Psycho
Check in. Relax. Take a shower.
1998 | 104m | English
Popularity: 4 (history)
| Director: | Gus Van Sant |
|---|---|
| Writer: | Robert Bloch, Joseph Stefano |
| Staring: |
| A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. | |
| Release Date: | Dec 04, 1998 |
|---|---|
| Director: | Gus Van Sant |
| Writer: | Robert Bloch, Joseph Stefano |
| Genres: | Horror, Mystery, Thriller |
| Keywords | motel, stolen money, murder, psychosis, psycho |
| Production Companies | Imagine Entertainment, Universal Pictures |
| Box Office |
Revenue: $37,100,000
Budget: $60,000,000 |
| Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
![Psycho (1998) Original Trailer [HD]](/extra_thumbs/hL_h92hzb1Y.jpg)
| Name | Character |
|---|---|
| Vince Vaughn | Norman Bates |
| Anne Heche | Marion Crane |
| Julianne Moore | Lila Crane |
| Viggo Mortensen | Samuel 'Sam' Loomis |
| William H. Macy | Milton Arbogast |
| Robert Forster | Dr. Simon |
| Philip Baker Hall | Sheriff Chambers |
| Anne Haney | Mrs. Chambers |
| Chad Everett | Tom Cassidy |
| Rance Howard | Mr. Lowery |
| Rita Wilson | Caroline |
| James Remar | Patrolman |
| James Le Gros | California Charlie |
| Flea | Bob Summerfield |
| Gus Van Sant | Man Talking to Man in Cowboy Hat (uncredited) |
| Name | Job |
|---|---|
| Gus Van Sant | Director |
| Robert Bloch | Novel |
| Amy E. Duddleston | Editor |
| Christopher Doyle | Director of Photography |
| Bernard Herrmann | Original Music Composer |
| Rick Baker | Makeup Artist |
| Danny Elfman | Music Producer |
| Steve Bartek | Conductor, Music Producer |
| Eliza Coleman | Stunts |
| Saul Bass | Title Designer |
| Phillip J. Bartell | Assistant Editor |
| Doc Kane | ADR Mixer |
| Leslie Shatz | Sound Re-Recording Mixer |
| Robin Bonaccorsi | Stunt Double |
| Kelley Baker | Supervising Sound Editor, Sound Designer |
| Howard Feuer | Casting |
| Tabby Hanson | Stunts |
| Bruce Franklin | First Assistant Director |
| Buddy Enright | Production Supervisor |
| Marshall Schlom | Technical Advisor |
| Kristen Davis | Set Designer |
| Edward J. Protiva | Set Dresser |
| Kris Fuller | Set Dresser |
| David Golia | Camera Operator |
| Tony Chiu | Camera Loader |
| Larry J. Richardson | Best Boy Electric |
| Chris Culliton | Electrician |
| Bob Anderson | Best Boy Grip |
| Jamie Franta | Grip |
| Charley Gilleran | Rigging Grip |
| Rick Uva | Rigging Grip |
| Cookie Lopez | Key Costumer |
| Beatrix Aruna Pasztor | Costume Design |
| Jack Carpenter | Stunts |
| Janae Louise Marsh | Stunts |
| Conte Mark Matal | Second Assistant Director |
| Robert Hackl | Post Production Supervisor |
| Carlos Barbosa | Art Direction |
| Nicole Koenigsberger | Set Designer |
| Brett C. Smith | Leadman |
| Kelly Berry | Set Dresser |
| Clyde E. Bryan | First Assistant Camera |
| Ron Judkins | Production Sound Mixer |
| Daniel Windels | Electrician |
| Brian Lukas | Rigging Gaffer |
| Mike Schwake | Dolly Grip |
| Brad Gissell | Grip |
| Daniel Coscia | Rigging Grip |
| Erick Brennan | Special Effects Coordinator |
| Frank Helmer | Set Costumer |
| Candy L. Walken | Hair Department Head |
| Glenn Nicol | Production Accountant |
| Jane Goldsmith | Script Supervisor |
| Talley Singer | Production Secretary |
| Helen Hand | Assistant Editor |
| Dixie Webster-Davis | Extras Casting |
| Chris Carpenter | Sound Re-Recording Mixer |
| David A. Cohen | Dialogue Editor |
| Aaron Olsen | Assistant Sound Editor |
| Jim Pasque | Foley Recordist |
| Brent Brooks | Music Editor |
| Cliff Bergman | Construction Foreman |
| Bob McMillian | Color Timer |
| Joseph Stefano | Screenplay |
| Tom Foden | Production Design |
| Elaine L. Offers | Makeup Department Head |
| Stephanie Reaves | Stunts |
