Popularity: 3 (history)
Director: | Jim Henson, Frank Oz |
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Writer: | David Odell, Jim Henson |
Staring: |
On another planet in the distant past, a Gelfling embarks on a quest to find the missing shard of a magical crystal and restore order to his world, before the grotesque race of Skeksis find and use the crystal for evil. | |
Release Date: | Dec 17, 1982 |
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Director: | Jim Henson, Frank Oz |
Writer: | David Odell, Jim Henson |
Genres: | Family, Fantasy, Adventure |
Keywords | race against time, mission, liberation, castle, villain, mythical creature, puppetry, fantasy world, crystal, good versus evil, bizarre creatures |
Production Companies | ITC Entertainment, Jim Henson Productions, Henson Associates |
Box Office |
Revenue: $40,600,000
Budget: $15,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jim Henson | Jen / High Priest, Ritual Master |
Kathryn Mullen | Kira, a Gelfling |
Frank Oz | Aughra, a Keeper of Secrets / Chamberlain |
Dave Goelz | Fizzgig, a Friendly Monster / General, Garthim Master |
Steve Whitmire | Scientist (voice) |
Louise Gold | Gourmand |
Brian Meehl | Ornamentalist / Urzah / Dying Master |
Stephen Garlick | Jen (voice) |
Lisa Maxwell | Kira (voice) |
Billie Whitelaw | Aughra (voice) |
Percy Edwards | Fizzgig (voice) |
Barry Dennen | Chamberlain / Podling (voice) |
Deep Roy | Additional Performer |
Kiran Shah | Additional Performer |
Jack Purvis | Additional Performer |
Bob Payne | Historian, Scroll Keeper |
Michael Kilgarriff | General (voice) |
John Baddeley | Historian (voice) |
David Buck | Slave Master (voice) |
Charles Collingwood | Treasurer (voice) |
Sean Barrett | Urzah (voice) |
Miki Iveria | Podling (voice) |
Patrick Monckton | Podling (voice) |
Susan Westerby | Podling (voice) |
Joseph O'Conor | Narrator / Urskeks (voice) |
Thick Wilson | Gourmand (voice) |
Jerry Nelson | High Priestess / Dying Emperor (voice) |
Name | Job |
---|---|
David Odell | Screenplay |
Brian Ackland-Snow | Art Direction |
John Marshall | Art Direction |
Brian Mann | Dialogue Editor |
Michael Clifford | Music Editor |
Bi Benton | Production Coordinator |
Terry Ackland-Snow | Art Direction |
Malcolm Stone | Art Direction |
Dusty Symonds | First Assistant Director |
Derek V. Browne | Camera Operator |
Dina Eaton | Music Editor |
Reg Bream | Draughtsman |
Ralph Kemplen | Editor |
Nicholas Stevenson | Sound Editor |
Harry Lange | Production Design |
Charles Bishop | Supervising Art Director |
Peter Young | Set Decoration |
Richard Holland | Set Designer |
Betty Adamson | Wardrobe Supervisor |
Jean-Pierre Amiel | Choreographer |
Katharina Kubrick | Assistant Art Director |
Jim Henson | Director, Story |
Frank Oz | Director |
Oswald Morris | Director of Photography |
Trevor Jones | Original Music Composer |
James Acheson | Special Effects |
Brian Froud | Costume Design |
Kiran Shah | Stunts |
Brian Smithies | Visual Effects |
Name | Title |
---|---|
David Lazer | Executive Producer |
Jim Henson | Producer |
Gary Kurtz | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 19 | 30 | 13 |
2024 | 5 | 22 | 31 | 13 |
2024 | 6 | 20 | 29 | 13 |
2024 | 7 | 25 | 46 | 13 |
2024 | 8 | 26 | 52 | 14 |
2024 | 9 | 19 | 46 | 11 |
2024 | 10 | 22 | 50 | 11 |
2024 | 11 | 26 | 82 | 13 |
2024 | 12 | 20 | 34 | 13 |
2025 | 1 | 20 | 35 | 12 |
2025 | 2 | 15 | 23 | 3 |
2025 | 3 | 7 | 22 | 2 |
2025 | 4 | 3 | 4 | 2 |
2025 | 5 | 3 | 5 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 2 | 3 | 2 |
2025 | 9 | 3 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 760 | 760 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 788 | 884 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 660 | 793 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 897 | 935 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 576 | 746 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 684 | 756 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 981 | 981 |
Some old things just don’t really hold up. I was hoping that this movie was going to be a lot better than it was. To myself, I thought it would be great as this was one of Jim Henson’s more notable films. However, the story didn’t really grip me all that much. That could be because today we have ... a ton of these movies. The one where the is the hero who must overcome an orphan story to become the hero that they are today. However today, that has been all, but played. There could be the argument that it wasn’t done at the time all that well, and that is why this movie is good. However, I’m not a fan of that argument. As older movies can still hold up even though they have the same overarching story as the movies in the genre that succeed them. This one, I didn’t feel like had any real differences except it was done with puppets. The fact that you have puppets in a movie should not be the selling point. The selling point should be that you can use those puppets to tell a better story. In summation. It wasn’t bad, but it wasn’t all that good. It was right in the middle of the road for a movie.
When the old emperor dies, a new even nastier "Skeksis" one takes his place, and so begins this latest reign of terror for all the "Gelfling" on the distant world of "Thra". The only way to rectify things is for the dark crystal, damaged aeons ago, to be restored to it's former glory and that can on ... ly happen at the conjunction of their planet's three suns. That onerous task now falls to the timid "Jen" and his friend "Kira" and so they set off on a series of perilous adventures as they must locate the crystal and get it to the temple so that it can regenerate and defeat the vulture-like (look at my avatar) creatures. It's a cracking story of good versus evil, with the monstrous creations of Jim Henson delivering quite an effective, in a pantomime sort of fashion, degree of peril as the tension builds up. The humans I didn't care for so much - they're a bit weedy; but the monsters are crafted with detail and originality and the use of colourful visuals to augment the story whilst evoking a sense of mystery and danger works well too. It's got plenty of action, mysticism and even if I did hate the predictably goody-goody denouement, I did enjoy the film and though it has dated, that didn't spoil it too much.