Popularity: 4 (history)
Director: | John Hyams |
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Writer: | John Hyams, Doug Magnuson, Moshe Diamant, Jon Greenhalgh |
Staring: |
After his wife and daughter are murdered in a home invasion, a widower named John now finds himself up against an army of Universal Soldiers in relentless pursuit, led by a mysterious leader who promises to set UniSols free from their conditioning. | |
Release Date: | Oct 04, 2012 |
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Director: | John Hyams |
Writer: | John Hyams, Doug Magnuson, Moshe Diamant, Jon Greenhalgh |
Genres: | Action, Science Fiction, Thriller |
Keywords | combat |
Production Companies | Signature Pictures, Foresight Unlimited, Baumgarten Management and Productions (BMP) |
Box Office |
Revenue: $1,402,307
Budget: $11,500,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Jean-Claude Van Damme | Luc Deveraux |
Scott Adkins | John |
Dolph Lundgren | Andrew Scott |
Andrei Arlovski | Magnus |
Mariah Bonner | Sarah |
Audrey P. Scott | Emma |
Rus Blackwell | Agent Gorman |
James DuMont | Dr. Timothy Brady |
Dane Rhodes | Ron Castellano |
David Jensen | Dr. Su |
Kris Van Damme | Miles |
Sigal Diamant | Claudia |
Juli Erickson | Woman |
Andrew Sikking | Larry |
Tony Jarreau | Bouncer |
Craig Walker | Earl |
Roy Jones Jr. | Mess Hall Unisol |
Susan Mansur | Madame |
Sebastian James | Unisol (uncredited) |
Arnold Chon | Unisol |
Dennis Keiffer | Unisol |
Woon Young Park | Unisol |
Mike Wilson | Unisol |
Name | Job |
---|---|
John Hyams | Story, Director, Editor, Screenplay |
Yaron Levy | Director of Photography |
Andrew Drazek | Editor |
Brent Caballero | Casting |
Doug Magnuson | Screenplay |
Christopher Leitch | Characters |
Moshe Diamant | Story |
Wil Hendricks | Original Music Composer |
Michael Krassner | Original Music Composer |
Robin Vining | Original Music Composer |
Kim Martínez | Costume Design |
Nate Jones | Production Design |
Jon Greenhalgh | Screenplay |
Richard Rothstein | Characters |
David Atherton | Makeup Department Head |
Hannah Gates | Costume Supervisor |
Jeremy Woolsey | Art Direction |
Andrew W. Bofinger | Set Decoration |
Andrea Young | Hair Department Head |
Michael Chateauneuf | Gaffer |
Jeremy Pleasant | Music Supervisor |
Roman Bazyuchenko | Visual Effects Producer |
Tarn Fox | Visual Effects Producer |
Jonathan Shaffer | Property Master |
Sean P. Fickert | Dolly Grip |
Michael Nelson | Ultimate Arm Operator |
Everett Byrom III | Special Effects Supervisor |
Kizzie Autumn Martin | Set Costumer |
Michael Baird | ADR Editor, Boom Operator |
Steve J. Jones | Construction Coordinator |
Kat Percy | Key Hair Stylist |
Erin Foster | Art Department Coordinator |
Ari Robbins | Steadicam Operator |
Shaun Brennan | Foley |
Neil Fazzari | Sound Designer |
Tom Efinger | Sound Re-Recording Mixer |
Nicholas Davidoff | Steadicam Operator |
Ievgen Kulieshov | 3D Artist |
Melissa Naccari Floyd | Set Costumer |
D.J. Shea | Visual Effects Supervisor |
Oleksandr Kucherov | Visual Effects Supervisor |
Mark Shane Davis | Key Grip |
David Lee Valle | Armorer |
Mary Tallman | Script Supervisor |
Ilya Lindberg | Visual Effects Supervisor |
Mark Landon | Key Makeup Artist |
Jeff Galpin | Animal Wrangler |
Paul Bercovitch | Dialogue Editor |
Cook Allender | Still Photographer |
Megan Daly | Key Set Costumer |
Andy Steinman | Second Unit Director of Photography |
Andres Sepulveda | Armorer |
Ilia Goncharov | Visual Effects Supervisor |
Yoram Barzilai | Line Producer |
Mike Wilson | Stunts |
Dean Devlin | Characters |
Nancy Young | Stunts |
Sean Paul Braud | Animal Wrangler |
Abigail Savage | Sound Effects Editor |
Oleh Verenko | Digital Compositor |
Christine Craft Regusa | Stunt Driver |
Chuck Picerni Jr. | Second Unit Director, Stunt Coordinator |
Charlie Picerni | Stunt Coordinator |
Jessica Williams | Stunts |
Scott Wilder | Stunts |
Danny Epper | Stunts |
Chelsea Bruland | Stunt Double |
Name | Title |
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Moshe Diamant | Producer |
Allen Shapiro | Producer |
Craig Baumgarten | Producer |
Steven A. Frankel | Executive Producer |
Gregory M. Walker | Executive Producer |
