Popularity: 3 (history)
Director: | John Stockwell |
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Writer: | Matt Johnson |
Staring: |
When they take some friends on an extreme sport adventure, the last thing Jared and Sam expect to see below the shark-infested waters is a legendary pirate ship rumored to contain millions of dollars in gold. But their good fortune is short-lived, as a ruthless gang of criminals gets word of what they have uncovered. | |
Release Date: | Sep 30, 2005 |
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Director: | John Stockwell |
Writer: | Matt Johnson |
Genres: | Adventure, Action, Crime, Thriller |
Keywords | diving, treasure, cocaine, shipwreck, shark attack, sailing, bahamas, airplane, treasure hunt, wrack, scuba diving, shark, scuba, adventurer |
Production Companies | Columbia Pictures, Metro-Goldwyn-Mayer, Mandalay Pictures |
Box Office |
Revenue: $46,117,696
Budget: $50,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Paul Walker | Jared |
Jessica Alba | Sam |
Scott Caan | Bryce |
Ashley Scott | Amanda |
Josh Brolin | Bates |
James Frain | Reyes |
Dwayne Adway | Roy |
Chris Taloa | Quinn |
Tyson Beckford | Primo |
Gill Montie | Big Dave |
Name | Job |
---|---|
John Stockwell | Director |
John Johnson | Still Photographer |
Mickey Giacomazzi | Stunt Coordinator |
Lars P. Winther | First Assistant Director |
Paul Haslinger | Original Music Composer |
Sarah Halley Finn | Casting |
Donald Dowd | Sound Recordist |
Bill Purple | Second Assistant Director |
Conrad E. Palmisano | Second Unit Director |
Chris Navarro | ADR Recordist |
Marilyn Giacomazzi | Stunt Double |
Amy Greene | Casting Assistant |
Sean Graham | Stunt Coordinator, Stunt Double |
William Scharpf | Stunt Double |
Oakley Lehman | Stunt Double |
Peter Zuccarini | Director of Photography |
Dennis Virkler | Editor |
Matt Johnson | Screenplay |
Nicolas De Toth | Editor |
Shane Hurlbut | Director of Photography |
Jeannette Godoy | Costume Supervisor |
Bridget Cook | Hair Department Head |
Lisa Javelin | Set Costumer |
Felipe Borrero | Sound Mixer |
Derek Bird | Digital Compositors |
Jamin O'Brien | Line Producer |
Diana Goodwin | Art Department Coordinator |
Tarra D. Day | Makeup Department Head |
Michael Avallon | Driver |
Brenda Lopez | Script Supervisor |
James Andrykowski | First Assistant Editor |
Dominik Hauser | Orchestrator |
Steve Bartkowicz | Sound Engineer |
Frank J. Hart | Propmaker |
Sean M. Latterner | Set Medic |
Moore Brian | Transportation Co-Captain |
David 'Goldy' Goldsmith | Video Assist Operator |
Thomas A. Morris Jr. | Construction Coordinator |
Roberto De Angelis | Steadicam Operator |
John R. Bayless | Key Makeup Artist |
Charley Bob Burnham | Transportation Coordinator |
D. Scott Easton | Unit Production Manager |
Sheila Bartlett | Painter |
Gina B. Cranham | Assistant Art Director |
Leesa Evans | Costume Design |
Jonah Levy | Sculptor |
Stephanie Macomber | Standby Painter |
Courtney Gross | Casting Associate |
Thomas O'Neil Younkman | Sound Effects Editor |
A.J. Lewis | Translator |
Philip Schneider | Property Master |
Stuart Provine | Sound Recordist |
Artaya Boonsoong | Technical Supervisor |
Dana Sano | Music Supervisor |
Dale Fowler | Best Boy Electric |
Kelly Cabral | Supervising Sound Editor |
Francis Puthanangadi | 3D Artist |
Rick Crank | Electrician |
Ray McIntyre Jr. | Visual Effects Supervisor |
Randi Hiller | Casting |
Christopher Kuder | Carpenter |
Bob 'Smitty' Smith | Craft Service |
Amanda Zemke | Post Production Assistant |
Tim Everitt | Animation Supervisor |
Joshua D. Comen | Visual Effects Producer |
Todd Busch | Additional Editing |
Tim Metivier | First Assistant Camera |
