Popularity: 18 (history)
Director: | Peter Jackson |
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Writer: | Peter Jackson, J. R. R. Tolkien, Philippa Boyens, Fran Walsh, Guillermo del Toro |
Staring: |
Following Smaug's attack on Laketown, Bilbo and the dwarves try to defend Erebor's mountain of treasure from others who claim it: the men of the ruined Laketown and the elves of Mirkwood. Meanwhile an army of Orcs led by Azog the Defiler is marching on Erebor, fueled by the rise of the dark lord Sauron. Dwarves, elves and men must unite, and the hope for Middle-Earth falls into Bilbo's hands. | |
Release Date: | Dec 10, 2014 |
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Director: | Peter Jackson |
Writer: | Peter Jackson, J. R. R. Tolkien, Philippa Boyens, Fran Walsh, Guillermo del Toro |
Genres: | Fantasy, Adventure, Action |
Keywords | gold, based on novel or book, elves, mine, sequel, battle, fantasy world, epic battle, corruption, dwarf, mountain, dragon, unlikely friendship, wizard, ring, live action and animation, sword and sorcery, invisibility, high fantasy, good versus evil, armies |
Production Companies | WingNut Films, New Line Cinema, Metro-Goldwyn-Mayer |
Box Office |
Revenue: $956,019,788
Budget: $250,000,000 |
Updates |
Updated: May 18, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Ian McKellen | Gandalf the Grey |
Martin Freeman | Bilbo Baggins |
Richard Armitage | Thorin Oakenshield |
Orlando Bloom | Legolas |
Evangeline Lilly | Tauriel |
Luke Evans | Bard |
Lee Pace | King Thranduil |
Benedict Cumberbatch | Smaug / Sauron (voice) |
Ken Stott | Balin |
Aidan Turner | Kili |
Dean O'Gorman | Fili |
Billy Connolly | Dain Ironfoot |
Graham McTavish | Dwalin |
James Nesbitt | Bofur |
Stephen Fry | Master of Laketown |
Ryan Gage | Alfrid |
Cate Blanchett | Galadriel |
Ian Holm | Old Bilbo Baggins |
Christopher Lee | Saruman the White |
Hugo Weaving | Elrond |
Mikael Persbrandt | Beorn |
Sylvester McCoy | Radagast the Brown |
Peter Hambleton | Gloin |
John Callen | Oin |
Mark Hadlow | Dori |
Jed Brophy | Nori |
William Kircher | Bifur |
Stephen Hunter | Bombur |
Adam Brown | Ori |
John Bell | Bain |
Manu Bennett | Azog the Defiler |
John Tui | Bolg |
Peggy Nesbitt | Sigrid |
Mary Nesbitt | Tilda |
Kelly Kilgour | Soury |
Mark Mitchinson | Braga |
Sarah Peirse | Hilda Bianca |
Nick Blake | Percy |
Simon London | Feren |
Conan Stevens | Keeper of the Dungeons |
Allan Smith | Ragash |
Miranda Harcourt | Olga |
Thomasin McKenzie | Astrid |
Erin Banks | Lobelia Sackville Baggins |
Brian Hotter | Otho Sackville Baggins |
Timothy Bartlett | Master Worrywort |
Mervyn Smith | Tosser Grubb |
Martin Kwok | Ragash (voice) |
Dee Bradley Baker | Creature Voices (voice) |
Olof Johnsson | Creature Voices (voice) |
Jon Olson | Creature Voices (voice) |
Otep Shamaya | Creature Voices (voice) |
Debra Wilson | Creature Voices (voice) |
Abraham Wream | Old man in laketown |
Jack Binding | Laketowner (uncredited) |
Terry Binding | Laketowner (uncredited) |
Stephen Gledhill | Old Gammidge (uncredited) |
Billy Jackson | Laketown Refugee (uncredited) |
Katie Jackson | Girl in Laketown (uncredited) |
Peter Jackson | Painting of Bungo Baggins (uncredited) |
Terry Notary | Laketown Refugee (uncredited) |
Vanessa Cater | Laketown Refugee (uncredited) |
Jacob Tomuri | Somber villager (uncredited) |
Name | Job |
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Flora Moody | Makeup & Hair |
Ingrid Kleinig | Stunt Double |
Ashlee Fidow | Stunts |
Jacob Tomuri | Stunts |
Ben Smith-Petersen | Stunts |
Tim Wong | Stunt Double |
Jabez Olssen | Editor |
Amy Hubbard | Casting |
Miranda Rivers | Casting |
Andy McLaren | Art Direction |
Mykyta Brazhnyk | Set Decoration |
Simon Bright | Set Decoration, Supervising Art Director |
Bob Buck | Costume Design |
Rick Findlater | Makeup Department Head |
Ann Maskrey | Costume Design |
Nancy Hennah | Hairstylist |
Georgia Lockhart-Adams | Hairstylist |
Michele Barber | Makeup Artist |
Catherine Maguire | Makeup Artist |
Barbara Broucke | Makeup Artist |
Karen Flett | Art Department Coordinator |
Joshua Barraud | Assistant Art Director |
Michael Smale | Assistant Art Director |
Ben Mauro | Conceptual Design |
Darryn Grass Davies | Greensman |
Henry Hole | Greensman |
Simon Lowe | Greensman |
Rose Worley | Greensman |
David Kolff | Leadman |
Isadore William Crooks | Set Designer |
Margo Kaczynska McKenzie | Scenic Artist |
