Popularity: 2 (history)
Director: | Douglas Aarniokoski |
---|---|
Writer: | Gillian Horvath, William N. Panzer, Eric Bernt, Joel Soisson |
Staring: |
Immortals Connor and Duncan Macleod join forces against a man from Connor's distant past in the highlands of Scotland, Kell, an immensely powerful immortal who leads an army of equally powerful and deadly immortal swordsmen and assassins. No immortal alive has been able to defeat Kell yet, and neither Connor nor Duncan are skilled enough themselves to take him on and live. The two of them eventually come to one inevitable conclusion; one of them must die so that the combined power of both the Highlanders can bring down Kell for good. There can be only one... the question is, who will it be? | |
Release Date: | Sep 01, 2000 |
---|---|
Director: | Douglas Aarniokoski |
Writer: | Gillian Horvath, William N. Panzer, Eric Bernt, Joel Soisson |
Genres: | Fantasy, Adventure, Action |
Keywords | new york city, loss of loved one, martial arts, secret society, antiquary, loss of powers, immortality, sword fight, fictional war, dark fantasy, warrior, action hero, sword and sorcery, supernatural power, good versus evil |
Production Companies | Davis-Panzer Productions, Dimension Films, Highlander Productions |
Box Office |
Revenue: $15,843,608
Budget: $25,000,000 |
Updates |
Updated: Aug 04, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Christopher Lambert | Connor MacLeod |
Adrian Paul | Duncan MacLeod |
Bruce Payne | Jacob Kell |
Lisa Barbuscia | Kate MacLeod / Faith |
Donnie Yen | Jin Ke |
Jim Byrnes | Joe Dawson |
Peter Wingfield | Methos |
Beatie Edney | Heather MacLeod |
David J. Nicholls | Drunk Friend |
John Medlen | Monk #1 |
Adam Copeland | Lachlan |
Donald Douglas | |
Thomas Lockyer | |
Charmian May |
Name | Job |
---|---|
Mark Heslop | Sound Effects Editor |
John Hughes | Sound |
Jeff Hamon | ADR Mixer |
Paul Cross | Art Direction |
Simon Lamont | Art Direction |
Christian Niculescu | Art Direction |
Ben Zeller | Art Direction |
Daniel Parker | Makeup Designer |
Chris Blunden | Editor |
Douglas Milsome | Director of Photography |
Michelle Guish | Casting |
Cătălin Dordea | Casting |
Donna Brower | Casting |
Gillian Horvath | Story |
William N. Panzer | Story |
Jean-Claude Schlim | Line Producer |
Eric Bernt | Story |
Trevor Jolly | Supervising Sound Editor |
Rick Alexander | Sound Re-Recording Mixer |
Mark Allen | Sound Effects Editor |
Peter Baldock | Sound Effects Editor |
Mark Choi | Sound Effects Editor |
Clive Copland | Sound Mixer |
Rickley W. Dumm | First Assistant Sound Editor |
Rick Hart | Sound Re-Recording Mixer |
Kurt Kassulke | Sound Re-Recording Mixer |
Aaron Levy | Sound Recordist |
Hugh Murphy | Assistant Sound Editor |
Miguel Nunes | ADR Mixer |
Vic Radulich | ADR Editor |
Roland N. Thai | Sound Effects Editor |
Ruth Sullivan | Foley Artist |
Richard Welsh | Dolby Consultant |
Ben Barker | Foley Editor |
Sandy Buchanan | ADR Mixer |
Alistair Crocker | Sound Recordist |
Keith Batten | Boom Operator |
Stephen Scott | Production Design |
Jonathan A. Carlson | Production Design |
Daniela Bușoiu | Makeup Artist |
Letitia Ghenea | Assistant Makeup Artist |
Susan Howard | Special Effects Makeup Artist |
Daniela Mihailescu | Assistant Makeup Artist |
Miruna Panaitescu | Assistant Makeup Artist |
Gemma Waugh | Makeup Artist |
Matthew Smith | Prosthetic Makeup Artist |
Eugen Pisau | Assistant Art Director |
Șerban Porupcă | Assistant Art Director |
Iasar Memedali | Assistant Property Master |
Viorel Ghenea | Property Master |
Cristian Baluta | Lead Set Dresser |
Leigh Gilbert | Construction Manager |
Adi Handac | Props |
Jill Robertson Kibbey | Set Dresser |
Ugo Serrano | Props |
Ica Varna | Set Dresser |
