Popularity: 2 (history)
Director: | Lawrence Kasdan |
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Writer: | Mark Kasdan, Lawrence Kasdan |
Staring: |
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are. | |
Release Date: | Jul 10, 1985 |
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Director: | Lawrence Kasdan |
Writer: | Mark Kasdan, Lawrence Kasdan |
Genres: | Action, Western |
Keywords | gunslinger, sheriff, new mexico, saloon, fight, horse, male friendship, prison escape, gunfight, wagon train, western town, two guns belt |
Production Companies | Columbia Pictures |
Box Office |
Revenue: $32,192,570
Budget: $23,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Kevin Kline | Paden |
Scott Glenn | Emmett |
Danny Glover | Malachi 'Mal' Johnson |
Kevin Costner | Jake |
Brian Dennehy | Cobb |
Rosanna Arquette | Hannah |
John Cleese | Sheriff John T. Langston |
Linda Hunt | Stella |
Jeff Goldblum | Slick |
Ray Baker | McKendrick |
Lynn Whitfield | Rae |
Joe Seneca | Ezra |
Jeff Fahey | Tyree |
Brad Leland | Trooper (as Brad Williams) |
Marvin J. McIntyre | Clerk |
Sheb Wooley | Cavalry Sergeant |
Jonathan Kasdan | Boy at Outpost |
Todd Allen | Deputy Kern |
Kenny Call | Deputy Block |
Bill Thurman | Carter |
Meg Kasdan | Barmaid |
Dick Durock | Bar Fighter |
Gene Hartline | Bar Fighter |
Autry Ward | Hat Thief |
Jake Kasdan | Stable Boy |
Rusty Meyers | Conrad |
Zeke Davidson | Mr. Parker |
Lois Geary | Mrs. Parker |
James Gammon | Dawson |
Troy Ward | Baxter |
Roy McAdams | Tall outlaw |
Patricia Gaul | Kate |
Amanda Wyss | Phoebe |
Earl Hindman | J.T. |
Thomas Wilson Brown | Augie |
Jim Haynie | Bradley |
Richard Jenkins | Kelly |
Ken Farmer | Deputy Kyle |
Sam Gauny | Deputy Garth |
Brion James | Hobart |
Mark Kasdan | Doc Skinner (scenes deleted) |
Name | Job |
---|---|
Bob Lawless | Standby Painter |
Clarence Lynn Price | Construction Coordinator |
Joe Fineman | Dialogue Editor |
Rick Kline | Sound Re-Recording Mixer |
Tom Meloeny | Sound Recordist |
Ken Zimmerman | Assistant Property Master |
Samuel C. Crutcher | Dialogue Editor |
Patrick Drummond | Sound Effects Editor |
John Hoeren | Assistant Sound Editor |
Reid Paul Martin | Assistant Sound Editor |
David Moritz | Apprentice Sound Editor |
Pamela Jule Yuen | Assistant Sound Editor |
Richard Wood | Special Effects |
John R. Hamilton | Still Photographer |
Mako Koiwai | First Assistant Camera |
Erma E. Levin | Music Editor |
William A. Elliott | Art Direction |
Lynda Gurasich | Hairstylist |
Anne D. McCulley | Set Decoration |
Jerry O'Dell | Makeup Artist |
David Hamburger | Unit Production Manager |
Chas. Butcher | Set Designer |
Darrell Huntsman | Greensman |
Richard McKenzie | Set Designer |
Mark Kasdan | Screenplay |
Wallis Nicita | Casting |
Ida Random | Production Design |
Arthur Jeph Parker | Set Decoration |
Kim Samson | Hairstylist |
Charles Okun | Production Manager |
Margaret Nelson | Second Second Assistant Director |
Robert J. Carlyle | Construction Foreman |
Stephen P. Dunn | Second Assistant Director |
Larry Clark Bird | Property Master |
Gerald Gates Jr. | Painter |
Randy Martens | Greensman |
Vinnie Vecchio | Assistant Property Master |
Robert Crosby | Boom Operator |
Dennis Drummond | Sound Effects Editor |
Robert Grieve | Supervising Sound Editor |
Cliff Latimer | Foley Editor |
Donald O. Mitchell | Sound Re-Recording Mixer |
David M. Ronne | Production Sound Mixer |
Kevin O'Connell | Sound Re-Recording Mixer |
Karen I. Stern | ADR Editor |
William D. Lee | Special Effects |
Lou Barlia | Camera Operator |
Christopher Ishii | Second Assistant Camera |
Ronald W. McLeish | Chief Lighting Technician |
Ronald Viveros | Grip |
Carol Littleton | Editor |
Robert Scarborough | Cableman |
Roy Arbogast | Special Effects Manager |
Jerry Gatlin | Stunt Coordinator |
Leslie Hill | First Assistant Camera |
Al LaVerde | Key Grip |
