Popularity: 3 (history)
Director: | Renny Harlin |
---|---|
Writer: | Shane Black |
Staring: |
An amnesiac schoolteacher (Davis) sets out to recover her identity with the help of a private detective (Jackson) when they discover a dark conspiracy. Samantha Caine, suburban homemaker, is the ideal mom to her 8 year old daughter Caitlin. She lives in Honesdale, PA, is a school teacher and makes the best Rice Krispie treats in town. But when she receives a bump on her head, she begins to remember small parts of her previous life as a lethal, top-secret agent. | |
Release Date: | Oct 11, 1996 |
---|---|
Director: | Renny Harlin |
Writer: | Shane Black |
Genres: | Action, Crime, Mystery, Thriller |
Keywords | assassination, spy, martial arts, amnesia, hostage, new identity, strong woman, chase, dark comedy, teacher, escape, shootout, female protagonist, gunfight, terrorism, single mother, government assassin, timebomb, candlelight vigil, rogue agent, woman agent, christmas, ex-cia agent, action hero, amnesiac, christmas parade, assassination team, dramatic, gun death |
Production Companies | New Line Cinema, Forge, The Steve Tisch Company |
Box Office |
Revenue: $89,500,000
Budget: $65,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Geena Davis | Samantha Caine / Charly Baltimore |
Samuel L. Jackson | Mitch Henessey |
Yvonne Zima | Caitlin Caine |
Craig Bierko | Timothy |
Tom Amandes | Hal |
Brian Cox | Dr. Nathan Waldman |
Patrick Malahide | Leland Perkins |
David Morse | Luke / Daedalus |
Joseph McKenna | One-Eyed Jack |
Melina Kanakaredes | Trin |
Dan Warry-Smith | Raymond |
Kristen Bone | Girl #1 |
Jennifer Pisana | Girl #2 |
Rex Linn | Man in Bed |
Alan North | Earl |
Edwin Hodge | Todd Henessey |
Bill MacDonald | Hostage Agent |
Gladys O'Connor | Alice |
Frank Moore | Surveillance Man |
G. D. Spradlin | President |
Graham McPherson | CIA Director |
Sharon Washington | Fran Henessey |
Judah Katz | Harry (Perkin's Aide) |
Robert Thomas | Alley Agent |
John Stead | Deer Lick Sentry |
Marc Cohen | Teenage Burnout #1 |
Chad Donella | Teenage Burnout #2 |
Deborah Kirshenbaum | Operator |
Shawn Doyle | Donlevy Bum Cop |
Ken Ryan | News Anchor |
Susan Henley | Church Mother |
Craig Eldridge | Crime Scene Reporter |
Charles A. Tamburro | Helicopter Pilot |
Larry King | Self |
Gerry Bamman | CIA Man (uncredited) |
Ivar Brogger | Intelligence Analyst Jack Wadsworth (uncredited) |
Michael G. Brown | Assassin (uncredited) |
Reginald Doresa | Bar Patron (uncredited) |
Paul Essiembre | Press Aide (uncredited) |
Erin Gooderham | Church Lady (uncredited) |
Michael K. Jones | Bum Cop #2 (uncredited) |
Carrie Loring | Caroller (uncredited) |
Lisa Anita Wegner | Sara (uncredited) |
Brad Wozny | Sailor (uncredited) |
Sean Young | Parade Observer (uncredited) |
Name | Job |
---|---|
Dennis Davenport | Art Direction |
Robert Troy | Dialogue Editor |
Mary Nelson-Duerrstein | Negative Cutter |
Jay McClennen | Prosthetics |
Diana Schmidt | Production Supervisor |
Catherine Lew | Third Assistant Director |
Kayla Popp | Third Assistant Director |
Renee Durham | Assistant Art Director |
Wayne Jacques | Special Effects Technician, Set Dresser |
I.R. McEune | Scenic Artist |
Dan Muscarella | Color Timer |
Paul R.J. Elliot | Key Hair Stylist |
Katie Brennan | Key Hair Stylist |
Scott Thaler | Unit Production Manager |
