Popularity: 4 (history)
Director: | Kimble Rendall |
---|---|
Writer: | John Kim, Russell Mulcahy, S.P. Krause |
Staring: |
A freak tsunami traps shoppers at a coastal Australian supermarket inside the building ... along with a 12-foot great white shark. | |
Release Date: | Sep 05, 2012 |
---|---|
Director: | Kimble Rendall |
Writer: | John Kim, Russell Mulcahy, S.P. Krause |
Genres: | Horror |
Keywords | drowning, shark attack, gore, shark, australia, supermarket, flooding, tsunami, flood |
Production Companies | Pictures in Paradise, Screen Australia, Media Development Authority (MDA), Screen Queensland, Bait Productions, Story Bridge Films, Blackmagic Design Films |
Box Office |
Revenue: $32,500,000
Budget: $30,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Sharni Vinson | Tina |
Phoebe Tonkin | Jaimie |
Julian McMahon | Doyle |
Alex Russell | Ryan |
Xavier Samuel | Josh |
Cariba Heine | Heather |
Lincoln Lewis | Kyle |
Alice Parkinson | Naomi |
Dan Wyllie | Kirby |
Qi Yuwu | Steven |
Richard Brancatisano | Rory |
Chris Betts | Lockie |
Damien Garvey | Colins |
Adrian Pang | Jessup |
Martin Sacks | Todd |
Simon Edds | Lifeguard |
Nicholas McCallum | Oceania Store Owner |
Yasushi Asaya | Pedestrian (uncredited) |
Name | Job |
---|---|
John Kim | Screenplay |
Matthew Lessall | Casting |
Ross Emery | Director of Photography |
Joe Ng | Music |
Phil Eagles | Costume Design |
Ben Parkinson | Casting |
Jim Millett | Set Designer |
Greg Gilbert | Camera Operator |
Ben Timony | Still Photographer |
Leanne Brooks | Art Department Coordinator |
Kaus Kastberg | Set Designer |
Peter Climpson | Sound Effects Editor |
Alex Oh | Music |
Rodrigo Balart | Editor |
Tony Murtagh | Dialogue Editor |
Mitch Deans | Stunt Coordinator |
Calum McFarlane | Camera Operator |
Antoinette O'Neill | Script Supervisor |
Jenny O'Connell | Art Direction |
Mario Vaccaro | Foley |
Marc Varisco | Visual Effects Supervisor |
Grant Everett | Visual Effects Supervisor |
Timothy Clark | Visual Effects Art Director |
Paul Johnstone | Gaffer |
Paige Walker | Dialect Coach |
Suzy Whitefield | Set Decoration |
Craig Walmsley | Sound Recordist |
James Ezra | Music Editor |
Robert Bull | Scenic Artist |
Adam Connelly | Foley |
James Rogers | Visual Effects Supervisor |
Angus Reid | Visual Effects Producer |
Grant Harris | Animation Supervisor |
Steve Burgess | Sound Designer, Sound Effects Editor |
Jamie Crooks | First Assistant Director |
Shane Thomas | Key Makeup Artist, Hair Designer |
Judy Hallin | Production Coordinator |
Allan Mowbray | Armorer |
Angelo Sahin | Special Effects Supervisor |
Craig Beckett | Music Editor |
David Ludlow | Electrician |
Mark Watson | Gaffer |
Toby Copping | Key Grip |
Michael Bennett | Painter |
Jac Charlton | Set Dresser |
Wayne Osborne | 3D Artist |
Simon Gill | Set Dresser |
Sam McKinnon | Electrician |
George Kabot | Graphic Designer |
Graeme Callander | Storyboard Artist |
Scott Dolan | First Assistant Camera |
Peter Chittleborough | Electrician |
Chris Walsingham | Electrician |
Wei Gang | CG Artist |
Bylan Neill | CG Artist |
Vincent Yoe | CG Artist |
Ian Dodman | CG Supervisor |
Ricky Schamburg | First Assistant Camera |
Wizzy Molineaux | Makeup & Hair |
Ng Leong Wei | CG Artist |
Martina Byrne | Makeup & Hair |
Tia Stephanou | Makeup & Hair Assistant |
David Thomson | Key Rigging Grip |
Jongsu Oh | CG Artist |
Sebastian Ravagnani | CG Artist |
Amanda Enders | Costume Standby |
Amy Mitchell | Costume Standby |
Konstantin Kovalenko | CG Artist |
Keith Seah | Compositor |
Andy Smith | Best Boy Grip |
Matt Copping | Dolly Grip |
Jaspar Goodman | Costume Assistant |
Nicolas Borel | CG Artist |
Jennifer Stanfield | Makeup & Hair |
Samantha Lyttle | Prosthetic Supervisor |
Barry Thompson | Prop Maker |
Robbie MacKinnon | Second Assistant Camera |
Chris Breeze | CG Artist |
Mo Xueying | CG Artist |
Che McGuinness | Electrician |
Patrice Roblin | Electrician |
Casper McCallum | Epk Camera Operator |
Marcus Ballantine | Grip |
Aaron Briggs | CG Artist |
Ray Bentzen | Painter |
Tanya Woelfle | Set Costumer |
Robert Stollar | CG Artist |
John Rann | Construction Manager |
Lukas Davidson | Digital Imaging Technician |
Matt Willis | Electrician |
Erik Charlebois | CG Artist |
Ziig Yee | Compositor |
Grant Wilson | Best Boy Electrician |
Chris Hansford | Techno Crane Operator |
Stuart Monksfield | Online Editor |
Rakitha Vithanage | CG Artist |
Greg Tidman | Key Grip |
Bud Hopes | Extras Casting |
Warren Shepherd | CG Artist |
Shengyuan Wang | CG Artist |
