| Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself. | |
| Release Date: | Sep 11, 2024 |
|---|---|
| Director: | Mati Diop |
| Writer: | Mati Diop |
| Genres: | Documentary |
| Keywords | african history, african art, benin |
| Production Companies | ARTE France Cinéma, Les Films du Bal, Fanta Sy |
| Box Office |
Revenue: $506,090
Budget: $0 |
| Updates |
Updated: Feb 24, 2026 Entered: Feb 24, 2026 |
| Name | Job |
|---|---|
| Joséphine Drouin-Viallard | Director of Photography |
| Mati Diop | Writer, Director, Casting |
| Corneille Houssou | Sound Engineer |
| Dean Blunt | Original Music Composer |
| Marco Tulio Pires | Line Producer, Production Manager |
| Gildas Adannou | Assistant Director |
| Christophe Nanga-Oly | Second Unit Director |
| Lucas Héberlé | Assistant Dialogue Editor |
| Wally Badarou | Original Music Composer |
| Juliette Barrat | Camera Operator |
| Nicolas Becker | Sound Designer |
| Gilles Marsalet | Foley Artist |
| Raffet Houessou | Gaffer |
| Inoa Kan | Assistant Sound Editor |
| Geff Attintegla | Assistant Camera |
| Wens Chabi | Camera Operator |
| Julien Martin | Foley Recordist |
| Mael Desreumaux | Sound Recordist |
| Sylvain Malbrant | Sound Editor |
| Guillaume Clément | Music Supervisor |
| Yannick Casanova | Additional Photography |
| Gabriel Gonzalez | Editor |
| Gilles Granier | Colorist |
| Cyril Holtz | Sound Re-Recording Mixer |
| Maxime Saleix | Dialogue Editor |
| Name | Title |
|---|---|
| Ama Ampadu | Associate Producer |
| Mati Diop | Producer |
| Eve Robin | Producer |
| Judith Lou Lévy | Producer |
| Christiane Chabi Kao | Executive Producer |
| Olivier Père | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 8 | 1 |
| 2024 | 5 | 5 | 9 | 2 |
| 2024 | 6 | 3 | 10 | 2 |
| 2024 | 7 | 4 | 8 | 1 |
| 2024 | 8 | 6 | 12 | 3 |
| 2024 | 9 | 12 | 32 | 4 |
| 2024 | 10 | 8 | 16 | 4 |
| 2024 | 11 | 9 | 12 | 5 |
| 2024 | 12 | 12 | 20 | 5 |
| 2025 | 1 | 13 | 19 | 8 |
| 2025 | 2 | 7 | 17 | 1 |
| 2025 | 3 | 3 | 9 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 2 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 2 | 2 | 1 |
| 2025 | 11 | 1 | 3 | 0 |
| 2025 | 12 | 3 | 4 | 1 |
| 2026 | 1 | 2 | 4 | 0 |
| 2026 | 2 | 2 | 7 | 0 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 2 | 983 | 983 |
With over 7,000 pieces taken by the colonising French from their homes in the ancient African kingdom of Dahomey (now Benin), there is much celebration amongst the population at the return of 26 artefacts. These range from statues of their legendary Kings Ghezo and Béhanzin to objects of religious s ... ignificance and items of such an intricate design that their condition will require perpetual care in a new, purpose-built, home near the Presidential Palace. Sadly, we just don't spend enough time with these beautifully crafted sculptures, nor do we really learn very much about the history of them, their historical provenance nor really anything much about the colonial "treaties" that facilitated their move in the first place. It lacks a narration. Not often that bothers me, but at times this whole thing reminded me of one of those films you'd watch for ten minutes if you were visiting a museum before you moved on. It's presented as if it were the introductory edition of a multi-part documentary that was going to explore more and fill in many of the gaps left unexplained in this hour long preview. Too much of it is spent following a group of young people in a forum arguing about the relative merits (or demerits) of this gesture from the French, and though it can be interesting at times to listen to the differing views in this "what's past is prologue" type debate, it wasn't what I wanted to see. I wanted much more about the fascinating mythology that attributed animal features to human beings in the way the Egyptians did two thousand years earlier. What was their significance? How were they to be conserved, preserved, exhibited - and, quite importantly, to whom. None of that was really gone into and I found that all a little disappointing. It may stimulate further reading but as it stands, it's not great.