Finigan | Production Accountant |
| Keith Bilderbeck | Sound Editor |
| Gloria Ciraolo | Painter |
| Nanrose Buchman | Assistant Costume Designer |
| John Arszyla | Set Medic |
| Kim Santantonio | Hair Department Head |
| Annette Hoffman | Seamstress |
| Bert Beatson | Stand In |
| Troy Anderson | Electrician |
| Charles Coulter | Driver |
| Angela Angel | Makeup Artist |
| John Pritchett | Production Sound Mixer |
| Chelsea Carpenter | Hairstylist |
| Vern Crofoot | Armorer |
| Greg Faucett | Transportation Co-Captain |
| Patrick Phillips | Visual Effects |
| Glenn Cotter | 3D Artist |
| Bart Brown | Set Dresser |
| Jeff Okabayashi | Second Assistant Director |
| James Irvin Gates | Tailor |
| William Jacobs | Foley Editor |
| Yvonne Wilburn | Set Costumer |
| Bryan Lawson | Music Editor |
| Eric A. Williams | Location Manager |
| Charisse Cardenas | Set Designer |
| Van Redin | Still Photographer |
| Kenneth Garrett | Sculptor |
| Laura Gary | Studio Teachers |
| Phil Schriber | Transportation Coordinator |
| Jon Johnson | Supervising Sound Editor |
| Kip Larsen | Visual Effects Producer |
| Steve Drake | Rigging Grip |
| Mateo Barnstone | Location Scout |
| Anna Abbey | Set Costumer |
| Joel Poage | Chef |
| Roger Basquette | Video Assist Operator |
| Meg Beatty | Set Production Assistant |
| Brian W. Jennings | Sound Effects Editor |
| Keri Moorhouse | Department Administrator |
| Carol F. Doran | Wigmaker |
| Kathleen McGill | Unit Production Manager |
| Thomas Real | Key Hair Stylist |
| David M. Roberts | Boom Operator |
| Simon Walton | Systems Administrators & Support |
| Austin Anderson | Animal Coordinator, Utility Stunts |
| Monica Zierhut | Music Supervisor |
| William F. Gambill | Lead Painter |
| Andy deBruyn | Grip |
| Jeff Schweikart | Post Production Assistant |
| Raul V. Carrera | Greensman |
| Shane Patrick | Leadman |
| Erick Garibay | Craft Service |
| Ernie Malik | Unit Publicist |
| Mika Saito | Production Coordinator |
| Don Thompson | First Assistant Editor |
| Ross Macdonald | Propmaker |
| Fred L. McLane | First Assistant Camera |
| Steve Allen | Propmaker, Carpenter |
| Susann Jones | Post Production Supervisor |
| James D. Tittle | Visual Effects Coordinator |
| K.C. Hodenfield | First Assistant Director |
| Victoria Gonzales | Camera Loader |
| Steven Gerrior | Assistant Sound Editor |
| Mark Rathaus | Associate Editor |
| George Doering | Musician |
| Kay Colvin | Utility Sound |
| Charles Maynes | Sound Effects Designer |
| Darrell Hanzalik | Supervising ADR Editor |
| Courtney Bright | Casting Assistant |
| Mark Gordon | Dialogue Editor |
| Don Miloyevich | Property Master |
| Kim Heath | Key Rigging Grip |
| William Eddie Paul | Best Boy Grip |
| Jeremiah Clifton | ADR Engineer |
| Jordan Ford | Digital Intermediate Assistant |
| Megan Forste | Assistant Camera |
| Teresa Neptune | Location Casting |
| Vicki V. Johnson | Unit Medic |
| Lauren Swearingen | Assistant Production Coordinator |
| Javier Arrieta | Key Costumer |
| John Brian King | Title Designer |
| Gabriel Guy | Sound Recordist |
| Robert Troy | Dialogue Editor |
| John W. Murphy | Dolly Grip |
| Margo Kornemann | Second Assistant Accountant |
| Steve Bowen | Digital Color Timer |
| Alyson Dee Moore | Foley Artist |
| Steve Sawhill | Swing |
| Billy Dowd | Extras Casting |
| Leeann Radeka | Costumer |
| Amanda Curry | First Assistant Accountant |
| Mark Lambert Bristol | Storyboard Artist |
| Tami Treadwell | ADR Recordist |
| Karen Wacker | Travel Coordinator |
| Patrick Loungway | Visual Effects Camera |
| Sean Devine | Dolly Grip |
| Kira Burns | Extras Casting Assistant |
| Glen Moorman | Camera Production Assistant |
| Joshua D. Clark | Location Assistant |
| Eric Gotthelf | ADR Mixer |
| Marshall Bowen | Music Arranger |
| Kevin Bowers | Special Effects Technician |
| Robbie Friedmann | Assistant Location Manager |
| Dwayne Grady | Props |
| Sonia L. Garcia | Painter |
| Brian Hanable | Digital Compositor |
| Byron Scott Thomas | Props |
| Patrick Keenan | Digital Compositor |
| April Crump | Set Dresser |
| Jack Colmenero | Set Dresser |
| Margaret Johnson | Greensman |
| Terry Scott | Construction Coordinator |
| Thomas Young III | Additional First Assistant Camera |
| Rick Roesch | Payroll Accountant |
| Melissa Binder | Textile Artist |
| Lorene Simpson | Digital Intermediate Producer |
| Ross Macdonald | Graphic Designer |
| Richard Bucher | Stunt Double |
| Lola Belsito | Production Secretary |
| Theda Cunningham | Additional Second Assistant Camera |
| Ben Estrada | Digital Colorist |
| Amy Bradford | Production Assistant |
| Donald R. Howe Jr. | Second Assistant Camera |