Sean Jara | Assistant Director Trainee |
Sara MacDonald | Assistant Director Trainee |
Lewin Webb | Second Assistant Director |
Billy D. Choi | Graphic Designer |
Brenda McClennin | Art Department Trainee |
Alex Russell | Head Carpenter |
Charles Stewart | Property Master |
Stephanie Waldron | Greensman |
Barbara J. Boguski | ADR Editor |
Carolyn Tapp | Foley Mixer, Foley Recordist |
D. Chris Smith | Sound Effects Editor |
Pamela Gibson | Special Effects Technician |
Janice Tso | VFX Artist |
Jacqueline Hampton | Camera Operator |
Vanessa Ireson | Camera Trainee |
Cotton Mather | Camera Operator |
Chirayouth Jim Saysana | Second Assistant Camera |
Noel Verhoog | First Assistant Camera |
Michael Taylor | Set Decoration |
Steve Arnold | Art Direction |
Joe Fineman | Executive In Charge Of Post Production |
Gordon White | Set Designer |
Allen Hall | Special Effects Coordinator |
Tricia Sawyer | Makeup Artist |
Howard Cummings | Production Design |
Gordon J. Smith | Special Effects Makeup Artist |
Christine Hart | Key Makeup Artist |
Marietta Carter-Narcisse | Makeup Artist |
Ric Keeley | Executive In Charge Of Post Production |
Bradley M. Goodman | Post Production Supervisor |
Gregory H. Watkins | Sound Re-Recording Mixer |
Andy Chmura | Camera Operator |
Kyle Rudolph | Steadicam Operator |
Reynald Trudel | Boom Operator |
Gary Deneault | Rigging Gaffer |
Neil Morfitt | Set Designer |
Cornelia 'Nini' Rogan | Script Supervisor |
Douglas Ganton | Sound Mixer |
Dan Wladyka | Assistant Set Decoration |
David Towers | Camera Operator |
Kerry Hayes | Still Photographer |
Rick Stribling | Key Grip |
Bill Harman | Construction Coordinator |
Linda Matthews | Costume Supervisor |
Charles Ewing Smith | Dialogue Editor |
Scotty Allan | Gaffer |
Ron Renzetti | Dolly Grip |
Vic Rigler | Property Master |
Victoria Wood | Wigmaker |
Stephanie Flack | Supervising Dialogue Editor |
Gregg Baxter | Supervising ADR Editor |
Russell Cate | Special Effects Makeup Artist |
Khanh Trance | Wigmaker |
Joseph Boccia | Unit Production Manager |
David MacDonald | Assistant Director Trainee |
Rick Newsome | Storyboard Artist |
Michael Shocrylas | First Assistant Art Direction |
Phillip Tellez | Head Carpenter |
Michael Yerex | Construction Buyer |
Ian Nelmes | Key Scenic Artist |
Robin M. Reelis | Assistant Director Trainee |
Rob Ballantyne | Assistant Art Director |
Brad Francis | Standby Painter |
Sarah Low | Assistant Art Director |
Doug McLean | First Assistant Art Direction |
Randy Ross | Painter |
Derek Stevenson | Scenic Artist |
Benno Tutter | Assistant Art Director |
Peter Legault | Carpenter |
Matthew C. Beville | Other |
Judee Flick | Foley Editor |
Nerses Gezalyan | Foley Mixer, Foley Recordist |
Marilyn Graf | Foley Mixer, Foley Recordist |
Warren Hamilton Jr. | Sound Effects Editor |
William Jacobs | Sound Effects Editor |
Constance A. Kazmer | ADR Editor |
Charles Maynes | Sound Effects Editor |
Stewart Nelsen | Foley Editor |
Michelle Pazer | ADR Editor |
Brian Ruberg | ADR Mixer |
Jeffrey Kaplan | Sound Effects Editor |
Chris Duncliffe | Special Effects Technician |
Mark O'Donoghue | Carpenter |
Eddie Bydalek | Other |
Erik Flockoi | Other |
Darrell Hanzalik | ADR Editor |
Chris Jargo | ADR Editor |
Nick Kharabadz | Assistant Sound Editor |
Jon Michaels | Assistant Sound Editor |
Bob Newlan | Sound Effects Editor |
