Popularity: 3 (history)
Director: | Josef Rusnak |
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Writer: | Ravel Centeno-Rodriguez, Daniel F. Galouye, Josef Rusnak |
Staring: |
In Los Angeles, a wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place. | |
Release Date: | Apr 16, 1999 |
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Director: | Josef Rusnak |
Writer: | Ravel Centeno-Rodriguez, Daniel F. Galouye, Josef Rusnak |
Genres: | Science Fiction, Mystery, Thriller |
Keywords | artificial intelligence (a.i.), based on novel or book, simulation, computer program, virtual reality, dystopia, remake, surrealism, los angeles, california, parallel world, alternative reality, existentialism, mind transfer, neo-noir, 1990s, 1930s |
Production Companies | Columbia Pictures, Centropolis Film Productions |
Box Office |
Revenue: $18,564,088
Budget: $16,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Craig Bierko | Douglas Hall |
Armin Mueller-Stahl | Hannon Fuller |
Gretchen Mol | Jane Fuller |
Vincent D'Onofrio | Whitney |
Dennis Haysbert | Det. Larry McBain |
Steven Schub | Det. Zev Bernstein |
Jeremy Roberts | Tom Jones |
Rif Hutton | Joe |
Leon Rippy | Jane's Lawyer |
Janet MacLachlan | Ellen |
Brad William Henke | Cop |
Burt Bulos | Bellhop |
Venessia Valentino | Concierge |
Howard S. Miller | Chauffeur |
Tia Texada | Natasha's Roommate |
Shiri Appleby | Bridget Manilla |
Bob Clendenin | Bank Manager |
Rachel Winfree | Woman Bank Customer |
Meghan Ivey | Chanteuse |
Alison Lohman | Honey Bear Girl |
Hadda Brooks | Lounge Piano Player |
Ron Boussom | Maitre D' |
Ernie Lively | 30's Cop |
Toni Sawyer | Grierson's Wife |
Brooks Almy | Bridget's Mom |
Darryl Henriques | Cab Driver |
Suzanne Harrer | Dance Contest Partner |
Lee Weaver | 30's Limo Driver |
Geoffrey Rivas | Security Guard |
Travis Tedford | Newspaper Boy |
Jeff Blumenkrantz | Choreographer |
Andrew Alden | Doorman |
Johnny Crawford | Singer |
Name | Job |
---|---|
Wedigo von Schultzendorff | Director of Photography |
Claudette Barius | Still Photographer |
Randy Gerston | Music Supervisor |
Joseph A. Porro | Costume Designer |
R.A. Rondell | Stunt Coordinator |
Lars P. Winther | Second Assistant Director |
Henry Kingi | Stunts |
Freddie Hice | Stunts |
Billy D. Lucas | Stunts |
Ravel Centeno-Rodriguez | Screenplay |
April Webster | Casting |
Daniel F. Galouye | Novel |
Henry Richardson | Editor |
Victor J. Zolfo | Set Decoration |
David Bloch | Casting |
Frank Bollinger | Art Direction |
Harald Kloser | Original Music Composer |
Thomas Nellen | Makeup Department Head |
Jean Rosone | Costume Supervisor |
Josef Rusnak | Director, Screenplay |
A. Leslie Thomas | Set Designer |
Carolin Quis | CGI Supervisor |
Margit Pfeiffer | Dialogue Editor |
Robert A. Blackburn | Construction Coordinator |
Deborah Slate | Set Costumer |
Katherine Rees | Hair Department Head |
Brian W. Nordheim | First Assistant Camera |
Peter Afterman | Music Supervisor |
Erwin H. Kupitz | Wig Designer |
Chris Squires | Steadicam Operator, Camera Operator |
Chris Wagganer | Video Assist Operator |
Christian Middelberg | Visual Effects Producer |
Haggi Floeser | CG Animator |
Joe Bauer | Visual Effects Supervisor |
Virginia Kearns | Hairstylist |
Steven Melton | Property Master |
Mitchell Lookabaugh | Dolly Grip |
Alexander Garcia | First Assistant Editor |
Kosta Saric | Visual Effects Editor |
Hubert Bartholomae | Supervising Sound Editor, Sound Re-Recording Mixer |
Evelyne Barbier | Set Designer |
Annie Dunn | Set Costumer |
Henning Raedlein | Visual Effects Producer |
John S. Baker | Special Effects Coordinator |
Tim Ryan | Key Grip |
Jon R. Tower | Chief Lighting Technician |
Christian Haas | CG Animator |
Dino DiMuro | ADR Editor |
Jonathan Fuh | Boom Operator |
Kim Berner | Script Supervisor |
Mary Ruth Smith | ADR Editor |
Pit Kuhlmann | Foley Editor |
Andreas Musolff | Sound Effects Editor |
Bobbi Baird | Makeup Artist |
Rick Downey | Negative Cutter |
Dave McMoyler | ADR Supervisor |
Thomas Wander | Additional Music |
Kim H. Winther | First Assistant Director |
Dana Ross | Color Timer |
Max Neal | Second Assistant Camera |
Robert J. Anderson Jr. | Sound Re-Recording Mixer, Sound Mixer |
Cindy Franke | Production Coordinator |