Lee Stepp | Transportation Captain |
Nellie Adami | Production Coordinator |
Pedram Shohadai | Visual Effects |
Sheryl Benko | Visual Effects Coordinator |
James Lin | Location Manager |
Jeremy Raub | Music Editor |
Jason King | Sound Designer |
Leo Corey Castellano | Makeup Effects Designer |
Eric Putz | Telecine Colorist |
David Linck | Unit Publicist |
Elizabeth Kenton | Dialogue Editor |
Craig Dollinger | Boom Operator |
Jeremy Brill | Sound |
George W. Harding III | Set Dressing Artist |
Thomas S. Ciciura | Loader |
Lincoln Kupchak | Visual Effects Editor |
Frank M. Fleming | Leadman |
Matt Kutcher | Special Effects Coordinator |
Tully McCulloch | Rigging Gaffer |
Sue Bokobza | Production Accountant |
Ted Sapp | Grip |
Aynee Osborn | First Assistant Sound Editor |
Mark Curry | Scoring Mixer |
Maia Javan | Production Design |
Richard Fojo | Set Designer |
Nia Hatsopoulos | Stand In |
Dan Cornwall | Gaffer |
David F. Klassen | Art Direction |
Les Boothe | Set Decoration |
Maria K. Chavez | Location Scout |
Richard Salinas | Scenic Artist |
Artin Matousian | Systems Administrators & Support |
Kristina M. Peterson | Second Second Assistant Director |
Marisa Clayton | Post Production Coordinator |
Robert C. Carlson | Assistant Camera |
Susana Gilboe | Wardrobe Assistant |
Lamonte Bell | Payroll Accountant |
Stephen Crowley | Underwater Gaffer |
Alison McCosh | Key Costumer |
Harold De Jesus | Title Designer |
Jennifer Mann | ADR Editor |
Larry Kenton | Conductor, Orchestrator |
Dennis Burrell | Key Set Production Assistant |
Sonja Christoph | Production Assistant |
Ray Felipe | Script Researcher |
Roxann Langlois | Travel Coordinator |
Kate Hart | Construction Buyer |
Edward Steidele | Foley Artist |
Christie Kwan | Assistant Production Coordinator |
Derry Frost | Head of Production |
Joe Digaetano | Key Special Effects |
Sandra L. Dixon | Second Assistant Accountant |
Shauna M. Hirdler | Visual Effects Production Assistant |
Ed Arenas | Local Casting |
Jeremy Oddo | Senior Animator |
Scott Dwyer | Special Effects Technician |
John Velazquez | Lead Animator |
Juan Carlos Vargas | CG Artist |
John P. Mesa | Compositing Supervisor |
Earl Perque | Best Boy Grip |
Romain Gateau | Assistant Property Master |
Garrett Gervaise | Hairdresser |
Scott Cler | Production Secretary |
Mesrop Abrahamian | Rotoscoping Artist |
Emily Besa | Costume Assistant |
David Stump | Senior Visual Effects Supervisor |
James Cheek | Stunt Driver |
Peymon Maskan | Music Coordinator |
Aaron Walrod | Assistant Accountant |
Danny S. Kim | Creative Director |
Michael Chickey | Assistant Location Manager |
Eric Thompson | ADR Mixer |
Chris Trent | Foley Mixer |
Nancy Fuller | Digital Intermediate Producer |
Peter Carpenter | Storyboard Artist |
Gary Coppola | Foley Supervisor |
Mark J. Coyne | Second Assistant Camera |
Alex Krimm | Stunt Double |
Horace Knight Jr. | Stunt Double |
Mehgan Heaney-Grier | Stunt Double |
Scott Howell | Key Grip |
Matthew Schmidt | First Assistant Editor |
Glenn Morris | Visual Effects Producer |
Name | Title |
---|---|
Peter Guber | Executive Producer |
David Zelon | Producer |
Matt Luber | Executive Producer |
Rick Dallago | Co-Producer |
Erin Mast | Associate Producer |
Ori Marmur | Executive Producer |
Brandon Birtell | Co-Producer |
Louis G. Friedman | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 35 | 51 | 26 |
2024 | 5 | 32 | 43 | 19 |
2024 | 6 | 27 | 53 | 17 |
2024 | 7 | 51 | 80 | 22 |
2024 | 8 | 44 | 82 | 28 |
2024 | 9 | 29 | 46 | 20 |
2024 | 10 | 32 | 54 | 20 |
2024 | 11 | 25 | 46 | 15 |
2024 | 12 | 25 | 33 | 16 |
2025 | 1 | 25 | 39 | 19 |
2025 | 2 | 19 | 26 | 4 |
2025 | 3 | 10 | 32 | 2 |