Geanina Vasilescu | Assistant Art Director |
Darrin Denlinger | Storyboard Artist |
Tony Teiger | Property Master |
Petra Weber | Props |
Andreea Martinescu | Art Department Production Assistant |
Douglas Aarniokoski | Director |
Joel Soisson | Screenplay |
Wendy Partridge | Costume Design |
Oana Păunescu | Costume Design |
Marc Wielage | Digital Colorist |
Gregory Widen | Characters |
Glenn Freemantle | Supervising Sound Editor |
Andy Kennedy | Sound Effects Editor |
Jeremy Woodhead | Makeup Artist |
Tim Wooster | Camera Operator |
Jay Maidment | Still Photographer |
Lee Walters | Gaffer |
Nick Glennie-Smith | Original Music Composer |
Name | Title |
---|---|
Peter S. Davis | Producer |
William N. Panzer | Producer |
Patrick Peach | Co-Producer |
Brian Gordon | Producer |
Beth Anne Calabro-Oulman | Co-Executive Producer |
Cary Granat | Executive Producer |
H. Daniel Gross | Co-Executive Producer |
Robert Bernacchi | Associate Producer |
Harvey Weinstein | Executive Producer |
Bob Weinstein | Executive Producer |
Christina Varotsis | Co-Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 25 | 39 | 16 |
2024 | 5 | 26 | 52 | 15 |
2024 | 6 | 23 | 37 | 12 |
2024 | 7 | 25 | 47 | 15 |
2024 | 8 | 23 | 48 | 11 |
2024 | 9 | 17 | 23 | 12 |
2024 | 10 | 18 | 34 | 10 |
2024 | 11 | 18 | 44 | 10 |
2024 | 12 | 15 | 24 | 10 |
2025 | 1 | 17 | 31 | 10 |
2025 | 2 | 13 | 21 | 3 |
2025 | 3 | 7 | 17 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 2 | 3 | 2 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 809 | 873 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 751 | 805 |
**There should have been only one!** If “Highlander 2” was a complete disgrace and “Highlander 3” somehow tried to give us some compensation, this movie makes it look worse and more worn out. However, a TV series had been made that had little or nothing to do with the original film. What this mov ... ie came to try to do is to bring together the best of both worlds, but it failed completely. The problems start at the bottom, that is, in the miserably written script and without ideas that can truly be considered good or intelligent. At no time did I feel that the story of this film was interesting or captivating enough to justify the effort of seeing it. From the development it makes, we must assume that the action takes place after what we saw in the original film, which doesn't make much sense if we remember that this film ends in the victory of Connor, the last and only Immortal. The film has lots of plot holes and moments where logic and coherence take a vacation and disappear. The dialogues are poor, poorly finished and annoying. Historical flashbacks don't always work. The cast counts, for the last time, with the honorable participation of Christopher Lambert, now a mature actor. So mature it sounds dangerously old for the role he plays. Despite this, the actor does what he can with what little he has. Adrian Paul also doesn't let us down and gives a good performance, considering the filthy and regrettable quality of the material written for this film. Bruce Payne sounds histrionic and unconvincing, but he does what he has to do. The rest of the actors don't really have anything really good worth mentioning in detail. Victim of a very low budget, the film appears for what it is: a very cheap and undercooked production, which tastes bad and looks even worse than it tastes. An excuse for an action movie with swords and frantic duels amid a series of abandoned or deserted industrial sites. The cinematography, sets and costumes are what we would expect to find, but the visual effects and CGI are poor, amateurish and really inexcusable in a 2000s full-length film. It's a disgraceful film.