Popularity: 1 (history)
Director: | Curtis Hanson |
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Writer: | Michael Chabon, Steve Kloves |
Staring: |
Grady is a 50-ish English professor who hasn't had a thing published in years—not since he wrote his award winning 'Great American Novel' 7 years ago. This weekend proves even worse than he could imagine as he finds himself reeling from one misadventure to another in the company of a new wonder boy author. | |
Release Date: | Feb 22, 2000 |
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Director: | Curtis Hanson |
Writer: | Michael Chabon, Steve Kloves |
Genres: | Comedy, Drama |
Keywords | adultery, based on novel or book, winter, college, marijuana, university, bisexual man, gay theme, infidelity, police, midlife crisis, liar, snow, drugs, drag, small town america, robbery, pennsylvania, usa, professor, coming of age, writer, dog, pittsburgh, pennsylvania |
Production Companies | Paramount Pictures, Scott Rudin Productions, TOHO-TOWA, Mutual Film Company, Tele München, BBC, Marubeni, Curtis Hanson Productions, MFF Feature Film Productions |
Box Office |
Revenue: $33,426,588
Budget: $35,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Michael Douglas | Grady Tripp |
Tobey Maguire | James Leer |
Frances McDormand | Sara Gaskell |
Robert Downey Jr. | Terry Crabtree |
Katie Holmes | Hannah Green |
Rip Torn | Q |
Richard Knox | Vernon Hardapple |
Jane Adams | Oola |
Michael Cavadias | Miss Sloviak |
Richard Thomas | Walter Gaskell |
Alan Tudyk | Sam Traxler |
Philip Bosco | Emily's Father |
George Grizzard | Fred Leer |
Kelly Bishop | Amanda Leer |
Bill Velin | Officer Pupcik |
Charis Michelsen | Carrie |
Yusuf Gatewood | Howard |
June Hildreth | Emily's Mother |
Elisabeth Granli | Emily (photo) |
Richard Hidlebird | Hi-Hat Bouncer |
Screamer | Poe |
Bingo O'Malley | Wordfest Party Guest |
Patricia Cray | Wordfest Party Guest |
Marita Golden | Wordfest Party Guest |
Victor Quinaz | Wordfest Party Guest |
James Ellroy | Wordfest Party Guest |
Lenora Nemetz | Wordfest Party Guest |
Tracey D. Turner | Wordfest Party Guest |
James Kisicki | Wordfest Party Guest |
Rob McElhenney | Student |
Anika Bobb | Student |
Katherine Sweeney | Student |
Katrina M. Faessel | Student (uncredited) |
John W. Iwanonkiw | Father at Hospital (uncredited) |
Sean King | Student (uncredited) |
David Lean | Student (uncredited) |
Jackson Nunn | Night Club Dancer (uncredited) |
Sandy Slicker | Woman in Forum (uncredited) |
Andrew Zehner | Student (uncredited) |
Name | Job |
---|---|
Curtis Hanson | Director |
Michael Chabon | Novel |
Steve Kloves | Screenplay |
Christopher Young | Original Music Composer |
Dante Spinotti | Director of Photography |
Jeff Imada | Stunt Coordinator |
Dede Allen | Editor |
Jeannine Oppewall | Production Design |
Mali Finn | Casting |
Donald B. Woodruff | Art Direction |
Jay Hart | Set Decoration |
Beatrix Aruna Pasztor | Costume Design |
Michal Bigger | Key Makeup Artist |
Kymbra Callaghan | Makeup Artist |
Joseph Coscia | Hairstylist |
Aaron F. Quarles | Key Hair Stylist |
Sacha Quarles | Hairstylist |
Allen Weisinger | Makeup Artist |
Pat Rand | Post Production Supervisor |
Zane Weiner | Unit Production Manager |
Renee Hill-Sweet | Assistant Director Trainee |
Annie Loeffler | Second Second Assistant Director |
Jonathan McGarry | Second Assistant Director |
Doug Metzger | First Assistant Director |
Name | Title |
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Curtis Hanson | Producer |
Scott Rudin | Producer |
Ned Dowd | Executive Producer |
Lisa Grundy | Associate Producer |
Adam Schroeder | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Director | Curtis Hanson | Nominated |
Golden Globes | Best Supporting Actress | Frances McDormand | Nominated |
BAFTA Awards | Best Picture | N/A | Nominated |
BAFTA Awards | Best Director | Curtis Hanson | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 21 | 38 | 11 |
2024 | 5 | 19 | 31 | 12 |
2024 | 6 | 19 | 27 | 9 |
2024 | 7 | 19 | 28 | 12 |
2024 | 8 | 16 | 30 | 10 |
2024 | 9 | 12 | 17 | 7 |
2024 | 10 | 13 | 19 | 8 |
2024 | 11 | 11 | 19 | 7 |
2024 | 12 | 11 | 16 | 7 |
2025 | 1 | 13 | 27 | 7 |
2025 | 2 | 10 | 17 | 3 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 1 | 1 | 1 |
Trending Position
I have to believe I saw this movie a year or two after it came out, but I had no feelings of deja vu as I watched it, so perhaps not. I usually have very little patience for movies about writers because I am one, and I get tired of them bringing up writers’ block, which I don’t believe exists, or el ... se they have the character become wildly successful in record time. There are a lot of struggling actresses and musicians and waitresses in movies, but writers often get fast-track succes. Anyway, I wander off topic. I enjoyed the movie with its range of quirky characters, and minor plot twists. There are only a couple of two-dimensional characters; the rest are given depth, even a few who don’t have a lot of screen time. It shows what can be achieved with a good ensemble cast and a decent script.
"Prof. Tripp" (Michael Douglas) hasn't his troubles to seek. He hasn't been able to follow up on his first novel for almost seven years - much to the chagrin of his agent "Terry" (Robert Downey Jr); his third wife has left him and he is about to father a child with his (married) boss (Frances McDorm ... and) at the university where he works. His writer's block isn't really much helped by the omnipresence of his star pupil "James" (Tobey Maguire) nor by his increasingly debilitating pot habit. It's the man's mid life crisis from hell, but can he navigate a way out of this and keep some semblance of his self respective and, maybe even his career! Meantime, his protégé is having a few issues of his own - not least because he accidentally shot the principal's dog and he is the object of the amorous attentions of the ambisextrous "Terry" too! There's quite a decent dynamic between Douglas and Maguire as both men have to come to terms with their own problems and with their growing reliance on and frustration of each other and there is plenty of witty dialogue that is more complexly structured and subtly potent at times. The narrative is quite tightly packed into just one weekend, and that helps keeps the momentum going as the characters develop in quite a plausible - and not always likeable - fashion. Luckily, the one-dimensional Katie Holmes appears only sparingly as the plot thickens to a nicely bubbling stew at the end. It's a decent reminder that Douglas could act, given a strong story and script, and he shows us that well here with this superior ensemble drama.