Lisa Lynn Kearsley | Production Supervisor |
Barry Chusid | Supervising Art Director |
Jörn Poetzl | Foley Artist |
Kelly Van Horn | Unit Production Manager |
Kim Clever | Choreographer |
Melissa Bargar | Production Secretary |
David Frutos | Choreographer |
Fran Lucci | Production Accountant |
Michael Bauman | Assistant Chief Lighting Technician |
Kevin LaRosa | Aerial Coordinator |
Tommy J. Huff | Stunts |
Kirk M. Petruccelli | Production Design |
José Antonio García | Sound Mixer |
Debbie Lynn Ross | Stunts |
Chad Randall | Stunts |
Matt McBride | Stunts |
Larry Rippenkroeger | Stunts |
Anthony T. Pennello | Stunts |
Fred Waugh | Stunts |
Thomas Robinson Harper | Stunts |
Name | Title |
---|---|
Michael Ballhaus | Executive Producer |
Roland Emmerich | Producer |
Helga Ballhaus | Executive Producer |
Marco Weber | Producer |
Ute Emmerich | Producer |
Kelly Van Horn | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 42 | 75 | 28 |
2024 | 5 | 83 | 96 | 62 |
2024 | 6 | 47 | 99 | 18 |
2024 | 7 | 31 | 58 | 16 |
2024 | 8 | 27 | 57 | 14 |
2024 | 9 | 18 | 25 | 12 |
2024 | 10 | 28 | 52 | 13 |
2024 | 11 | 21 | 39 | 10 |
2024 | 12 | 21 | 32 | 13 |
2025 | 1 | 21 | 30 | 15 |
2025 | 2 | 17 | 30 | 3 |
2025 | 3 | 7 | 28 | 1 |
2025 | 4 | 3 | 4 | 2 |
2025 | 5 | 2 | 3 | 2 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 3 | 5 | 2 |
2025 | 9 | 4 | 8 | 2 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 968 | 968 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 908 | 908 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 769 | 873 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 644 | 737 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 694 | 723 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 742 | 826 |
The Thirteenth Floor has an amazing premise and some great ideas. Shame that it's also mired by terrible dialogue, B-movie plotting, and a cheap looking production. Blending elements of Dark City and The Matrix though never achieving the greatness of either of those magnificent works of sci-fi, I wo ... uld still recommend The Thirteenth Floor for what it sets out to do. It's also cool to see the younger versions of Gretchen Mol, Vincent D'Onofrio, and Dennis Haysbert.
It's kind of like The Matrix, It is kind of like eXistenZ...only it is also kind of neo noir, and it is far more mystery/thriller...and it...wait, not it's actually a completely different film. Let me start again... It's kind of like Dark City and it's kind of like The Matrix and....no, that r ... eally doesn't fit either. It's kind of like a lot of elements in other movies that are kind of like this one. So people are going to see similarities...but it is also going to throw them for a loop and be a lot different than the movies that you can compare it to It's not original, it's just combined enough to be kind of completely original. In fact, forget it, just sit down and watch it yourself, it will entertain you and that was the point of making it.
"Fuller" (Armin Mueller-Stahl) needs to share the news of his ground-breaking discovery with his partner 'Hall" (Craig Bierko) but is wary that he isn't safe. He decides that the best precaution might be to leave a letter for him and deposit it in their computer-generated alter-world. This place wou ... ldn't have looked out of place in a Fritz Lang movie, and when his colleague is, indeed, slain, it falls to "Hall" - now the prime suspect for the crime - to piece together the clues left by his friend and try to identify the true culprit whilst rescuing the innovation from it's simulated home. What I quite enjoyed about this drams is the simplicity with which it juggles it's timelines. We don't have to struggle or concentrate trying to follow the changing environments coming at us from all angles of the screen overpowering what is essentially quite an intriguing crime thriller. Nobody on the screen really stands out, but the ensemble approach along with some quite potent comment on just how dependent we are becoming on technology in our lives is quite effective at keeping the story tight and interesting. The denouement is also a little left field, and all told this is a surprisingly decent attempt at an early multi-verse experience that works quite well.