| Shauna L. Kroen | Assistant Accountant |
| Paul Covington | Assistant Editor |
| Michael Leonard | Set Dresser |
| Mark Hanks | Set Dresser |
| Cory Parker | Set Dresser |
| Koen Wooten | Props |
| Kelley A. Hankins | Painter |
| Craig Mathieson | Digital Compositor |
| Robert R. Wonson | Set Dresser |
| Morgan Trotter | 3D Artist |
| John Lee Hancock | Screenplay, Director |
| Leslie Bohem | Screenplay |
| Stephen Gaghan | Screenplay |
| Dean Semler | Director of Photography |
| Michael Corenblith | Production Design |
| Daniel Orlandi | Costume Design |
| John Roesch | Foley |
| David Alvarado | Stunts |
| Michael Curtis | Digital Compositor |
| Ben Hernandez Bray | Stunts |
| Name | Title |
|---|---|
| Philip Steuer | Executive Producer |
| K.C. Hodenfield | Associate Producer |
| Louisa Velis | Associate Producer |
| Todd Hallowell | Executive Producer |
| Ron Howard | Producer |
| Mark Johnson | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 21 | 41 | 10 |
| 2024 | 5 | 28 | 63 | 12 |
| 2024 | 6 | 19 | 28 | 12 |
| 2024 | 7 | 20 | 29 | 11 |
| 2024 | 8 | 20 | 44 | 12 |
| 2024 | 9 | 12 | 16 | 9 |
| 2024 | 10 | 20 | 34 | 11 |
| 2024 | 11 | 16 | 39 | 7 |
| 2024 | 12 | 14 | 28 | 8 |
| 2025 | 1 | 14 | 25 | 9 |
| 2025 | 2 | 9 | 13 | 3 |
| 2025 | 3 | 6 | 14 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 3 | 2 |
Trending Position
Welcome to the murky middle ground where legend and history meet. I enjoyed this movie as an earnest attempt to tell this iconic legend in a slightly different way. Its variance from the legend may make cinema purists uncomfortable, but I have read a lot about the Alamo over the past 40 years and do ... n't feel threatened by it. History, after all, is written by the winners. I think the last scene with Davy Crockett is based on a book by a Mexican soldier, but I am not 100% sure. Some historians suggest the battle was begun while everyone slept and was over in minutes. The first best selling biography of David Crockett (his descendants say he never went by Davy, that that was a Walt Disney concept) may have made up some of the legend now accepted as nearly factual. I like the line Billy Bob Thornton as David Crockett gives about the burden of being Crockett, the legendary Crockett, that is, rather than the private Crockett he is not allowed to be. It is just as well that the battle turned out to be such a rallying cry for Sam Houston's army, because it doesn't feel like it accomplished much else. Well, except for providing material for an entertaining movie, that is.
Didn't enjoy this. <em>'The Alamo'</em>, to me at least, is an incredibly slow-paced and rather boring 137 minutes. Not even the free-for-all action sequences bring any true entertainment, due to the chaotic filming nature of them; I get there's supposed to be pandemonium, but the camera work is ... a mess. Another negative to note is the score, which is one of the poorest I've heard. It's so soppy and full of itself at times it makes it almost unwatchable, though in fairness isn't helped by the direction. I get they were attempting to show the lives of the people involved, but two-second dialogues and dramatic music doesn't attach you to characters. The cast don't do anything majorly wrong, but I couldn't find a connection with any of them. Billy Bob Thornton is probably the best in this, as he portrays Davy Crockett. Dennis Quaid doesn't get enough to work with as Sam Houston, while none of the others standout - not even Emilio Echevarría as Santa Anna. This should be edge-of-your-seat stuff, it isn't - at least for me.
Unfortunately, you have to compare this with the John Wayne version from 1960, and it doesn't really hold up very favourably. Patrick Wilson is Colonel Travis trying to command a garrison of Texan freedom fighters holed up in an old Catholic Mission against the overwhelming forces of Mexican General ... Santa Anna. His task is made the harder by the fact that he is a bit inept, and has some very strong characters to try to lead - not least Davy Crockett (Tommy Lee Jones) and Jim Bowie (Jason Patric). Unlike the earlier version, this story takes us beyond the well told story of the siege, and as such better completes the story of the birth of Texas as an independent state. Better, but as to the acting - well that is all pretty mediocre, sterile even. The dialogue is wordy and lacking in much humour and these undoubted characters are underplayed by all concerned. The production is of an high standard - it looks good, but all told it comes across as a television movie frequently peppered with large scale re-enactments that would not be out of place supporting a country fair.