Ty Suehiro | Best Boy Grip |
Liz Keigley | Location Casting |
George R. Schrader | Dolly Grip |
Richard Walden | Camera Operator |
Gail Levin | Casting Assistant |
Jennifer L. Parsons | Costumer |
Donah Bassett | Negative Cutter |
Mitchell Sinoway | Assistant Editor |
Le Dawson | Wardrobe Master |
G. Tony Scarano | Costumer |
Bruce Cannon | First Assistant Editor |
Mia Goldman | Second Film Editor |
Chris Boardman | Orchestrator |
Don Nemitz | Orchestrator |
James E. Foote | Transportation Coordinator |
Billy R. Brashier | Projection |
Mary Cay Hollander | Production Coordinator |
Oda Groeschel | Wardrobe Master |
Stephen P. Shubin | Wardrobe Master |
Julie Feiner | Assistant Editor |
Robert Raring | Color Timer |
Gene Feldman | Music Editor |
Armin Steiner | Scoring Mixer |
Frank Tremonti | Transportation Captain |
Delia Circelli | Production Coordinator |
Scott Musgrave | Production Assistant |
Pamela Alch | Script Supervisor |
John M. Woodward | Transportation Captain |
Wayne Fitzgerald | Title Designer |
Bruce Randall | Stunts |
Lawrence Kasdan | Screenplay, Director |
Bruce Broughton | Original Music Composer |
John Bailey | Director of Photography |
Kristi Zea | Costume Design |
Daniel C. Striepeke | Makeup Artist |
Michael Grillo | First Assistant Director |
George H. Anderson | Dialogue Editor |
Dody Dorn | Foley Editor |
Shari Rhodes | Location Casting |
Joan Giammarco | First Assistant Editor |
John Ashby | Stunts |
Roy Bonner | Stunts |
Clay Boss | Stunts |
May Boss | Stunts |
Shelley S. Boyle | Stunts |
Buff Brady | Stunts |
Dan Doucette | Stunts |
Richard Epper | Stunts |
Stephanie Epper | Stunts |
Evelyn Finley | Stunts |
Cindy Folkerson | Stunts |
Dawn Grant | Stunts |
David M. Graves | Stunts |
Bonnie Happy | Stunts |
Clifford Happy | Stunts |
Eddie Hice | Stunts |
Candy Hoskins | Stunts |
Robert Jauregui | Stunts |
Tracy Keehn-Dashnaw | Stunts |
Walt La Rue | Stunts |
Clay M. Lilley | Stunts |
Mike H. McGaughy | Stunts |
Rod McGaughy | Stunts |
Sean A. McGaughy | Stunts |
Bobby McLaughlin | Stunts |
Lewis Dale Meador | Stunts |
Jeff Ramsey | Stunts |
Jackie Resch | Stunts |
Ben Scott | Stunts |
John-Clay Scott | Stunts |
Al Simon | Stunts |
John Tatum | Stunts |
R.L. Tolbert | Stunts |
Rock A. Walker | Stunts |
Russell Wallraven | Stunts |
Mike Watson | Stunts |
Walter Wyatt | Stunts |
Gene Hartline | Stunts |
Autry Ward | Stunts |
Troy Ward | Stunts |
Name | Title |
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Mark Kasdan | Associate Producer |
Charles Okun | Executive Producer |
Lawrence Kasdan | Producer |
Michael Grillo | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 37 | 57 | 22 |
2024 | 5 | 40 | 103 | 23 |
2024 | 6 | 28 | 45 | 19 |
2024 | 7 | 35 | 77 | 16 |
2024 | 8 | 28 | 47 | 18 |
2024 | 9 | 21 | 37 | 14 |
2024 | 10 | 20 | 34 | 11 |
2024 | 11 | 20 | 46 | 11 |
2024 | 12 | 25 | 40 | 14 |
2025 | 1 | 28 | 51 | 18 |
2025 | 2 | 16 | 24 | 3 |
2025 | 3 | 8 | 26 | 1 |
2025 | 4 | 2 | 3 | 2 |
2025 | 5 | 2 | 3 | 2 |
2025 | 6 | 3 | 4 | 1 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 3 | 4 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 830 | 830 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 676 | 759 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 740 | 900 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 183 | 488 |