Eric Potter | Sound Effects |
John Joseph Thomas | Sound Effects Editor |
Linda Yeaney | First Assistant Sound Editor |
Linda Davies | ADR Editor |
Jessica Gallavan | ADR Editor |
Mollie Gordon | Assistant Sound Editor |
Dana Gustafson | Foley Editor |
Dean G. Manly | Assistant Sound Editor |
James Moriana | Foley Artist |
Paul O'Bryan | Assistant Sound Editor |
Jeffrey Wilhoit | Foley Artist |
Paul Berolzheimer | Sound Designer |
Gary Bryant | Special Effects Technician |
Kevin Haeberlin | Special Effects Technician |
Paul Hannigan | Special Effects Technician |
Rocco Larizza | Special Effects Technician |
Joe Montenegro | Special Effects Assistant |
James L. Roberts | Special Effects Manager |
Peter Sissakis | Special Effects Technician |
Edward Gettis | Pyrotechnician |
Vincent Montefusco | Special Effects |
Blondel Aidoo | Digital Effects Producer |
Robert Bayless | Visual Effects Assistant Editor |
Robert Bonillas | Modeling |
Matthew Hall | Special Effects Technician |
Arthur Langevin | Special Effects Technician |
Manfred Meissner | Special Effects Technician |
Howard Munford | Special Effects Technician |
Troy Rundle | Special Effects Technician |
Alex Tellnow | Special Effects Technician |
Kaz Kobielski | Special Effects |
Beecher Tomlinson | Special Effects |
Jim Bailey | Modeling |
Thomas Boland | Visual Effects Producer |
Lawrence Carroll | VFX Artist |
Ciarán Copelin | Visual Effects Camera |
Mark Eggenweiler | VFX Editor |
Manuel Rey Gonzalez | Visual Effects |
Phillip Hartmann | Modeling |
Jep Hill | VFX Artist |
Bob Hall | Special Effects Technician |
Josie Horvath | Special Effects Technician |
Tim Lidstone | Special Effects Technician |
Sam Mujakanovic | Special Effects Technician |
Ted Ross | Special Effects Coordinator |
Kerry Spurrell | Special Effects Technician |
Jim Reischl | Special Effects Technician |
Andy Atkins | Compositing Artist |
Sue Benko | Compositing Artist |
Joseph Boren | Visual Effects Assistant Editor |
Grady Cofer | VFX Artist |
Jack Edjourian | Modeling |
Lynn Garrido | Modeling |
Jim Hansons | Modeling |
Jongwoo Heo | VFX Artist |
Rick Holman | Modeling |
Tad Krzanowski | Modelling Supervisor |
Ralph Maiers | Digital Effects Supervisor |
Eileen O'Connor | Visual Effects Coordinator |
Alex Palumbo | Modeling |
John Ramsay Jr. | Modeling |
Marc Scott | VFX Artist |
Monty Shook | Modeling |
Mary Stuart | Digital Effects Producer |
Mitchell S. Drain | Visual Effects Supervisor |
Gustavo R. Ferreyra | Modeling |
Brian Hanable | Compositing Artist |
Dion Hatch | Imaging Science |
Brian Holden | VFX Artist |
Brian Jennings | Visual Effects Producer |
Jamey Levin | Modeling |
T.J. Morgan | Digital Effects Supervisor |
George Oliver | VFX Artist |
Alexander Pitt | Visual Effects |
Clark Schaffer | Visual Effects Designer |
Dwight Shook | Modeling |
Justin Soliday | Modeling |
Thomas Thill | Digital Effects Producer |
Robert Warwick | Visual Effects Production Assistant |
Rick Won | Modeling |
Victor Abbene | Chief Lighting Technician |
Janet Quen | Visual Effects Compositor |
John Scheer | VFX Artist |
Michael J. Walker | Visual Effects Camera |
Alyson Billyard | Stunts |
Laura Dash | Stunts |
Tommy J. Huff | Stunts |
Sonia Mayer | Stunts |
Maxine Dumont | Stunts |
Scotty Allen | Gaffer |
Alan Cohen | First Assistant Camera |
Robert DaPrato | Rigging Grip |
Paul Howarth | VFX Artist |