2025 | 4 | 3 | 8 | 2 |
2025 | 5 | 4 | 7 | 3 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 3 | 4 | 3 |
2025 | 8 | 3 | 4 | 3 |
2025 | 9 | 5 | 8 | 3 |
2025 | 10 | 4 | 5 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 792 | 855 |
Year | Month | High | Avg |
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2025 | 7 | 603 | 779 |
Year | Month | High | Avg |
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2025 | 6 | 685 | 827 |
Year | Month | High | Avg |
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2025 | 5 | 702 | 867 |
Year | Month | High | Avg |
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2025 | 4 | 593 | 693 |
Year | Month | High | Avg |
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2025 | 3 | 849 | 849 |
Year | Month | High | Avg |
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2025 | 2 | 329 | 715 |
Year | Month | High | Avg |
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2025 | 1 | 413 | 555 |
Year | Month | High | Avg |
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2024 | 11 | 807 | 839 |
Year | Month | High | Avg |
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2024 | 9 | 818 | 818 |
Year | Month | High | Avg |
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2024 | 8 | 642 | 705 |
**Into the Blue doesn't break new ground, but it's a solid thriller with a fun cast, a suspenseful story, and worth a watch.** Into the Blue is best known for capitalizing on the popularity of its attractive stars to promote this low-budget movie. Still, if you actually take the time to watch the ... film, you will find a solid thriller complete with treasure hunting, shark attacks, plot twists, drug lords, and more. Paul Walker and Jessica Alba excel as a young couple in love living off of small jobs in the Bahamas with dreams of running their own salvage rig one day. But their hunt for treasure intertwines with a drug runner's efforts to recover a lost shipment. The stakes keep rising higher and higher as sharks attack and trusted colleagues turn out to be not so trustworthy. Into the Blue's exciting and suspenseful treasure hunt might just be a hidden treasure of its own with the right expectations.
Well I think the poster says it all, and if it's eye candy you are looking for then for the first hour or so neither Paul Walker nor Jessica Alba are going to disappoint. That comes later when they have to put their clothes on and do some acting with this far-fetched hybrid of drug smuggling and wre ... ck-diving. It's the latter activity that convinces these two along with "Bryce" (Scott Caan) and "Amanda" (Ashley Scott) that their fortunes could be made. Snag is, you can't just raise tons of ancient booty from the sea bed and sail into harbour with it. What's this to do with drugs? Well we know from the preamble that a plane has crashed, and that it contains a great deal of cocaine. Guess what? Yep, they find it. Initially wanting nothing to do with it, they later conclude that they ought to try and sell it - and that brings them into conflict with "Bates" (Josh Brolin) who wants to have his cake and eat it! As the pace quickens, there now ensues loads of action-packed shenanigans in and out of the water. It's not the worst, indeed the last twenty minutes (allowing for some fairly obvious CGI) is actually quite an exciting sequence that allows everyone to get wet and bothered - and you'd better be able to tell the difference between a Tiger shark and a tuna fish. Brolin makes for quite a decent baddy, Caan - well he probably ought to be called Caan't, and the two on the poster show us that beautiful people still have a place on the small screen.