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The Dark Crystal Poster

The Dark Crystal

Another world, another time...in the age of wonder.
1982 | 93m | English

(75361 votes)

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Popularity: 3 (history)

Details

On another planet in the distant past, a Gelfling embarks on a quest to find the missing shard of a magical crystal and restore order to his world, before the grotesque race of Skeksis find and use the crystal for evil.
Release Date: Dec 17, 1982
Director: Jim Henson, Frank Oz
Writer: David Odell, Jim Henson
Genres: Family, Fantasy, Adventure
Keywords race against time, mission, liberation, castle, villain, mythical creature, puppetry, fantasy world, crystal, good versus evil, bizarre creatures
Production Companies ITC Entertainment, Jim Henson Productions, Henson Associates
Box Office Revenue: $40,600,000
Budget: $15,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Jim Henson Jen / High Priest, Ritual Master
Kathryn Mullen Kira, a Gelfling
Frank Oz Aughra, a Keeper of Secrets / Chamberlain
Dave Goelz Fizzgig, a Friendly Monster / General, Garthim Master
Steve Whitmire Scientist (voice)
Louise Gold Gourmand
Brian Meehl Ornamentalist / Urzah / Dying Master
Stephen Garlick Jen (voice)
Lisa Maxwell Kira (voice)
Billie Whitelaw Aughra (voice)
Percy Edwards Fizzgig (voice)
Barry Dennen Chamberlain / Podling (voice)
Deep Roy Additional Performer
Kiran Shah Additional Performer
Jack Purvis Additional Performer
Bob Payne Historian, Scroll Keeper
Michael Kilgarriff General (voice)
John Baddeley Historian (voice)
David Buck Slave Master (voice)
Charles Collingwood Treasurer (voice)
Sean Barrett Urzah (voice)
Miki Iveria Podling (voice)
Patrick Monckton Podling (voice)
Susan Westerby Podling (voice)
Joseph O'Conor Narrator / Urskeks (voice)
Thick Wilson Gourmand (voice)
Jerry Nelson High Priestess / Dying Emperor (voice)
Name Job
David Odell Screenplay
Brian Ackland-Snow Art Direction
John Marshall Art Direction
Brian Mann Dialogue Editor
Michael Clifford Music Editor
Bi Benton Production Coordinator
Terry Ackland-Snow Art Direction
Malcolm Stone Art Direction
Dusty Symonds First Assistant Director
Derek V. Browne Camera Operator
Dina Eaton Music Editor
Reg Bream Draughtsman
Ralph Kemplen Editor
Nicholas Stevenson Sound Editor
Harry Lange Production Design
Charles Bishop Supervising Art Director
Peter Young Set Decoration
Richard Holland Set Designer
Betty Adamson Wardrobe Supervisor
Jean-Pierre Amiel Choreographer
Katharina Kubrick Assistant Art Director
Jim Henson Director, Story
Frank Oz Director
Oswald Morris Director of Photography
Trevor Jones Original Music Composer
James Acheson Special Effects
Brian Froud Costume Design
Kiran Shah Stunts
Brian Smithies Visual Effects
Name Title
David Lazer Executive Producer
Jim Henson Producer
Gary Kurtz Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 19 30 13
2024 5 22 31 13
2024 6 20 29 13
2024 7 25 46 13
2024 8 26 52 14
2024 9 19 46 11
2024 10 22 50 11
2024 11 26 82 13
2024 12 20 34 13
2025 1 20 35 12
2025 2 15 23 3
2025 3 7 22 2
2025 4 3 4 2
2025 5 3 5 2
2025 6 3 5 2
2025 7 3 4 2
2025 8 2 3 2
2025 9 3 4 3

Trending Position


Year Month High Avg
2025 9 760 760
Year Month High Avg
2025 7 788 884
Year Month High Avg
2025 6 660 793
Year Month High Avg
2025 5 897 935
Year Month High Avg
2025 4 576 746
Year Month High Avg
2025 3 684 756
Year Month High Avg
2025 1 981 981

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Reviews

Datapotomus
5.0

Some old things just don’t really hold up. I was hoping that this movie was going to be a lot better than it was. To myself, I thought it would be great as this was one of Jim Henson’s more notable films. However, the story didn’t really grip me all that much. That could be because today we have ... a ton of these movies. The one where the is the hero who must overcome an orphan story to become the hero that they are today. However today, that has been all, but played. There could be the argument that it wasn’t done at the time all that well, and that is why this movie is good. However, I’m not a fan of that argument. As older movies can still hold up even though they have the same overarching story as the movies in the genre that succeed them. This one, I didn’t feel like had any real differences except it was done with puppets. The fact that you have puppets in a movie should not be the selling point. The selling point should be that you can use those puppets to tell a better story. In summation. It wasn’t bad, but it wasn’t all that good. It was right in the middle of the road for a movie.

Jun 23, 2021
Geronimo1967
7.0

When the old emperor dies, a new even nastier "Skeksis" one takes his place, and so begins this latest reign of terror for all the "Gelfling" on the distant world of "Thra". The only way to rectify things is for the dark crystal, damaged aeons ago, to be restored to it's former glory and that can on ... ly happen at the conjunction of their planet's three suns. That onerous task now falls to the timid "Jen" and his friend "Kira" and so they set off on a series of perilous adventures as they must locate the crystal and get it to the temple so that it can regenerate and defeat the vulture-like (look at my avatar) creatures. It's a cracking story of good versus evil, with the monstrous creations of Jim Henson delivering quite an effective, in a pantomime sort of fashion, degree of peril as the tension builds up. The humans I didn't care for so much - they're a bit weedy; but the monsters are crafted with detail and originality and the use of colourful visuals to augment the story whilst evoking a sense of mystery and danger works well too. It's got plenty of action, mysticism and even if I did hate the predictably goody-goody denouement, I did enjoy the film and though it has dated, that didn't spoil it too much.

Jan 18, 2025