Mark Stephens | Set Designer |
Gavin Urquhart | Set Designer |
Richard Wiles | Set Designer |
John Simpson | Foley |
Dave Whitehead | Sound Designer |
Hayden Collow | Sound Effects Editor |
Justin Doyle | Sound Effects Editor |
Melanie Graham | Sound Effects Editor |
Justin Webster | Sound Effects Editor |
Michael Hedges | Sound Re-Recording Mixer |
Gary Summers | Sound Re-Recording Mixer |
Stefanie Ng | First Assistant Sound Editor |
Brent Burge | Supervising Sound Editor |
Jason Canovas | Supervising Sound Editor |
Paul Tobin | Conceptual Design |
Daniele Tosti | CG Supervisor |
Leon Woud | Animation Director |
Alessandro Saponi | CG Supervisor |
Mike Perry | CG Supervisor |
Luke Millar | CG Supervisor |
Tom Meade | Animation Director |
Jade Mansueto | Animation Director |
Keith Lackey | Animation Director |
Derrick Auyoung | Animation Director |
Shaun Friedberg | Animation Director |
Jeff Capogreco | Sequence Supervisor |
Michael Cozens | Animation Supervisor |
Kevin Andrew Smith | Sequence Supervisor |
Mark Gee | Sequence Supervisor |
Nicky Muir | Animation Manager |
Kirstin Cambie | Animation Production Assistant |
David Conley | Visual Effects Producer |
Aaron Cubis | Visual Effects Editor |
Anna-Louise Gordon | Visual Effects Producer |
Ben Hatton | Visual Effects Editor |
James Meikle | Visual Effects Editor |
Romy Webster | Visual Effects Supervisor |
R. Christopher White | Visual Effects Supervisor |
Alexander Nowotny | VFX Supervisor |
Ronnie Menahem | VFX Supervisor |
David Caeiro Cebrián | VFX Supervisor |
Simon Harding | Camera Operator |
James H. Fisher | Still Photographer |
Mark Pokorny | Still Photographer |
Reg Garside | Gaffer |
David Brown | Rigging Gaffer |
Sally Gray | Set Costumer |
Charlotte Hayes | Set Costumer |
Jenny Rushton | Set Costumer |
Dan Best | First Assistant Editor |
Jeremy Cullen | Music Editor |
Mathew Gordon | Location Manager |
Leith McPherson | Dialect Coach |
Roisin Carty | Dialect Coach |
Melissa Booth | Unit Publicist |
Sean Button | Stunts |
Arun Ram-Mohan | Lighting Artist |
Hugo Dominguez | Visual Effects |
Matt Weaver | VFX Artist |
John McKay | Dialogue Editor |
Ray Beentjes | Dialogue Editor |
Matt Stutter | Dialogue Editor |
Martin Kwok | Dialogue Editor |
Neil Aldridge | ADR Editor |
Nigel Stone | ADR Supervisor |
Nick Weir | Property Master |
Adrian Medhurst | Sound Recordist |
David Clayton | Visual Effects |
Graham Binding | Senior Animator |
Ronan Binding | Animation |
Steven Saunders | Sculptor |
Toby Lloyd | Sound Recordist |
Matt Aitken | Visual Effects Supervisor |
Peter Jackson | Screenplay, Director |
Howard Shore | Original Music Composer |
Andrew Lesnie | Director of Photography |
Dan Hennah | Production Design |
Victoria Burrows | Casting |
John Hubbard | Casting |
Liz Mullane | Casting |
Richard Taylor | Costume Design |
John Howe | Conceptual Design |
Alan Lee | Conceptual Design |
J. R. R. Tolkien | Novel |
David Farmer | Sound Designer |
Christopher Boyes | Sound Re-Recording Mixer |
Michael Semanick | Sound Re-Recording Mixer |
Glenn Boswell | Stunt Coordinator |
Jared Connon | Location Manager |
Christian Rivers | Visual Effects Designer |
Carolynne Cunningham | First Assistant Director |
Philippa Boyens | Screenplay |
Fran Walsh | Screenplay |
Mark Trotter | Stunts |
Kim Fardy | Stunts |
Min Windle | Stunts |
Natalie Crane | Costume Assistant |
Carolina Jiménez | Layout |
Daniel Falconer | Sculptor |
Peter Dillon | Stunts |
Vanessa Cater | Stunts |
Eric Saindon | Visual Effects Supervisor |
Andy Serkis | Second Unit Director |
Guillermo del Toro | Screenplay |
Peter Swords King | Hair Designer, Makeup Designer |
Ra Vincent | Set Decoration |
Joe Letteri | Animation Supervisor, Visual Effects Supervisor |
Stephen Gallagher | Music Editor |
Genevieve Aitken | Stunts |
Daniel Macarin | CG Supervisor |
Francisco Cubas | Online Editor |
Name | Title |
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Zane Weiner | Producer |
Ken Kamins | Executive Producer |
Carolynne Cunningham | Producer |
Peter Jackson | Producer |
Fran Walsh | Producer |
Philippa Boyens | Co-Producer |
Alan Horn | Executive Producer |
Toby Emmerich | Executive Producer |
Carolyn Blackwood | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 127 | 157 | 100 |
2024 | 5 | 147 | 196 | 118 |
2024 | 6 | 141 | 193 | 108 |
2024 | 7 | 164 | 265 | 116 |
2024 | 8 | 144 | 194 | 108 |
2024 | 9 | 153 | 305 | 118 |
2024 | 10 | 159 | 209 | 123 |