| Dany Wolf | Unit Production Manager |
| Hilton A. Green | Technical Advisor |
| Tim Beach | Set Designer |
| Victoria Ruskin | Set Designer |
| Angi Neff | Leadman |
| Glenn H. Roberts | Set Dresser |
| Jay Smith | Set Dresser |
| Suzanne Trucks | Second Assistant Camera |
| David Devlin | Gaffer |
| Marek Bojsza | Electrician |
| Jim Kwiatkowski | Key Grip |
| Brad Boyer | Grip |
| Alexander Griffiths | Grip |
| Mathew Marden | Rigging Grip |
| Vanessa Vogel | Costume Supervisor |
| Gina Monaci | Makeup Artist |
| Edward St. George | Hairstylist |
| Jeff Crandell | Location Manager |
| Noelle Chapin | Production Coordinator |
| Hans Berggren | Second Second Assistant Director |
| Guy Adan | Unit Publicist |
| Rick Kline | Sound Re-Recording Mixer |
| Patrick Winters | Sound Editor |
| Patti Tauscher | Foley Editor |
| Margie O'Malley | Foley Artist |
| Ben Conrad | Foley Recordist |
| Alan Holly | ADR Mixer |
| Victor Anderson | Transportation Coordinator |
| Peter McKernan Sr. | Pilot |
| Robert Jackson | Boom Operator |
| Lana Heying | Hairstylist |
| Timothy Falconer | Assistant Location Manager |
| Kristin Claiborne | Assistant Production Coordinator |
| Meredith Tucker | Casting Associate |
| Suzanne Tenner | Still Photographer |
| Peter Appleton | ADR Supervisor |
| Richard Moore | Sound Editor |
| Concha Solano | Assistant Sound Editor |
| Marnie Moore | Foley Artist |
| Frank Rinella | Foley Recordist |
| Kenneth Karman | Supervising Music Editor |
| Richard J. Bayard | Construction Coordinator |
| Gary Burritt | Negative Cutter |
| Mickey Giacomazzi | Stunt Coordinator |
| Patricia M. Peters | Stunts |
| Amie McCarthy Winn | Property Master |
| Steven Ladish | Set Dresser |
| Matthew W. Mungle | Special Effects Key Makeup Artist |
| Michael 'Gonzo' Gandsey | Sound Editor |
| Alfred Hitchcock | In Memory Of |
| Rosemary Brandenburg | Set Decoration |
| Peter McKernan Jr. | Pilot |
| Name | Title |
|---|---|
| Brian Grazer | Producer |
| Gus Van Sant | Producer |
| Jim Whitaker | Associate Producer |
| Dany Wolf | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 23 | 40 | 14 |
| 2024 | 5 | 27 | 37 | 18 |
| 2024 | 6 | 24 | 39 | 14 |
| 2024 | 7 | 25 | 37 | 16 |
| 2024 | 8 | 21 | 38 | 13 |
| 2024 | 9 | 17 | 24 | 12 |
| 2024 | 10 | 18 | 29 | 10 |
| 2024 | 11 | 19 | 49 | 10 |
| 2024 | 12 | 15 | 21 | 9 |
| 2025 | 1 | 20 | 47 | 12 |
| 2025 | 2 | 13 | 21 | 3 |
| 2025 | 3 | 7 | 20 | 1 |
| 2025 | 4 | 2 | 3 | 2 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 999 | 999 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 613 | 812 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 449 | 504 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 715 | 875 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 772 | 831 |
repojack
2.0
Horror fans really should thank Gus Van Sant for his experimental "copy exactly" approach to re-making the horror classic Psycho. Filmmakers have learned that just modernizing the original with a bigger budget takes no creativity and falls into tedium and redundancy which most horror fan's hate. Gus ... Van Sant's Psycho remake, where nearly every scene is "copied exactly," is a perfect example of this. It was simply BORING. Even for those that never saw this first, the pacing is just too slow for the high-octane generations of the 90's and beyond. For a re-make to resonate with an audience that knows the original by heart, it has to deliver a new and different version while staying within the bounds of the original framework. We should be thankful because no director will try this again. For the secret formula to successful horror re-makes, watch 2012's The Evil Dead, 2004's Dawn of the Dead or David Cronenberg's The Fly (1986).
Jun 23, 2021