Paul Kulikowski | VFX Artist |
Daniel Miller | VFX Artist |
Jeffrey A. Okun | Visual Effects |
Ron D. Peake | Modeling |
Naomi A. Sato | VFX Artist |
Craig Seitz | Digital Supervisor |
Lorraine 'Deedle' Silver | Visual Effects Production Manager |
Jonathan Taylor | VFX Director of Photography |
Matthew Twyford | VFX Artist |
Robert Wilcox | Modelling Supervisor |
Michael Yost | Executive Visual Effects Producer |
Dean Lyon | Compositing Lead |
Steven Robiner | Visual Effects Supervisor |
R. Gern Trowbridge | Best Boy Electric |
Marco Bianco | Stunts |
Eric Bryson | Utility Stunts |
Tony Cordeiro | Stunts |
Kiante Elam | Stunts |
John Stoneham Jr. | Stunts |
Bryan J. Thomas | Stunts |
Rod Benjamin | Best Boy Grip |
Pete Daprato | Rigging Grip |
Roy Elliston | Rigging Grip |
Kevin Hawks | Video Assist Operator |
Bob Wiatr | Compositing Artist |
Jack Wu | Visual Effects Producer |
Russell Frazier | VFX Artist |
Rebecca Ramsey | Executive Visual Effects Producer |
M. Zachary Sherman | VFX Artist |
Lloyd Adams | Stunts |
Sebastiano Cartier | Stunt Driver |
John Dodds | Stunts |
Paul Rutledge | Stunts |
Peter Szkoda | Stunts |
Anton Tyukodi | Stunts |
Mic Jones | Stunts |
Perry Beckham | Key Rigging Grip |
Carolyn Cox | Second Assistant Camera |
Kevan Dutchak | First Assistant Camera |
John Harper | Second Assistant Camera |
Michael Kohne | Grip |
Pete Romano | Underwater Camera |
Neil Trafford | Camera Trainee |
Suzanne Batinovic | Camera Loader |
Christopher Raucamp | First Assistant Camera |
Jeremy Tabarrok | Second Assistant Camera |
Claude Barnes | Epk Camera Operator |
Philip Esteves | Lighting Technician |
Mark Hryma | Camera Operator |
David Norris | Camera Operator |
Val Schubert | Rigging Grip, Grip |
Donna Dupere | Extras Casting |
Clare Walker | Casting |
Quita Alfred | Costumer |
Loreen Lightfoot | Seamstress |
Debbie Williams | Wardrobe Assistant |
Adam Boome | Assistant Editor |
Jack Geist | Post Production Assistant |
Rocky Brown | Grip |
Bob Gorelick | Camera Operator, Steadicam Operator |
Clyde Miller | Assistant Camera |
Jasper Vrakking | 24 Frame Playback |
Polly Hootkins | Casting |
Aric Dupere | Extras Casting Assistant |
Vera Laurence | Seamstress |
Maria Vaughan | Costumer |
Jim MacCammon | Lighting Technician |
Matthew Pill | Grip |
Ueli Steiger | Additional Photography |
Alyssa Weisberg | Casting Associate |
Lou Decampo | Wardrobe Master |
Karen Renaut | Costumer |
Sheila E. Pruden | Costume Supervisor |
Thomas R. Bryant | First Assistant Editor |
Suzy Gilbert | Assistant Editor |
Robert Komatsu | First Assistant Editor |
Don Roth | Assistant Editor |
Peter Boboras | Assistant Location Manager |
Martin Earl | Assistant Location Manager |
Derrick Loris | Location Assistant |
Derek Brady | Assistant Location Manager |
Lisa Brown | Music Coordinator |
Kenneth Karman | Music Editor |
Jacqueline Tager | Music Editor |
James Thatcher | Musician |
John Mann | Storyboard Artist |
Brenda Adams | Stunts |
Delphine White | Wardrobe Supervisor |
Barbara Dunning | Assistant Editor |
Katie Hedrich | Assistant Editor |
Will Shivers | Post Production Assistant |
Glenn Carter | Assistant Location Manager |
Richard Hughes | Assistant Location Manager |
John Mendes | Location Production Assistant |
Georgette Hayden | Location Manager |
Dan Garde | Music Editor |
Mark Kaufman | Music Coordinator |
