Menu
Bait Poster

Bait

A Tsunami Just Flipped The Foodchain.
2012 | 93m | English

(20749 votes)

TMDb IMDb

Popularity: 4 (history)

Details

A freak tsunami traps shoppers at a coastal Australian supermarket inside the building ... along with a 12-foot great white shark.
Release Date: Sep 05, 2012
Director: Kimble Rendall
Writer: John Kim, Russell Mulcahy, S.P. Krause
Genres: Horror
Keywords drowning, shark attack, gore, shark, australia, supermarket, flooding, tsunami, flood
Production Companies Pictures in Paradise, Screen Australia, Media Development Authority (MDA), Screen Queensland, Bait Productions, Story Bridge Films, Blackmagic Design Films
Box Office Revenue: $32,500,000
Budget: $30,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Sharni Vinson Tina
Phoebe Tonkin Jaimie
Julian McMahon Doyle
Alex Russell Ryan
Xavier Samuel Josh
Cariba Heine Heather
Lincoln Lewis Kyle
Alice Parkinson Naomi
Dan Wyllie Kirby
Qi Yuwu Steven
Richard Brancatisano Rory
Chris Betts Lockie
Damien Garvey Colins
Adrian Pang Jessup
Martin Sacks Todd
Simon Edds Lifeguard
Nicholas McCallum Oceania Store Owner
Yasushi Asaya Pedestrian (uncredited)
Name Job
John Kim Screenplay
Matthew Lessall Casting
Ross Emery Director of Photography
Joe Ng Music
Phil Eagles Costume Design
Ben Parkinson Casting
Jim Millett Set Designer
Greg Gilbert Camera Operator
Ben Timony Still Photographer
Leanne Brooks Art Department Coordinator
Kaus Kastberg Set Designer
Peter Climpson Sound Effects Editor
Alex Oh Music
Rodrigo Balart Editor
Tony Murtagh Dialogue Editor
Mitch Deans Stunt Coordinator
Calum McFarlane Camera Operator
Antoinette O'Neill Script Supervisor
Jenny O'Connell Art Direction
Mario Vaccaro Foley
Marc Varisco Visual Effects Supervisor
Grant Everett Visual Effects Supervisor
Timothy Clark Visual Effects Art Director
Paul Johnstone Gaffer
Paige Walker Dialect Coach
Suzy Whitefield Set Decoration
Craig Walmsley Sound Recordist
James Ezra Music Editor
Robert Bull Scenic Artist
Adam Connelly Foley
James Rogers Visual Effects Supervisor
Angus Reid Visual Effects Producer
Grant Harris Animation Supervisor
Steve Burgess Sound Designer, Sound Effects Editor
Jamie Crooks First Assistant Director
Shane Thomas Key Makeup Artist, Hair Designer
Judy Hallin Production Coordinator
Allan Mowbray Armorer
Angelo Sahin Special Effects Supervisor
Craig Beckett Music Editor
David Ludlow Electrician
Mark Watson Gaffer
Toby Copping Key Grip
Michael Bennett Painter
Jac Charlton Set Dresser
Wayne Osborne 3D Artist
Simon Gill Set Dresser
Sam McKinnon Electrician
George Kabot Graphic Designer
Graeme Callander Storyboard Artist
Scott Dolan First Assistant Camera
Peter Chittleborough Electrician
Chris Walsingham Electrician
Wei Gang CG Artist
Bylan Neill CG Artist
Vincent Yoe CG Artist
Ian Dodman CG Supervisor
Ricky Schamburg First Assistant Camera
Wizzy Molineaux Makeup & Hair
Ng Leong Wei CG Artist
Martina Byrne Makeup & Hair
Tia Stephanou Makeup & Hair Assistant
David Thomson Key Rigging Grip
Jongsu Oh CG Artist
Sebastian Ravagnani CG Artist
Amanda Enders Costume Standby
Amy Mitchell Costume Standby
Konstantin Kovalenko CG Artist
Keith Seah Compositor
Andy Smith Best Boy Grip
Matt Copping Dolly Grip
Jaspar Goodman Costume Assistant
Nicolas Borel CG Artist
Jennifer Stanfield Makeup & Hair
Samantha Lyttle Prosthetic Supervisor
Barry Thompson Prop Maker
Robbie MacKinnon Second Assistant Camera
Chris Breeze CG Artist
Mo Xueying CG Artist
Che McGuinness Electrician
Patrice Roblin Electrician
Casper McCallum Epk Camera Operator
Marcus Ballantine Grip
Aaron Briggs CG Artist
Ray Bentzen Painter
Tanya Woelfle Set Costumer
Robert Stollar CG Artist
John Rann Construction Manager
Lukas Davidson Digital Imaging Technician
Matt Willis Electrician
Erik Charlebois CG Artist
Ziig Yee Compositor
Grant Wilson Best Boy Electrician
Chris Hansford Techno Crane Operator
Stuart Monksfield Online Editor
Rakitha Vithanage CG Artist
Greg Tidman Key Grip
Bud Hopes Extras Casting
Warren Shepherd CG Artist
Shengyuan Wang CG Artist
Ross Clarke Construction Coordinator
Stefanie Parry Casting Assistant
Joe Lancaster First Assistant Editor
Blake Muir Digital Compositor
Randy Vellacott Digital Compositor
Garth O'Bryan Digital Compositor
Simon Tan Visual Effects Editor
Grant Lehmann Animatronics Designer
Troy Darben Compositor
Tania Wu Visual Effects Coordinator
Elena Ho Main Title Designer
James Paul Animatronics Designer
Helen Kok Visual Effects Coordinator
Brad Dunn Compositor
Kimble Rendall Director
Russell Mulcahy Screenplay
Nicholas McCallum Production Design
John Walton Stunt Coordinator
Duncan Jones Location Manager
Robert Mackenzie Sound Designer
Steven Boyle Makeup Effects Designer
S.P. Krause Writer
Name Title
Peter Barber Producer
Michael Lake Supervising Producer
Todd Fellman Producer
Gary Hamilton Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 29 39 21
2024 5 33 52 23
2024 6 39 74 23
2024 7 37 60 23
2024 8 42 95 25
2024 9 23 32 16
2024 10 26 45 13
2024 11 25 47 15
2024 12 23 33 16
2025 1 25 50 14
2025 2 19 28 4
2025 3 9 29 1
2025 4 2 3 1
2025 5 2 4 2
2025 6 3 4 2
2025 7 2 3 2
2025 8 2 2 2
2025 9 3 4 3