Hi Ho Silver! Silverado is directed by Lawrence Kasdan and Lawrence co-writes with his brother Mark. It stars Kevin Kline, Scott Glenn, Danny Glover, Kevin Costner, Brian Dennehy, Jeff Goldblum Linda Hunt and Rosanna Arquette. Music is by Bruce Broughton and cinematography by John Bailey. As a ... big Western fan it's most interesting revisiting Silverado some 30 odd years after its release. In context of the time it first came out, when the genre was a dead duck, it was a bold and beautiful romp. How wonderful to find that with one or two 1980s irks aside, it is still a fine Western beast beating a true genre heart. Ok, it's hardly pulling up trees thematically, in the main because it embraces what it homages, every cliche in scene and writing is respectful to its predecessors, the Kasdan's achieving everything they set out to do - entertain like minded film lovers. Cast are on fine form, clearly enjoying the material and setting of such. The locations are outstanding, the vistas gorgeous, with production design to match. Broughton's musical score is rambunctious and lifts the spirit, even if much of it feels 1980s as opposed to the era of films setting. Action scenes are expertly staged, the improbable irrelevant for joyous rewards, and stunt work high end as well. Themes such as prostitution and racism are only given small acknowledgements, but character building is evident at every turn to fully involve audience from first reel to last. Heroes and anti-heroes, psychos, thieves and power hungry villains, no stone left unturned here. This isn't for those after the grim textures of something like Unforgiven and latterly Hostiles, this is more in keeping with something like Tombstone, or even the much divisive Lone Ranger. Saddle up and enjoy if you haven't already done so! 8/10
**Fun, rip-Roaring Western with too many characters in a complicated story** Released in 1985, "Silverado" is a Western about two brothers (Scott Glenn & Kevin Costner) and two other gents (Kevin Kline & Danny Glover) who become friends and ultimately team-up to take on the corrupt sheriff of the ... New Mexican town Silverado. The first time I watched "Silverado" was in the mid-90s and I was turned off by the implausibility of the prison break scene in the first act, not to mention the nigh goofiness of Costner's character. There's an unrealistic vibe, almost verging on Indiana Jones territory, which is easy to explain since writer/director Lawrence Kasdan also wrote "Raiders of the Lost Ark" (1981). So it's necessary to accept the implausible heroics to glean from (and enjoy) the meat of the picture, which is essentially a serious story running the gamut of the human condition (e.g. injustice, action, drama, comedy, conflict, etc.). I only bring this up so that viewers who favor realism in their Westerns, like "Shane" (1953), "True Grit" (1969/2010), "The Long Riders" (1980), "Unforgiven" (1992) or "Wyatt Earp" (1994), will make the necessary mental adjustments before attempting to digest the film. "Silverado" is a rip-roaring, rollicking Western in the truest sense. There are a few moral ambiguities (e.g. Jeff Goldblum's character and Paden's conundrum in the story) but, for the most part, the heroes are heroes and the villains drip with evil. One aspect of "Silverado" I like, which most post-50s Westerns lack, is the palpable spirit of life, liberty and joy that the heroes & their friends possess. Despite the various evils they experience (which we can all relate to one way or another) they maintain a certain joy of living, the jubilance of life and freedom itself. As such, the film isn't a downer; it's somehow uplifting. Stories like this need a good villain and Brian Dennehy more than fills the bill. He's almost horrifying as the swaggering corrupt sheriff of Silverado. Remember his part as the sheriff in "First Blood" (1982)? This is essentially the same role, just exponentially WORSE. The main hero is Kline as Paden. Kline is effective at playing the perfect, likable everyman. Glenn is a quintessential Westerner as Emmett while Costner plays his younger gung-ho brother, Jake. The latter is notably different here than in his other Western roles, "Dances with Wolves" (1990) "Wyatt Earp" and "Open Range" (2003). Here he's young & spunky, full of mirth, yet also an expert and deadly gunslinger. After the contrivances and goofiness of the first act, "Silverado" finds its footing and I