Popularity: 4 (history)
| Director: | Adrian Lyne |
|---|---|
| Writer: | James Dearden |
| Staring: |
| A married man's one-night stand comes back to haunt him when that lover begins to stalk him and his family. | |
| Release Date: | Sep 18, 1987 |
|---|---|
| Director: | Adrian Lyne |
| Writer: | James Dearden |
| Genres: | Drama, Romance, Thriller |
| Keywords | new york city, sexual obsession, obsession, married couple, one-night stand, deceived wife, marriage crisis, stalker, stalking, lawyer, female stalker, extramarital affair, obsessive love, executive, married man, psychotic obsessions, obsessed with a man, obsessive relationship, every man's nightmare |
| Production Companies | Paramount Pictures |
| Box Office |
Revenue: $320,145,693
Budget: $14,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| David R. Ellis | Second Unit Director, Stunt Coordinator, Stunts |
| Risa Bramon Garcia | Casting |
| Craig Haagensen | Camera Operator |
| Heidi Levitt | Casting Assistant |
| Billy Hopkins | Casting |
| Christopher Cronyn | Unit Production Manager |
| Robert V. Girolami | First Assistant Director |
| Adrian Lyne | Director |
| Maurice Jarre | Original Music Composer |
| Michael Kahn | Editor |
| Ellen Mirojnick | Costume Design |
| Alan Robert Murray | Supervising Sound Editor |
| Steve M. Davison | Stunts |
| Freddie Hice | Stunts |
| Annie Ellis | Stunts |
| Tracy Keehn-Dashnaw | Stunt Double |
| James Dearden | Screenplay |
| Howard Atherton | Director of Photography |
| Jack Blackman | Art Direction |
| Peter E. Berger | Editor |
| Mel Bourne | Production Design |
| Robert G. Henderson | Supervising Sound Editor |
| Bruce Lacey | Sound Editor |
| Janet Brady | Stunts |
| Laurie Shepard | Stunts |
| Jane Paul | Second Assistant Director |
| Vinnie Gerardo | First Assistant Camera |
| Bill Gerardo | Second Assistant Camera |
| Andrew D. Schwartz | Still Photographer |
| George DeTitta Sr. | Set Decoration |
| Michael Zansky | Charge Scenic Artist |
| Thomas Saccio | Property Master |
| Gerald DeTitta | Set Dresser |
| Les Lazarowitz | Sound Mixer |
| Vito L. Ilardi | Sound Recordist |
| Linda Murphy | Boom Operator |
| George C. Villaseñor | Assistant Editor |
| Dan Carlin Sr. | Music Editor |
| Nicholas Korda | Sound Editor |
| Brooke Henderson Ward | Assistant Sound Editor |
| Terry Porter | Sound Re-Recording Mixer |
| David J. Hudson | Sound Re-Recording Mixer |
| Mel Metcalfe | Sound Re-Recording Mixer |
| Chris Stoia | Second Second Assistant Director |
| James P. Dolan | Chief Lighting Technician |
| Richard Dean | Makeup Artist |
| Lyndell Quiyou | Hairstylist |
| Renata Stoia | Script Supervisor |
| Ken Haber | Location Manager |
| Sylvia Trapanese | Art Department Coordinator |
| Eric Myers | Unit Publicist |
| Jack Garsha | Color Timer |
| Dan Curry | Title Designer |
| Paul Adler | Casting Assistant |
| David Horton Sr. | Sound Editor |
| James Finnerty | First Company Grip |
| Name | Title |
|---|---|
| Sherry Lansing | Producer |
| Stanley R. Jaffe | Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Picture | N/A | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 41 | 75 | 24 |
| 2024 | 5 | 42 | 78 | 26 |
| 2024 | 6 | 48 | 75 | 25 |
| 2024 | 7 | 40 | 61 | 25 |
| 2024 | 8 | 37 | 68 | 25 |
| 2024 | 9 | 35 | 54 | 26 |
| 2024 | 10 | 36 | 61 | 20 |
| 2024 | 11 | 32 | 52 | 22 |
| 2024 | 12 | 28 | 41 | 16 |
| 2025 | 1 | 33 | 62 | 21 |
| 2025 | 2 | 23 | 39 | 4 |
| 2025 | 3 | 10 | 38 | 2 |
| 2025 | 4 | 4 | 6 | 2 |
| 2025 | 5 | 4 | 5 | 3 |
| 2025 | 6 | 4 | 6 | 3 |
| 2025 | 7 | 4 | 6 | 3 |
| 2025 | 8 | 3 | 6 | 2 |
| 2025 | 9 | 4 | 6 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 712 | 804 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 345 | 591 |
I wont be ignored Dan! *** This review may contain spoilers *** Seemingly happily married man, Dan Gallagher, gives in to the seductive charm of Alex Forrest and partakes in a night of wild sexual passion with her. Trouble is, is that Alex is a tad unhinged and a woman scorned can be the ultim ... ate nightmare. I have just revisited this monster smash hit from the 80s (highest grossing film of 1987), and it still packs the same punch as it did back in the late 80s when it not only became a big hit, it also became a cultural phenomenon and one of the most talked about films of the decade. I'm saddened by the relatively average rating here because its significance and bravery should always be highlighted instead of pointless allegations about it being only of its time. Just how many imitations did Fatal Attraction spawn I wonder? Fatal Attraction was a monster hit because it gave the audience something different, a monster flip flop of having the man stalked by an uncontrollable female loony. Much credit goes to screenwriter James Dearden for laying it on like a slowly tightening spring waiting to explode, for as the plot unfolds and Alex Forrest's Madame Butterfly fuelled revenge gathers apace, the audience starts to realise it has been doubly conflicted on the emotional character attachment front. Dan has done the dirty on his beautiful wife and child, the bastard deserves what is coming to him for sure? Alex is right in that he's had his fun and now she can basically go and whistle at the moon, but the cheeky saver here from the makers is that Alex did the chasing knowing that Dan was happily married, she led the way fully armed with the facts. This makes for a wonderfully constructed thriller that ups the suspense quota to positively seal the deal with a heart stopping finale. I'm mightily relieved that American test audiences gave the thumbs down to the rather downbeat original ending that saw Alex committing suicide and thus framing Dan for her murder, the ending that stands may lose impact on repeat viewings, but boy it has still got a kick to it. Glenn Close is fantastic as Alex, playing against type she manages to convince as a disturbed individual, a perfect blend of sadness and soul destroying stupidness. Michael Douglas is also giving a performance of depth, firmly in the shadow of Glen Close's film stealing show, he none the less plays it perfectly and is believable in all aspects of the character, and I'm sure the ladies watching were pleased to see no sign of the saggy bottom that scared them in Basic Instinct five years later! This film coupled with Wall Street in the same year would propel Douglas to major A list status, and he rightly deserved it in my opinion. Anne Archer is Beth Gallagher, the hurt wife of the piece, she looks stunning and sexy, but thoughts of her looks are quickly erased with a special two layered performance of note. Containing a great script and directed astutely by Adrian Lyne, Fatal Attraction remains one of the best thrillers of the 80s, it was talked about profusely back then, and here and now it should not be forgotten. 9/10