The Philadelphia Experiment
Past and present collide
2012 | 85m | English
Popularity: 1 (history)
| Director: | Paul Ziller |
|---|---|
| Writer: | Andy Briggs |
| Staring: |
| A secret government research project tries reviving the World War II "Philadelphia Experiment," which was an attempt to create a cloaking device to render warships invisible. When the experiment succeeds, it brings back the original ship (the Eldridge) that disappeared during the first test in 1943 - which brings death and destruction to the 21st century. It's up to the sole survivor of the first experiment and his granddaughter to stop it. | |
| Release Date: | Jul 27, 2012 |
|---|---|
| Director: | Paul Ziller |
| Writer: | Andy Briggs |
| Genres: | Adventure, Science Fiction, Mystery, Thriller |
| Keywords | time travel, remake, re-imagining, plane crash, uss eldridge |
| Production Companies | Syfy, Rainbow Pictures, CineTel Films, Movie Central |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Ryan Robbins | Richard Falkner |
| Nicholas Lea | Bill Gardner |
| Malcolm McDowell | Morton Salinger |
| Emilie Ullerup | Molly Gardener |
| Michael Paré | Hagan |
| Lauro David Chartrand-DelValle | Driver |
| Gina Holden | Katheryn Moore |
| John Reardon | Carl Reed |
| Allison Hossack | Lena |
| Name | Job |
|---|---|
| Paul Ziller | Director |
| Michael C. Blundell | Director of Photography |
| Andy Briggs | Writer |
| Tad Nazar | Sound Mixer |
| Amy Reece | Casting |
| Patricia Hargreaves | Costume Design |
| Bob Bottieri | Production Design |
| Renée Read | Set Decoration |
| Tanya Howard | Key Makeup Artist |
| Tim Sereda | Production Manager |
| Bryan C. Knight | First Assistant Director |
| Miranda Middleditch | Assistant Set Decoration |
| Baron Shaver | Construction Coordinator |
| Clive Edwards | Property Master |
| Bulent Hasan | Storyboard Artist |
| Young-Enn Kim | 3D Artist |
| Darren Coffey | 3D Artist, Digital Compositor |
| JongJun An | Digital Compositor |
| Ryan Mackie | Digital Compositor |
| Hui-wen Wu | Digital Compositor |
| Mack Benz | Visual Effects Producer |
| Allen Benjamin | Special Effects Coordinator |
| Ardyth Cleveland | Costume Set Supervisor |
| Jacy Croft | Truck Costumer |
| Carmen Amos | Casting Associate |
| L.A. Hilts | Extras Casting |
| Spencer Whitney | Best Boy Electric |
| Grizz Salzl | Steadicam Operator, Camera Operator |
| Ryan McMaster | Second Unit Director of Photography, Camera Operator |
| Philippe Palu | Dolly Grip |
| Francis Kramer | First Assistant "A" Camera |
| Jiri Kucera | First Assistant "B" Camera |
| Einar Sigurdson | First Assistant "B" Camera |
| Bill Baxter | Gaffer |
| Derrick Garland | Genetator Operator |
| David Savinkoff | Grip |
| Penny Perry | Casting Director, Casting |
| Michael Neilson | Music |
| Christopher A. Smith | Editor |
| La Vonne Girard | Set Decoration |
| Janie MacKay | Key Hair Stylist |
| Daniel Gilboy | Production Executive |
| Jody Ryan | First Assistant Director |
| Jimmy O. Howard | Assistant Property Master |
| A. Blair Stevens | Assistant Set Decoration |
| Nicholas Miller | Lead Set Dresser |
| Ryan Casey | Set Dresser |
| Youngbin Eun | 3D Artist |
| Thierry Latremoille | 3D Artist |
| Peter Choi | Digital Compositor |
| Joseph Park | Digital Compositor |
| Geoffrey Soga | Visual Effects |
| Francois Latremoille | Visual Effects Supervisor |
| Kathy Linder | Assistant Costume Designer, Costume Set Supervisor |
| Donald Weaver | Casting Associate |
| Michelle Jacobsen | Extras Casting Assistant |
| Dmytro Kolesnyk | Best Boy Electric |
| Brad Whitlock | Camera Operator |
| Jon Flahr | Data Wrangler |
| Gregory J. Brown | Dolly Grip |
| Aristidi Georgiopoulos | First Assistant "B" Camera |
| George Kuera | First Assistant "B" Camera |
| Nicholas McKenzie | First Assistant "C" Camera |