Stacy Frankel | Associate Producer |
Lori Burchfield | Associate Producer |
Bobby Ranghelov | Executive Producer |
Katerina Slantcheva | Associate Producer |
James Gibb | Executive Producer |
James Portolese | Associate Producer |
Keith Collea | Associate Producer |
Courtney Solomon | Executive Producer |
Mark Damon | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 22 | 31 | 16 |
2024 | 5 | 23 | 33 | 15 |
2024 | 6 | 24 | 49 | 13 |
2024 | 7 | 24 | 43 | 17 |
2024 | 8 | 22 | 34 | 15 |
2024 | 9 | 17 | 23 | 13 |
2024 | 10 | 20 | 30 | 13 |
2024 | 11 | 19 | 38 | 12 |
2024 | 12 | 15 | 19 | 10 |
2025 | 1 | 16 | 22 | 13 |
2025 | 2 | 13 | 23 | 3 |
2025 | 3 | 6 | 22 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 2 | 1 |
2025 | 9 | 4 | 5 | 2 |
2025 | 10 | 4 | 4 | 4 |
Trending Position
This movie was not really what I expected or at least not what I hoped it would be. Sure it is a decent enough action flick if you watch it as a stand-alone movie but it is also really different from the other Universal Soldier movies and I cannot say that I really liked the different track this mov ... ie took. The good part is that there is no lack of action and it is indeed both brutal and quite gory action. Those parts of the movie are quite good and are what keeps me from giving the movie a real trash rating. However, the pace of the movie also drops into really slow scenes quite frequently. This could have been effective if there would have been some form of coherent plot to follow but there really isn’t. A lot of things just happen and the lead character goes to various places, does things, without any obvious reason or explanation. Speaking of the plot, on some movie sites you can read a synopsis like this one: "In a world without government, the surviving Unisols maintain order and choose the strongest of their ranks to rule, testing them in life-or-death combat." Unfortunately this synopsis has also ended up on the French Amazon site where I bought the Blu-ray and it is total bullshit. It is not a world without government or any other doomsday world like what the French cover tries to imply. There is also not really any “testing” going on but more a spontaneous brawl ending up in a “unfortunate casualty'” among the rather emotionless uni-sols. This blatantly false advertising really annoys me. Another thing that did not sit very well with me is that both Dolph Lundgren and Jean-Claude Van Damme is not really main characters but rather obscure ones that kind of hide in the shadows until a show-down fight at the end. Not only that but Jean-Claude is more or less portrayed as a bad-guy throughout the movie. Not only as a bad-guy from the governments point of view but also from the viewers. It is kind of shown at the end that he is not but still…the entire movie is very dark and without hope. As I said, the action scenes are really the only thing that saved this movie from a real trash rating. If you have not seen any of the other Universal Soldier movies previously you might give this one a higher rating though.
Masterpiece ...
The handsome, but wooden as a board, Scott Adkins ("John") wakes from a coma after his wife and daughter are brutally murdered before his eyes in his kitchen! For some reason he was left alive, and he determines on vengeance against "Devereaux" (Jean-Claude Van Damme). He, meantime, is teaming up wi ... th "Scott" (Dolph Lundgren) and the pair are working to establish a new world order run by him and his fellow "UniSols" with only the strongest destined to survive and take on the government. "John" meantime is closing in on his protagonist, but as he does he begins to doubt what he believes. Is he being manipulated too? This moves along well with plenty of action and combat scenes but the characterisations are well past their use-by-dates now. Neither Lundgren nor Van Damme are anywhere near their best, the dialogue is clunky at best and Adkins, well his looks were all anyone could ever say he had enough of to merit on-screen time. The ending is predictable, though colourful, and as I finished this fourth outing I prayed that we won't have another. Repetitive and tired, sorry.