Popularity: 7 (history)
Director: | Curtis Hanson |
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Writer: | Amanda Silver |
Staring: |
A suburban family chooses seemingly sweet Peyton Flanders as their newborn's nanny. Only much later does the infant's mother, Claire Bartel, realize Peyton's true intentions -- to destroy Claire and replace her in the family. The nail-biting suspense builds quickly in this chilling psychological thriller about deception and bitter revenge. | |
Release Date: | Jan 10, 1992 |
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Director: | Curtis Hanson |
Writer: | Amanda Silver |
Genres: | Drama, Thriller |
Keywords | loss of loved one, nanny, destroy, family's daily life, infant, rage and hate, malice, childlessness, desire to have children, kids, suspenseful, frightened |
Production Companies | Hollywood Pictures, Interscope Communications, Nomura Babcock & Brown |
Box Office |
Revenue: $88,036,683
Budget: $11,700,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Annabella Sciorra | Claire Bartel |
Rebecca De Mornay | Mrs. Mott / Peyton Flanders |
Matt McCoy | Michael Bartel |
Ernie Hudson | Solomon |
Madeline Zima | Emma Bartel |
Julianne Moore | Marlene Craven |
John de Lancie | Dr. Victor Mott |
Kevin Skousen | Marty Craven |
Mitchell Laurance | Lawyer |
Jane Jones | Woman in Park |
Brian T. Finney | Botanical Gardens Worker |
Julie Clemmons | Female Lab Worker |
Patrick Ryals | Policeman |
Charles Lucia | Realtor (as Chip Lucia) |
Rachel Glenn | Emma's Friend (uncredited) |
Name | Job |
---|---|
Curtis Hanson | Director |
Amanda Silver | Screenplay |
Robert Elswit | Director of Photography |
Graeme Revell | Original Music Composer |
Junie Lowry-Johnson | Casting |
Sandy Reynolds-Wasco | Set Decoration |
Barbara Anne Klein | Stunts |
Todd Toon | Sound Effects Editor |
Edward Pisoni | Production Design |
Mark Zuelzke | Art Direction |
Cris Thomas-Palomino | Stunts |
Lynn Salvatori | Stunts |
Jamie Bunch Elliott | Stunts |
Ira Halberstadt | Unit Production Manager |
Ray Greenfield | First Assistant Director |
Heidi Shulman | Assistant Costume Designer |
Wendy M. Craig | Costumer |
Stefan Tarzan | Second Assistant Camera |
James Pilcher | Production Sound Mixer |
Dick Bernstein | Music Editor |
Mark Shane Davis | Key Grip |
Kim Larsen-Santini | Assistant Property Master |
Sheila A. Warner | Production Coordinator |
Alun Vick | Construction Coordinator |
A. Welch Lambeth | Transportation Coordinator |
Robert T. Chestnut | Transportation Captain |
Amy Caton-Ford | Extras Casting |
John F. Link | Editor |
Jennifer von Mayrhauser | Costume Design |
Melissa Matthies | Leadman |
John Moio | Stunt Coordinator |
Daniel W. Barringer | Stunts |
David Boushey | Stunts |
Michael Daves | First Assistant Director |
Brenda Kalosh | Second Assistant Director |
Kathy Kiatta | Costume Supervisor |
Nina Paskowitz | Key Hair Stylist |
Candy Bennici | Script Supervisor |
Dane A. Davis | Supervising Sound Editor |
Colleen Kingdon | Electrician |
Blanche Sindelar | Property Master |
Bob Riggs | Special Effects Coordinator |
Gilbert Wong | Set Designer |
Michael McCombe | Greensman |
Russell Davis | Transportation Coordinator |
Ron Surma | Casting Associate |
Mark Stevens | First Assistant Editor |
Tom Hammond | Foley Editor |
Randy Vandegrift | ADR Supervisor |
Martin J. Bram | Dialogue Editor |
Peter Brancaccio | Assistant Sound Editor |
Gregg Barbanell | Foley Artist |
Richard Portman | Sound Re-Recording Mixer |
Bob Kaiser | Color Timer |
Kini Kay | Sound Effects Editor |
Kurt Nicholas Forshager | Foley Editor |
Chuck Michael | Foley Editor |
Kimberly Lowe Voigt | Dialogue Editor |
Maciek Malish | Dialogue Editor |
Joan Rowe | Foley Artist |
Dan Wallin | Sound Re-Recording Mixer |
Theresa Repola Mohammed | Negative Cutter |
Dennis Sands | Scoring Mixer |
Anna Behlmer | Sound Re-Recording Mixer |
Name | Title |
---|---|
Ted Field | Executive Producer |
Robert W. Cort | Executive Producer |
David Madden | Producer |
Ira Halberstadt | Co-Producer |
Organization | Category | Person | |
---|---|---|---|
BAFTA Awards | Best Supporting Actor | Samuel L. Jackson | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 27 | 40 | 20 |
2024 | 5 | 26 | 38 | 18 |
2024 | 6 | 25 | 43 | 14 |
2024 | 7 | 23 | 35 | 14 |
2024 | 8 | 30 | 76 | 14 |
2024 | 9 | 21 | 30 | 15 |
2024 | 10 | 26 | 45 | 16 |
2024 | 11 | 20 | 33 | 13 |
2024 | 12 | 17 | 24 | 12 |
2025 | 1 | 19 | 28 | 14 |
2025 | 2 | 14 | 25 | 3 |
2025 | 3 | 7 | 27 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 5 | 7 | 3 |
2025 | 6 | 4 | 5 | 3 |
2025 | 7 | 4 | 6 | 1 |
2025 | 8 | 2 | 3 | 2 |
2025 | 9 | 5 | 6 | 3 |
2025 | 10 | 7 | 7 | 7 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 504 | 772 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 874 | 874 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 694 | 766 |
***The nanny from hell in the Seattle area*** A well-to-do couple in the Puget Sound region (Matt McCoy & Annabella Sciorra) hires a nanny not knowing that she has axes to grind (Rebecca De Mornay). Ernie Hudson plays a mentally challenged laborer while Julianne Moore is on hand as the wife’s bes ... t friend. "The Hand that Rocks the Cradle" (1992) is a drama/thriller in the mold of contemporaneous flicks like “The Stepfather” (1987) and “The Crush” (1993). The events even take place in the same area as those. While it’s the least of these, it’s not far off in overall quality. It has a bit of a Lifetime movie vibe and the serviceable Sciorra doesn’t trip my trigger while De Mornay’s character is a turn-off because she’s obviously nutzoid. Meanwhile Moore superbly plays a biyatch while McCoy is ineffectual as the hubby. The locations are fabulous, however. The movie runs 1 hour, 50 minutes, and was shot in Seattle, Tacoma and Issaquah, Washington. GRADE: B-/C+
For a while, Rebecca de Mornay is quite menacing as the live-in nanny "Peyton". She is hired by "Claire" (Annabella Sciorra) and her husband "Michael" (Matt McCoy) to look after their baby. Initially all kind and helpful, we soon begin to suspect that she has another agenda - and that she will stop ... at nothing to attain it! Sadly, after about twenty minutes the story rather settles into a predictable pattern as she gradually manipulates the family, exploits and creates some cracks in the marriage (or tries to, anyway) before a denouement that is really rather weak and takes just a bit to long to arrive. The production is maybe just a bit too pristine, too sterile, to sustain the sense of peril and the dialogue is just too wordy with scenarios taking too long to cook. Still, it's quite watchable film just one that I think has dated rather over the last thirty years into a mediocre television thriller.