Trending Position


Year Month High Avg
2025 5 796 796
Year Month High Avg
2025 3 811 843

Return to Top

Reviews

John Chard
6.0

Sharkunami Gone Barmy! When a tsunami traps shoppers inside a coastal Australian supermarket, their survival prospects are reduced even further when Great White Sharks find their way into the area. It's as nutty as it sounds, a bonkers but wonderfully genius premise is played out with "B" movi ... e heart and a smile on its face. Standard rules apply, there's a myriad of characters who are in need of redemption or reconciliations, and of course it's a time for heroes and villains to thrust themselves forward. Action and suspense is never far away, and neither is blood! There's even some humour to be found, especially with a bickering couple of teenage lovers. Some of the CGI is poor and as is the norm with this type of film, there's daft scenes that ask you to just roll with it. If you can do that then there's a good time to be had here. 6/10

May 16, 2024
Peter89Spencer
7.0

Not a bad Shark horror film, since Jaws. The Aussies never disappoint. ...

Jun 23, 2021
mooney240
6.0

**Bait isn't groundbreaking or particularly impressive but slightly edges out typical low-budget shark flicks with a creative setting.** Bait's concept and setting bear similarities to 2019's alligator thriller Crawl. A tsunami traps a small band of survivors in a flooded underground supermarket ... with hungry man-eating great whites. The quality doesn't rise to the level of The Shallows or Crawl, but it's pretty solid for a non-Hollywood 3D low-budget film. I was expecting a goofy shark film with dreadful performances (which I love) and was surprised by something a little better. Don't get me wrong, it isn't a gold standard for anything, but in a subgenre built on low-budget cheesiness, Bait shows a little more effort than most.

Oct 21, 2022
Geronimo1967
5.0

Next time you hear that your local supermarket is having a snap sale - think twice! These folks found themselves shopping for eggs one minute, then they are trapped by an enormous tsunami wave where the aisles have swapped their wayward trolleys for an hungry great white shark. Fortunately, one of t ... heir number stuck atop the shelves is "Josh" (Xavier Samuel) who used to be a lifeguard. Now he works in the shop too, so has even more extra specialist knowledge. Not so luckily, he has baggage and his ex-girlfriend, her new boyfriend and some some other unsavoury types who all need preserving from "Jaws" little cousin to deal with too. What follows is straight out of the "Janet and John" book of apex predator stories. You know somebody will get eaten, somebody will get mauled and of course, hopefully, the hunky hero will save the day before... The production is what really let's this down. Not that the acting will ever be troubling an Oscars jury, but the dialogue is banal and the visual effects frequently look like some CGI from an ordinary bath tub. The sharks deserve every meal they can get - but to be fair I'd have fed them those behind the camera before the "bait" they are actually presented with. It's typical sci-fi channel fayre. By no means the worst of the genre, but still pretty chewy.

Feb 10, 2023