was absorbed & even thrilled by the story up until around the 70-75-minute mark. Unfortunately, from there the story gets convoluted, although it ends with a long, rousing gunfight in the town. It's just that there are so many characters that you tend to lose track and it seems like some expositional scenes were left on the cutting room floor in order to keep the runtime at just over two hours (133 minutes). The subplots concerning Rosanna Arquette, Jeff Goldblum and Linda Hunt are good examples. However, the positive thing about a story like this is that it's not superficial; hence, the movie's worthy of repeat viewings since you're not likely gonna digest it all in just one or two viewings. Yet an intricate story like this needs at least 2.5 hours of runtime in order to breath and be effective. It demands the length of "Dances with Wolves" and so I'd be interested in seeing a Director's Cut. Speaking of subplots, I enjoyed certain ones like Kline's love for the midget saloon bartender (Linda Hunt), love in a son/mother sense, that is, but their relationship isn't developed enough. You have to read in between the lines. I also appreciated the love and loyalty of the four protagonists; the fact that Glover is a black man is of no issue. Love in its purest sense is spiritual in nature and transcends blood, skin color or raw lust. You never know who you'll meet in life and form a strong love-bond with. It's amazing. So why not a higher rating? I didn't find the story all that captivating like, say, Kasdan's "Grand Canyon" (1991). I'm talking about the last hour where I had to struggle a bit to keep attentive, not to mention keep track of all the characters and what's going on. Then there's the nonsensical editing, obvious missing scenes and a few idiotic implausibilities. Beyond these negatives, "Silverado" has most everything you'd ever want in a Western: gunfights, quick-draw showdowns, smoke-filled saloons, saloon girls, homesteaders, wagon trains, outlaws, posses, jailbreaks, stampedes, box canyons, glorious Western locations, and more. Actually, it verges on overkill. About the only thing it doesn't have are Native Americans and an uncomplicated story. The latter explains why you DON'T see "Silverado" cited on many Best Westerns lists. The film was shot entirely in New Mexico. GRADE: C+
Written (along with his brother) and directed by Lawrence Kasdan (Raiders of the Lost Ark, Wyatt Earp), Silverado is one Western that remounts to the golden age of westerns - when I had put the movie on my to watch list, I surely thought it was some lost western from the 70´s. But alas, no it was ... a mid-80's to 90's transition movie what gave me some concerns, that proved wrong otherwise. The director doesn't have so many hits in his career other that RotLA, but it is simple in screenplay but not naive as most of the 50-60's westerns with some greater tone on violence and blood. It tells the story of 4 cowboys, two of them brothers, united by their own reasons, they being played by Kevin Kline and Kevin Costner, a black man with a vow of vengeance Danny Glover (that points the story around the 1870-80) and the lone wolf Scott Glenn that saves the first one that lead to encounters with the others.. The way off all 4 points to the city of Silverado, on which an ex-"friend" of Scott is the ruthless and abusive sheriff (Brian Dennehy, one of the best roles on the movie along with the saloon owner Linda Hunt - another great star on the movie, with just 1,45cm height that you have seen and heard many times in your live I assure you). The movie for sure have its share of action and relations betweens characters, and a degree of violence that differentiate it of older westerns. I gave to the movie a 7,5 out of 10,0 score / B + . If you like Westerns it sure worths your time - being on Criterion collection it can shows that it is worth it.