Ross Clarke | Construction Coordinator |
Stefanie Parry | Casting Assistant |
Joe Lancaster | First Assistant Editor |
Blake Muir | Digital Compositor |
Randy Vellacott | Digital Compositor |
Garth O'Bryan | Digital Compositor |
Simon Tan | Visual Effects Editor |
Grant Lehmann | Animatronics Designer |
Troy Darben | Compositor |
Tania Wu | Visual Effects Coordinator |
Elena Ho | Main Title Designer |
James Paul | Animatronics Designer |
Helen Kok | Visual Effects Coordinator |
Brad Dunn | Compositor |
Kimble Rendall | Director |
Russell Mulcahy | Screenplay |
Nicholas McCallum | Production Design |
John Walton | Stunt Coordinator |
Duncan Jones | Location Manager |
Robert Mackenzie | Sound Designer |
Steven Boyle | Makeup Effects Designer |
S.P. Krause | Writer |
Name | Title |
---|---|
Peter Barber | Producer |
Michael Lake | Supervising Producer |
Todd Fellman | Producer |
Gary Hamilton | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 29 | 39 | 21 |
2024 | 5 | 33 | 52 | 23 |
2024 | 6 | 39 | 74 | 23 |
2024 | 7 | 37 | 60 | 23 |
2024 | 8 | 42 | 95 | 25 |
2024 | 9 | 23 | 32 | 16 |
2024 | 10 | 26 | 45 | 13 |
2024 | 11 | 25 | 47 | 15 |
2024 | 12 | 23 | 33 | 16 |
2025 | 1 | 25 | 50 | 14 |
2025 | 2 | 19 | 28 | 4 |
2025 | 3 | 9 | 29 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 4 | 2 |
2025 | 6 | 3 | 4 | 2 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 2 | 2 | 2 |
2025 | 9 | 3 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 796 | 796 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 811 | 843 |
Sharkunami Gone Barmy! When a tsunami traps shoppers inside a coastal Australian supermarket, their survival prospects are reduced even further when Great White Sharks find their way into the area. It's as nutty as it sounds, a bonkers but wonderfully genius premise is played out with "B" movi ... e heart and a smile on its face. Standard rules apply, there's a myriad of characters who are in need of redemption or reconciliations, and of course it's a time for heroes and villains to thrust themselves forward. Action and suspense is never far away, and neither is blood! There's even some humour to be found, especially with a bickering couple of teenage lovers. Some of the CGI is poor and as is the norm with this type of film, there's daft scenes that ask you to just roll with it. If you can do that then there's a good time to be had here. 6/10
Not a bad Shark horror film, since Jaws. The Aussies never disappoint. ...
**Bait isn't groundbreaking or particularly impressive but slightly edges out typical low-budget shark flicks with a creative setting.** Bait's concept and setting bear similarities to 2019's alligator thriller Crawl. A tsunami traps a small band of survivors in a flooded underground supermarket ... with hungry man-eating great whites. The quality doesn't rise to the level of The Shallows or Crawl, but it's pretty solid for a non-Hollywood 3D low-budget film. I was expecting a goofy shark film with dreadful performances (which I love) and was surprised by something a little better. Don't get me wrong, it isn't a gold standard for anything, but in a subgenre built on low-budget cheesiness, Bait shows a little more effort than most.
Next time you hear that your local supermarket is having a snap sale - think twice! These folks found themselves shopping for eggs one minute, then they are trapped by an enormous tsunami wave where the aisles have swapped their wayward trolleys for an hungry great white shark. Fortunately, one of t ... heir number stuck atop the shelves is "Josh" (Xavier Samuel) who used to be a lifeguard. Now he works in the shop too, so has even more extra specialist knowledge. Not so luckily, he has baggage and his ex-girlfriend, her new boyfriend and some some other unsavoury types who all need preserving from "Jaws" little cousin to deal with too. What follows is straight out of the "Janet and John" book of apex predator stories. You know somebody will get eaten, somebody will get mauled and of course, hopefully, the hunky hero will save the day before... The production is what really let's this down. Not that the acting will ever be troubling an Oscars jury, but the dialogue is banal and the visual effects frequently look like some CGI from an ordinary bath tub. The sharks deserve every meal they can get - but to be fair I'd have fed them those behind the camera before the "bait" they are actually presented with. It's typical sci-fi channel fayre. By no means the worst of the genre, but still pretty chewy.