Money Train
Get on, or GET OUT THE WAY!
1995 | 110m | English
Popularity: 4 (history)
| Director: | Joseph Ruben |
|---|---|
| Writer: | Doug Richardson |
| Staring: |
| When a vengeful New York transit cop decides to steal a trainload of subway fares, his foster brother—a fellow cop—tries to protect him. | |
| Release Date: | Nov 21, 1995 |
|---|---|
| Director: | Joseph Ruben |
| Writer: | Doug Richardson |
| Genres: | Comedy, Action, Crime |
| Keywords | new york city, sibling relationship, subway, new york subway, train robbery |
| Production Companies | Columbia Pictures, Peters Entertainment |
| Box Office |
Revenue: $77,224,232
Budget: $68,000,000 |
| Updates |
Updated: Aug 24, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| George Bowers | Editor |
| Dick Ziker | Stunts |
| Craig Shugart | Stunts |
| Michael Dilbeck | Music Supervisor |
| Michael Stone | Steadicam Operator, Camera Operator |
| Laini Thompson | Makeup Artist |
| Margot Boccia | Makeup Department Head |
| Shannon Rayle Bourne | Art Department Coordinator |
| Sarah Knowles | Art Direction |
| Mike Fenster | Transportation Captain |
| Lee Dichter | Sound Re-Recording Mixer |
| Corey B. Yugler | Script Supervisor |
| Louis Bertini | Foley Editor |
| David Gulick | Property Master |
| Jacob Ribicoff | ADR Editor |
| John Alden | Stunts |
| Doug Richardson | Screenplay |
| Dennis Bradford | Art Direction |
| Dominick Tavella | Sound Re-Recording Mixer |
| Clifford Booker | Hairstylist |
| Paul P. Soucek | Sound Effects Editor |
| Lawrence Karman | Camera Operator |
| Ira Spiegel | Sound Effects Editor |
| Tony Martinez | Dialogue Editor |
| Douglas Fox | Property Master |
| Stephen Lee Davis | Assistant Director |
| Linda R. Chen | Still Photographer |
| Pam DeMetruis-Thomas | Sound Effects Editor |
| David Lee | Still Photographer |
| Geary McLeod | Camera Operator |
| Timothy M. Bourne | Production Manager |
| Stan Bochner | Supervising Sound Editor |
| Bill Groom | Production Design |
| Tony R. Medina | Prop Maker |
| Deborah Wallach | ADR Supervisor |
| David Novack | Additional Sound Re-Recording Mixer |
| Simone Boisseree | Stunts |
| Janet Brady | Stunts |
| Teri Garland | Stunts |
| J. Suzanne Rampe | Stunts |
| Chrisie Paola | Stunts |
| Richard Epper | Stunts |
| Tommy J. Huff | Stunts |
| Terry Jackson | Stunts |
| Keith Tellez | Stunts |
| Shelby Swatek | Stunts |
| Linda Fetters Howard | Stunts |
| Joseph Ruben | Director |
| Bill Pankow | Editor |
| Francine Maisler | Casting |
| Ruth E. Carter | Costume Design |
| Beth A. Rubino | Set Decoration |
| Mark Mancina | Original Music Composer |
| Melissa Yonkey | Hairstylist |
| Jack Gill | Second Unit Director, Stunt Coordinator |
| Richard King | Sound Effects Editor |
| Jeannie Epper | Stunts |
| Anita Hart | Stunts |
| Julie Michaels | Stunts |
| Jeff Imada | Stunts |
| Eurlyne Epper | Stunts |
| Gene LeBell | Stunts |
| Jophery C. Brown | Stunts |
| Annie Ellis | Stunts |
| Rick Avery | Stunts |
| Joni Avery | Stunts |
| Spiro Razatos | Stunts |
| Troy Brown | Stunts |
| Gary Epper | Stunts |
| Freddie Hice | Stunts |
| Bob Brown | Stunts |
| Debbie Evans | Stunt Driver |
| Andy Gill | Stunt Coordinator |
| Terry Leonard | Second Unit Director |
| Manny Perry | Stunts |
| Steve M. Davison | Stunts |
| Tim A. Davison | Stunts |
| Sandy Berumen | Stunts |
| Tony Epper | Stunts |
| Danny Epper | Stunts |
| Donna Keegan | Stunts |
| Henry Kingi Jr. | Stunts |
| Peewee Piemonte | Stunts |
| Jalil Jay Lynch | Stunt Double |
| Tim Trella | Stunt Double |
| Jeff Ward | Stunt Double |
| Chuck Zito | Stunts |
| Mike Justus | Stunts |
| Tabby Hanson | Stunts |
| Kerrie Cullen | Stunts |
| George Fisher | Stunts |
| Natalie Leggett | Musician |
| Glen Kennedy | Set Dresser |
| Keith Woulard | Stunts |
| John Lindley | Director of Photography |
| Alexander Witt | Second Unit Director of Photography, Second Unit Director |
| Andreé Gibbs | Stunts |
| Jeff 'JJ' Dashnaw | Stunts |
| Name | Title |
|---|---|
| Adam Fields | Executive Producer |
| Russ Kavanaugh | Associate Producer |
| Michael E. Steele | Co-Producer |
| Frederick S. Pierce | Executive Producer |
| Tracy Barone | Executive Producer |
| Christine Forsyth-Peters | Producer |
| Neil Canton | Producer |
| Jon Peters | Producer |
| Doug Claybourne | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 28 | 45 | 19 |
| 2024 | 5 | 32 | 55 | 21 |
| 2024 | 6 | 24 | 40 | 17 |
| 2024 | 7 | 29 | 47 | 15 |
| 2024 | 8 | 28 | 41 | 17 |
| 2024 | 9 | 19 | 28 | 12 |
| 2024 | 10 | 17 | 32 | 10 |
| 2024 | 11 | 20 | 46 | 11 |
| 2024 | 12 | 20 | 51 | 13 |
| 2025 | 1 | 20 | 38 | 14 |
| 2025 | 2 | 13 | 18 | 3 |
| 2025 | 3 | 6 | 21 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 429 | 796 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 129 | 646 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 772 | 871 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 360 | 639 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 487 | 763 |
**Money Train loses interest while trying to figure out what it wants to be.** Money Train is a movie with an identity crisis. Is it a buddy cop movie? Crime drama? Serial killer char? Heist film? Romance piece? Well, Money Train tries to be all those things in less than 2 hours, making for a dis ... jointed mess with inconsistent pacing and barely any story to follow. Woody Harrelson and Wesley Snipes are the good guys of the story, but they ultimately rob a train and cause millions of dollars of damage, and the audience is supposed to laugh it off because their boss is a jerk. Doesn’t work. With a cast including Wesley Snipes, Woody Harrelson, and Jennifer Lopez, I thought Money Train had to be at least mildly entertaining (and it did have fun moments), but the numerous stories and tones left everything too underdeveloped to enjoy and an ending that is more abrupt than satisfying.