George Doering | Musician |
Nick Sweetman | Transportation Coordinator |
Eric M. Klein | Grip |
Nancy Inouye | Assistant Editor |
Jud Nealon | Assistant Editor |
Terrence Szostek | Assistant Editor |
Scott Currie | Location Manager |
Craig Jackson | Location Production Assistant |
Dennis Sincic | Assistant Location Manager |
Sherri Wolfson | Location Scout |
Bonnie Greenberg | Music Supervisor |
Conrad Pope | Orchestrator |
Jay B. Richardson | Music Editor |
Paul Prokop | Production Controller |
Renny Harlin | Director |
Shane Black | Screenplay |
Alan Silvestri | Conductor, Original Music Composer |
Guillermo Navarro | Director of Photography |
William Goldenberg | Editor |
Patricia Tallman | Stunt Double |
Mary Vernieu | Casting |
Ronnie Yeskel | Casting |
Michael Kaplan | Costume Design |
Steve M. Davison | Stunt Coordinator |
Stephen Hunter Flick | Supervising Sound Editor |
Paul Massey | Sound Re-Recording Mixer |
Doug Hemphill | Sound Re-Recording Mixer |
Rhonda Moscoe | Art Department Coordinator |
Carolyn A. Loucks | Assistant Set Decoration |
Kristie Sills | Second Second Assistant Director |
Trish Summerville | Assistant Costume Designer |
Marty Dejczak | Location Manager |
Robert Hallowell II | Hairstylist |
Cellin Gluck | Second Unit First Assistant Director |
Bruce Moriarty | First Assistant Director |
Arvinder Greywal | Second Assistant Art Director |
Gary A. Hecker | Foley Artist |
Doc Kane | ADR Mixer |
John Roesch | Foley Artist |
Frank Smathers | Sound Effects Editor |
Ben Wilkins | Sound Effects Editor |
Estee Chandler | Visual Effects Coordinator |
Troy Brown | Stunts |
Shane Cardwell | Stunts |
Lance Gilbert | Stunts |
Tom Glass | Stunts |
Dana Hee | Stunts |
Ernie Jackson | Stunts |
Danny Lima | Stunts |
Rick Parker | Stunts |
Edward A. Queffelec | Stunts |
Branko Racki | Stunts |
Chad Randall | Stunts |
Troy Robinson | Stunts |
Jacob Rupp | Stunts |
John Stoneham Sr. | Stunts |
Tim Trella | Stunts |
Roy T. Anderson | Stunts |
Steve Lucescu | Stunts |
Robert Racki | Stunts |
Kevin Rushton | Stunts |
John Stead | Stunts |
Richard Hicks | Casting Associate |
Jeff McEvoy | Post Production Assistant |
William Ross | Orchestrator |
Dennis Sands | Scoring Mixer |
Sue Parker | Stunts |
Name | Title |
---|---|
Carla Fry | Co-Producer |
Richard Saperstein | Executive Producer |
Stephanie Austin | Producer |
Shane Black | Producer |
Renny Harlin | Producer |
Geena Davis | Producer |
Michael De Luca | Executive Producer |
Steve Tisch | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 32 | 41 | 21 |
2024 | 5 | 44 | 57 | 31 |
2024 | 6 | 32 | 57 | 15 |
2024 | 7 | 32 | 55 | 16 |
2024 | 8 | 26 | 38 | 17 |
2024 | 9 | 21 | 34 | 14 |
2024 | 10 | 22 | 38 | 13 |
2024 | 11 | 20 | 35 | 14 |
2024 | 12 | 25 | 38 | 14 |
2025 | 1 | 21 | 31 | 16 |
2025 | 2 | 15 | 26 | 3 |
2025 | 3 | 5 | 20 | 2 |
2025 | 4 | 3 | 5 | 2 |
2025 | 5 | 2 | 3 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 614 | 737 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 968 | 968 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 812 | 903 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 114 | 632 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 70 | 385 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 420 | 831 |
