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Life at the Top Poster

Life at the Top

The more they live it up the more they have to live it down!
1965 | 117m | English

(772 votes)

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Popularity: 2 (history)

Details

Successful businessman Joe Lampton is married to the wealthy Susan, has two children, and lives in the mill town of Warley in northern England. But his career seems to have plateaued, leaving him disillusioned. This feeling is only exacerbated when he discovers his wife's infidelity with local man Mark. So he takes up with attractive TV host Norah and moves with her to London, aiming to reignite the fire that drove him to the top.
Release Date: Dec 14, 1965
Director: Ted Kotcheff
Writer: Mordecai Richler, John Braine
Genres: Drama
Keywords adultery, based on novel or book, textile industry, bad father-in-law, yorkshire, sequel, british high society, kitchen sink realism
Production Companies Romulus Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024
Entered: Apr 26, 2024
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Full Credits

Name Character
Laurence Harvey Joe Lampton
Jean Simmons Susan Lampton
Honor Blackman Norah Hauxley
Michael Craig Mark
Donald Wolfit Abe Brown
Robert Morley Tiffield
Margaret Johnston Sybil
Ambrosine Phillpotts Mrs. Margaret Brown
Allan Cuthbertson George Aisgill
Paul A. Martin Harry
Frances Cosslett Barbara
Ian Shand Ralph Hethersett
George A. Cooper Graffham
Nigel Davenport Mottram
Andrew Laurence McLelland
Geoffrey Bayldon Industrial Psychologist
Denis Quilley Ben
David Oxley Tim
David McKail Oscar
Paul Whitsun-Jones Keatley
Charles Lamb Wincastle
Michael Newport Newspaper Boy
Richard Leech Doctor
Ingrid Anthofer Stripper
Harry Fowler Magic Beans Man
Hyma Beckley Sherry Party Guest
Ernest Blyth Election Agent
Edward Fox Office Supervisor
Victor Harrington Board Member
Dido Plumb Art Exhibitor Visitor
Philip Stone Tiffield Interview Panel
Name Job
Richard Addinsell Original Music Composer
Ted Kotcheff Director
Mordecai Richler Screenplay
John Braine Novel
Oswald Morris Director of Photography
Saul Cooper Unit Publicist
Derek York Editor
Jenia Reissar Casting
Edward Marshall Art Direction
Phyllis Crocker Continuity
Marcus Dods Conductor
Jackie Cummins Wardrobe Master
Maurice Gillett Electrician
Brian West Camera Operator
Bob Jones Sound Recordist
Norman Bolland Sound Recordist
Jonathan Bates Sound Editor
David Ffolkes Set Dresser
Kip Gowans Assistant Director
Charles Blair Production Manager
Joan Smallwood Hairdresser
George Frost Makeup Artist
Beatrice Dawson Costume Designer
Name Title
James Woolf Producer
John Woolf Producer
William Kirby Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 4 6 1
2024 5 6 11 2
2024 6 3 6 2
2024 7 7 17 2
2024 8 5 8 2
2024 9 5 7 3
2024 10 5 10 2
2024 11 3 12 1
2024 12 2 5 1
2025 1 3 6 1
2025 2 2 3 1
2025 3 2 3 1
2025 4 1 2 1
2025 5 1 3 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 1 2 0
2025 10 1 2 0

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Reviews

Geronimo1967
7.0

As sequels go, this isn't half bad. Aspirational, working-class lad "Joe" (Laurence Harvey) has managed to marry the boss's daughter "Susan" (Jean Simmons), has the semi detached trappings of middle class luxury but his life consists little of substance. His career is going nowhere fast and he is so ... on being tempted by the visiting television star "Norah" (Honor Blackman) as his wife embarks on an affair de coeur of her own with the rather unfortunately wooden Michael Craig ("Mark"). Has he the fortitude to go it alone; does he even really want to? The story isn't as potent as "Room at the Top" (1959) but both Harvey and Simmons as well as a strong series of cameos from the likes of Sir Donald Wolfit and Robert Morley still work well to convey many of the frustrations of a young man trying to escape the bonds of a class system and of a woman who has never had to want for anything, efficiently. It looks good. The photography is intense, almost intrusive at times, and the score from the accomplished Richard Addinsell adds much to the story and in many ways substitutes for a rather wordy and descriptive narrative. It's a good film, not a great one, and it is good to see Simmons remind us just how adaptable an actress she was.

Sep 05, 2024