| Sean A. Jackson | Gaffer |
| Michael Baier | Grip |
| Shawn Montgomery | Key Grip |
| Jordan Ewan | Second Assistant "B" Camera |
| Aaron Von Hagen | Second Assistant "C" Camera |
| Bettina Strauss | Still Photographer |
| Wendy Czajkowsky | Dialogue Editor |
| Jason Cole | Foley Artist |
| Michael T. Williamson | Sound Mixer |
| Tim Archer | Sound Re-Recording Mixer |
| Randy Kiss | Sound Supervisor, Sound Re-Recording Mixer |
| Randy Rudland | Assistant Editor |
| Justin Li | Online Editor |
| John Rollins | Assistant Location Manager |
| Peter Gibson | Transportation Coordinator |
| Maya Toews | Assistant Production Coordinator |
| Robin Ackland | Craft Service |
| Barbara Parisi | First Assistant Accountant |
| Mark Shannon | Key Production Assistant |
| Chris Wyndham | Key Production Assistant |
| David Rockwell | Post Production Accountant |
| A. Michael Dennison | Production Assistant |
| Jill McQueen | Production Coordinator |
| Jen Oberem | Script Supervisor |
| Sean Hanlin | Security Coordinator |
| David Sanderson | Story Editor |
| Ruby J. Munro | Script Supervisor |
| Rodrigo Carcamo Parga | Second Assistant "A" Camera |
| Henry Zhao | Second Assistant "B" Camera |
| Ed Araquel | Still Photographer |
| Martin Lacroix | Boom Operator |
| Alan Perkins | Dialogue Editor |
| Michael MacDonald | Foley Recordist |
| Matthew Pemberton | Assistant Editor |
| Seán Travers | Colorist |
| Alissa Roode | Online Editor |
| Karen Zajac | Location Manager |
| Rob Glen | Transportation Captain |
| Bob Bedard | Chef |
| Gordon Berezay | Craft Service |
| Claire Benoit | Legal Services |
| Al Stewart | Key Production Assistant |
| Tony Lort | Post Production Accountant |
| Lindsay Moffat | Production Accountant |
| Andy Garland | Production Assistant |
| Jerry Pender | Production Coordinator |
| Elena Dubova | Second Assistant Production Coordinator |
| Elizabeth Schnitzker | Stand In |
| Jason Crosby | Marine Coordinator |
| James Bamford | Stunts |
| Lauro David Chartrand-DelValle | Stunt Coordinator |
| Name | Title |
|---|---|
| John Prince | Producer |
| Josée Bernard | Co-Executive Producer |
| Tom Berry | Executive Producer |
| Lisa M. Hansen | Executive Producer |
| Paul Hertzberg | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 17 | 23 | 11 |
| 2024 | 5 | 20 | 26 | 14 |
| 2024 | 6 | 19 | 33 | 11 |
| 2024 | 7 | 23 | 48 | 12 |
| 2024 | 8 | 19 | 29 | 13 |
| 2024 | 9 | 16 | 24 | 10 |
| 2024 | 10 | 17 | 33 | 11 |
| 2024 | 11 | 19 | 55 | 10 |
| 2024 | 12 | 15 | 21 | 11 |
| 2025 | 1 | 15 | 21 | 11 |
| 2025 | 2 | 12 | 18 | 3 |
| 2025 | 3 | 6 | 19 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 2 | 4 | 0 |
| 2025 | 9 | 8 | 13 | 4 |
| 2025 | 10 | 5 | 10 | 1 |
Trending Position
GenerationofSwine
1.0
I want to give props to Nicholas Lea, the man can act, and he can really sell the role he's playing...even if he is in an absolutely horrible movie. So, big hats off to him for bringing his A-Game to this. He made the movie tolerable and I was actually able to finish it because of him. However, w ... ell, the special effects showed too much. Had they hid it in the darkness more they could have saved money, made it look better, and it wouldn't have come across so much like a early 90s made for TV flick. And it felt that good chunks of the script were written around the special effects and...that didn't help at all. So the end result was a bad remake of a decent film (one that was clearly low budget and still managed to pull it off by NOT featuring a ton of FXs, with a horrible script... ...but a horrible script that had a fun cameo by Michael Pare for people like me...and a horrible script that Nicholas Lea still managed to sell despite having some of the dumbest and most misplaced lines imaginable.
Jan 12, 2023