Fun and entertaining action flick. Sure, the effects look dated and a few unintentionally funny moments, but Geena Davis and Samuel L. Jackson were good together. **3.5/5** ...
**A good action and suspense film, although with several flaws to point out.** This is a pleasant thriller, which presents us with a story that does not seem original or unusual, but that works perfectly and pleasantly entertains the audience. It all starts when a young suburban teacher, married ... and mother of a girl, begins to have particularly violent flashes of memory. She has amnesia, she doesn't know who she is, and the increasingly palpable prospect of a dark past leads her to investigate things further, fearing the consequences that could come to her family. In order to carry out her inquiries, she hires a private detective, who appears to be just trying to charge her as much money as possible. I prefer not to reveal much more about the script, in order not to spoil it, but the truth is that I felt, when I saw the film, that the ideas were not at all original and that I have seen some films that sound similar. Of course, considering the number of films made per year, it is a reasonably minor problem and the most important thing is whether things work as they should. In this case, the film is effective and offers the audience what it promises. Director Renny Harlin is competent enough for the job at hand, and ensures capable direction, but not without flaws. For example, he was unable to realize that the plot sounded excessively far-fetched, after a certain point, and that the film was a little long for its genre, making it advisable to make some surgical cuts in the editing room to remove fifteen or twenty minutes without notable damage. Somewhat as a result, the film has an uneven pace and sometimes wastes too much time, immobilizing the action and damaging the build-up of suspense. Considering that it is a film with a lot of action, I believe it is fair to give special praise to the work of the stunts and also the makeup, special and sound effects teams. They are the ones who help create the chases, the shootouts, the explosions and all the other incredible scenes that put the audience on the edge of their seats. Without originality, but with effectiveness and professionalism, these artists made a magnificent contribution to the film, and it must be said. Without much original material (just one or two melodies), the soundtrack includes a series of quality themes that include Muddy Waters, Patti & Labelle and other artists, as well as a beautiful song by Neneh Cherry as the final theme. The cinematography, sets and costumes are standard and only give what they have to give. Geena Davis heads a cast full of good actors. She is a creditable protagonist and a good bet, giving us a consistent interpretation. However, she is much more insecure when the plot enters the romance. She is not a good romantic actress, and does not seem to have established a very good partnership with Samuel L. Jackson. This actor, who has no difficulty with action scenes, also seems like a fish out of water if things take a turn for romance. Luckily, the film doesn't require much of that, and the actor does an essentially positive job. Craig Bierko is a competent villain, and David Morse is a good addition, even if he has little time to do anything. Brian Cox didn't have time for anything, and I honestly think he was wasted.