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Dahomey Poster

Dahomey

2024 | 68m | French

(3260 votes)

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Popularity: 0.6 (history)

Director: Mati Diop
Writer: Mati Diop
Staring:
Details

Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.
Release Date: Sep 11, 2024
Director: Mati Diop
Writer: Mati Diop
Genres: Documentary
Keywords african history, african art, benin
Production Companies ARTE France Cinéma, Les Films du Bal, Fanta Sy
Box Office Revenue: $506,090
Budget: $0
Updates Updated: Feb 24, 2026
Entered: Feb 24, 2026
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Full Credits

Name Job
Joséphine Drouin-Viallard Director of Photography
Mati Diop Writer, Director, Casting
Corneille Houssou Sound Engineer
Dean Blunt Original Music Composer
Marco Tulio Pires Line Producer, Production Manager
Gildas Adannou Assistant Director
Christophe Nanga-Oly Second Unit Director
Lucas Héberlé Assistant Dialogue Editor
Wally Badarou Original Music Composer
Juliette Barrat Camera Operator
Nicolas Becker Sound Designer
Gilles Marsalet Foley Artist
Raffet Houessou Gaffer
Inoa Kan Assistant Sound Editor
Geff Attintegla Assistant Camera
Wens Chabi Camera Operator
Julien Martin Foley Recordist
Mael Desreumaux Sound Recordist
Sylvain Malbrant Sound Editor
Guillaume Clément Music Supervisor
Yannick Casanova Additional Photography
Gabriel Gonzalez Editor
Gilles Granier Colorist
Cyril Holtz Sound Re-Recording Mixer
Maxime Saleix Dialogue Editor
Name Title
Ama Ampadu Associate Producer
Mati Diop Producer
Eve Robin Producer
Judith Lou Lévy Producer
Christiane Chabi Kao Executive Producer
Olivier Père Co-Producer
Organization Category Person
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Reviews

Geronimo1967
6.0

With over 7,000 pieces taken by the colonising French from their homes in the ancient African kingdom of Dahomey (now Benin), there is much celebration amongst the population at the return of 26 artefacts. These range from statues of their legendary Kings Ghezo and Béhanzin to objects of religious s ... ignificance and items of such an intricate design that their condition will require perpetual care in a new, purpose-built, home near the Presidential Palace. Sadly, we just don't spend enough time with these beautifully crafted sculptures, nor do we really learn very much about the history of them, their historical provenance nor really anything much about the colonial "treaties" that facilitated their move in the first place. It lacks a narration. Not often that bothers me, but at times this whole thing reminded me of one of those films you'd watch for ten minutes if you were visiting a museum before you moved on. It's presented as if it were the introductory edition of a multi-part documentary that was going to explore more and fill in many of the gaps left unexplained in this hour long preview. Too much of it is spent following a group of young people in a forum arguing about the relative merits (or demerits) of this gesture from the French, and though it can be interesting at times to listen to the differing views in this "what's past is prologue" type debate, it wasn't what I wanted to see. I wanted much more about the fascinating mythology that attributed animal features to human beings in the way the Egyptians did two thousand years earlier. What was their significance? How were they to be conserved, preserved, exhibited - and, quite importantly, to whom. None of that was really gone into and I found that all a little disappointing. It may stimulate further reading but as it stands, it's not great.

Oct 31, 2024