 
  Popularity: 2 (history)
| Director: | Richard Laxton | 
|---|---|
| Writer: | Emma Thompson | 
| Staring: | 
| A look at the mysterious relationship between Victorian art critic John Ruskin and his teenage bride Effie Gray. | |
| Release Date: | Mar 08, 2014 | 
|---|---|
| Director: | Richard Laxton | 
| Writer: | Emma Thompson | 
| Genres: | Drama | 
| Keywords | wife, biography, love | 
| Production Companies | Sovereign Films | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Dakota Fanning | Euphemia 'Effie' Gray | 
| Emma Thompson | Lady Eastlake | 
| Greg Wise | John Ruskin | 
| Tom Sturridge | Everett Millais | 
| Robbie Coltrane | Doctor | 
| Julie Walters | Margaret Cox Ruskin | 
| Derek Jacobi | Travers Twiss | 
| Claudia Cardinale | Viscountess | 
| David Suchet | Mr. Ruskin | 
| James Fox | Sir Charles Eastlake | 
| Patrick Doyle | Wedding Minister | 
| Russell Tovey | George | 
| Linda Bassett | Anna | 
| Pip Torrens | Royal Academy / Times Journalist | 
| Nicholas Jones | Doctor Lee | 
| Joanna Hole | Mrs. McPhail (uncredited) | 
| Riccardo Scamarcio | Rafael | 
| Polly Dartford | Sophie Gray | 
| Tom Herriott | William Holman Hunt | 
| Sam Churchill | Dante Gabriel Rossetti | 
| Martin Keatman | Thomas Woolner | 
| Chris Haggart | William Michael Rossetti | 
| Alex Best | James Collinson | 
| George Laing | Frederic Stephens | 
| Peter Farr | Mr. Gray | 
| Nicola Draffan | Mrs. Gray | 
| Saskia Keatman | Lady Rondell | 
| Kelly Healey | Lady Dashwood | 
| Frida Baranek | Duchess di Alba | 
| Tigerlily Hutchinson | Young Effie, Borghese Gallery | 
| Iain Marshall | Mr. McPhail | 
| Name | Job | 
|---|---|
| Richard Laxton | Director | 
| Emma Thompson | Screenplay | 
| Andrew Dunn | Director of Photography | 
| Paul Ghirardani | Art Direction | 
| Sarah Wheale | Line Producer | 
| Paul Cantelon | Original Music Composer | 
| Kate Williams | Editor | 
| Celestia Fox | Casting | 
| James Merifield | Production Design | 
| Juliana Overmeer | Art Direction | 
| Sara Wan | Set Decoration | 
| Ruth Myers | Costume Design | 
| Anita Anderson | Makeup Artist, Hairstylist | 
| Konnie Daniel | Makeup Designer, Hair Designer | 
| Ryan Bohan | Production Manager | 
| Jack Ravenscroft | First Assistant Director | 
| Craig Cheeseman | Property Master | 
| Blake Maslin | Greensman | 
| Ian Whiteford | Greensman | 
| Paul Rigby | Carpenter | 
| Mark Wallis | Carpenter | 
| Jamie Baker | Foley Editor | 
| Michael Barry | Sound Re-Recording Mixer | 
| Kam Chan | Foley Editor | 
| Colin Gregory | Boom Operator | 
| Paul Hsu | Supervising Sound Editor | 
| Frank Kern | Foley Editor | 
| Marissa Littlefield | ADR Editor | 
| Branka Mrkic | Dialogue Editor | 
| Allan Zaleski | Sound Effects Editor | 
| Neal Champion | Special Effects Supervisor | 
| Stephanie Lelievre | Stunts | 
| Nicola Dove | Still Photographer | 
| Ian Franklin | Rigging Gaffer | 
| Dermot Hickey | First Assistant Camera | 
| Andy Long | Gaffer | 
| Rod Marley | First Assistant Camera | 
| Ossie McLean | Camera Operator | 
| Paolo Sartori | Rigging Gaffer | 
| Catherine Buyse Dian | Costume Supervisor | 
| Deborah Tallentire | Tailor | 
| Rebecca Lloyd | First Assistant Editor | 
| Naomi Spiro | First Assistant Editor | 
| Fabrizio Cerato | Location Manager | 
| Pat Karam | Location Manager | 
| Stefano Dalla Lana | Location Manager | 
| Suzana Peric | Music Editor | 
| Kim Armitage | Script Supervisor | 
| Randall Balsmeyer | Title Designer | 
| Simonetta Di Fresco | Production Coordinator | 
| Dale Mercer | Choreographer | 
| Colin Nicolson | Sound Mixer | 
| Gerry Vasbenter | Steadicam Operator | 
| Rebecca White | Assistant Art Director | 
| Name | Title | 
|---|---|
| Andreas Roald | Producer | 
| Donald Rosenfeld | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 17 | 30 | 10 | 
| 2024 | 5 | 19 | 34 | 11 | 
| 2024 | 6 | 15 | 25 | 7 | 
| 2024 | 7 | 19 | 38 | 12 | 
| 2024 | 8 | 18 | 33 | 10 | 
| 2024 | 9 | 11 | 21 | 5 | 
| 2024 | 10 | 11 | 19 | 5 | 
| 2024 | 11 | 12 | 21 | 5 | 
| 2024 | 12 | 10 | 22 | 6 | 
| 2025 | 1 | 12 | 23 | 6 | 
| 2025 | 2 | 8 | 12 | 3 | 
| 2025 | 3 | 5 | 12 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 1 | 1 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 3 | 4 | 2 | 
| 2025 | 10 | 3 | 4 | 1 | 
Trending Position
The movie was delayed a year to hit the screen due to the copyright issue. A biographical picture from Britain set in the late 1840. The movie revolves the story of Euphemia Gray shortly known as Effie Gray and her married life. She was from Scotland and only 19 when she married to the British art c ... ritic John Ruskin. But she was kept under certain limits of space by her laws. It makes her a lonely soul in the house, which surface a serious threat to their loveless marriage. Can it be held or not is the movie's final conclusion. Dakota Fanning, like I saw her yesterday in teen movies, but now she's in a grown up movie. Felt kind of hard to accept, and then after a while begin to like her performance. That does not mean it was a powerful act, somehow convincible to the viewers. That is mainly because of the story. Actually it's a simple story, if it was set in the today's world. For those periods, it was a big affair to deal publicly as well as family's prestige. The movie's settings and locations were good. As usual in a period drama the costumes are very good. It's always pleasure to learn the history through movies than the school textbooks. Other than that it was an average or just above. The thing is, it was a too slow and a little long movie, thus its not a commercial film. Many people aren't ready to pay watch it in the theatres, that is understood. So in my opinion, it should have been a television movie instead, with sliced into 3-4 episodes. Anyway, not for everyone, but for those who love slow presentations would have a good time. 6/10