| A seemingly ordinary family harbors a dark secret: they are vampires. They choose not to drink blood despite their natural cravings, but one day, their truth comes to light. | |
| Release Date: | Oct 04, 2024 |
|---|---|
| Director: | Euros Lyn |
| Writer: | Talitha Stevenson, Jo Brand, Matt Haig |
| Genres: | Comedy, Horror, Thriller |
| Keywords | vampire, horror, gay vampire, gay theme, comedy |
| Production Companies | Ingenious Media, Genesius Pictures, Cornerstone Films, Sky Group |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jun 13, 2025 (Update) Entered: Sep 13, 2024 |
| Name | Character |
|---|---|
| Damian Lewis | Peter Radley / Will Radley |
| Kelly Macdonald | Helen Radley |
| Bo Bragason | Clara Radley |
| Harry Baxendale | Rowan Radley |
| Sophia Di Martino | Lorna Felt |
| Steven Waddington | Mark Felt |
| Madeleine Power | Tilly |
| Shaun Parkes | Jared Copeleigh |
| Jay Lycurgo | Evan Copeleigh |
| Freddie Wise | Stuart Harper |
| Suan-Li Ong | Croupier |
| Sarah Durham | Nicola |
| Lonnie Holley | Teenager (as Holly May Bradley) |
| Mark Weinman | Danny |
| Sophie Mercell | PC Henshall |
| Laura Waldren | PC Longford |
| Richa Prakash | Neighbour at Barbeque party |
| Lena Kaur | Karen |
| Gareth Barrington-Jones | The Neighbour |
| Svetlana Karabut | Nightclub DJ |
| Rebecca Riggs | Clubber |
| Dylan McKenzie | Teenager |
| Marica Cassandra | Woman 2 |
| Daniel Riggs | Clubber |
| Jonah Williams | Teenager |
| Sandrine Anterrion | Night Club patron (uncredited) |
| Leon Cole | Teenager (uncredited) |
| Leon Cole | Club Dancer (uncredited) |
| Name | Job |
|---|---|
| Dan West | Storyboard Artist |
| Kate Benton | Makeup & Hair |
| Stevie Haywood | Sound Mixer |
| Euros Lyn | Director |
| Jamie Pearson | Editor |
| Sarah Jenneson | Production Design |
| Talitha Stevenson | Writer |
| Joanna Eatwell | Costume Designer |
| Jo Brand | Writer |
| Matt Haig | Novel |
| Oliver Ferris | Foley Artist |
| Rob Davidson | Foley Editor |
| Arthur Graley | Sound Designer |
| Adam Mendez | Foley Supervisor |
| Max Walsh | Sound Editor |
| Dan Morgan | Supervising Sound Editor |
| Filipe Pereira | Sound Re-Recording Mixer |
| Christina Low | Stunt Driver |
| Rebecca Farhall | Casting |
| Abbie Kornstein | Set Decoration |
| Gail Stevens | Casting |
| Nanu Segal | Director of Photography |
| Keefus Garcia | Original Music Composer |
| Chris Lyons | Special Effects Makeup Artist |
| Name | Title |
|---|---|
| Laura Grange | Executive Producer |
| Andrea Scarso | Executive Producer |
| Debbie Gray | Producer |
| Julia Stuart | Executive Producer |
| Mark Gooder | Executive Producer |
| Peter Touche | Executive Producer |
| Christelle Conan | Executive Producer |
| Julian Gleek | Executive Producer |
| Damian Lewis | Executive Producer |
| Alison Thompson | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 4 | 12 | 1 |
| 2024 | 5 | 6 | 9 | 3 |
| 2024 | 6 | 6 | 15 | 2 |
| 2024 | 7 | 5 | 8 | 2 |
| 2024 | 8 | 5 | 12 | 2 |
| 2024 | 9 | 8 | 13 | 4 |
| 2024 | 10 | 196 | 405 | 14 |
| 2024 | 11 | 53 | 95 | 17 |
| 2024 | 12 | 20 | 40 | 11 |
| 2025 | 1 | 25 | 39 | 10 |
| 2025 | 2 | 8 | 18 | 1 |
| 2025 | 3 | 5 | 21 | 1 |
| 2025 | 4 | 1 | 3 | 1 |
| 2025 | 5 | 2 | 13 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 78 | 410 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 521 | 521 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 423 | 699 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 416 | 680 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 192 | 651 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 314 | 525 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 240 | 595 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 808 | 823 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 24 | 202 |
This could have been quite good. As a black comedy, there was a lot of potential. Unfortunately, as is so often the case with the Western media, this film has had the life sucked out of it by "the message". All flavours of "the message" are front and centre, humorlessly silencing, any potential ... for genuine black humour. Its a true shame too, because the book this is based upon, is pretty decent, as is the cast they have brought together, for this production. Regrettably, entertainment comes a distant second to lecturing, leaving only a dry husk in its wake. In summary, no amount of quality acting can overcome this incessant need to inject what is essentially, politicised woke messaging, into films and series. Its akin to being in a weird version of the USSR, where entertainment always has a political subtext. A solid pass from me.