2024 | 11 | 149 | 231 | 112 |
2024 | 12 | 131 | 162 | 110 |
2025 | 1 | 137 | 164 | 105 |
2025 | 2 | 116 | 194 | 24 |
2025 | 3 | 41 | 139 | 6 |
2025 | 4 | 19 | 25 | 15 |
2025 | 5 | 16 | 19 | 15 |
2025 | 6 | 17 | 20 | 13 |
2025 | 7 | 16 | 18 | 14 |
2025 | 8 | 17 | 21 | 16 |
2025 | 9 | 20 | 22 | 18 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 182 | 391 |
Year | Month | High | Avg |
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2025 | 8 | 110 | 339 |
Year | Month | High | Avg |
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2025 | 7 | 97 | 480 |
Year | Month | High | Avg |
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2025 | 6 | 82 | 425 |
Year | Month | High | Avg |
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2025 | 5 | 75 | 517 |
Year | Month | High | Avg |
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2025 | 4 | 140 | 468 |
Year | Month | High | Avg |
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2025 | 3 | 71 | 387 |
Year | Month | High | Avg |
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2025 | 2 | 74 | 382 |
Year | Month | High | Avg |
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2025 | 1 | 70 | 322 |
Year | Month | High | Avg |
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2024 | 12 | 97 | 323 |
Year | Month | High | Avg |
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2024 | 11 | 95 | 310 |
Year | Month | High | Avg |
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2024 | 10 | 158 | 329 |
Year | Month | High | Avg |
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2024 | 9 | 142 | 255 |
Year | Month | High | Avg |
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2024 | 8 | 157 | 317 |
As there was not much more to be told from the end of the previous movie, just assist to more than 2h of continuous battle. Quite pointless, but you may enjoy the action if that is what you were looking for ... ...
The Lord of The Rings are still occupying the three top places of my top ten movies list. Needless to say I am a fan of Tolkien and his Middle Earth fantasy story. I never felt that The Hobbit series could match the original trilogy but then much of the story in The Hobbit is not really Tolkien’s bu ... t produced by Hollywood scriptwriters to embellish the story enough to fill three movies. It is not a bad attempt by any means (for being a Hollywood one) but it does not really reach the heights of The Lord of The Rings. Still, I quite liked these movies. They are good adventure, fantasy, special effects movies. Thus it saddened me when I went to IMDb and the first things I saw was a bunch of people shouting crap and giving it one star reviews. That is just so much rubbish. This is the third movie and it is not vastly different from the others. If you disliked the first ones so much why go and see this one? Also, the harping about not following the book. At this point that is a nonsense argument. It was fairly obvious that it was not going to follow the book in detail when it was announced that there were going to be three movies and if you did not get it then then you should have gotten it from the other two movies. One star ratings looks more like trolling to me. Anyway, back to the movie itself. I definitely liked this movie better than the second one. It was on par with the first one for me. There was less silly stuff, less stuff that just felt like fillers and the special effects were generally good. The story and the implementation is, as I wrote, less filled with fillers as the last movie. At least from my point of view. Still though, the story is not at all up to the standard of the original Tolkien works. It shows that it is a Hollywood product that favors effects and quantity before depth and quality. The battle at the end was epic but at the same time somewhat nonsensical in how people ran back and forth clobbering people and beasts right left and center. I did quite like the ramming troll though. I have to say that I did not like that weasel Alfrid. Sure he was meant to be disliked but he got tiresome rather quickly. He could have been left out after being pushed into the water as far as I am concerned. After that I just got annoyed every time he appeared and I got especially annoyed by the fact that everyone, even Gandalf, seemed to trust him to actually do what he was told. I was hoping all the way to the finishing scenes that he would meet a gruesome end. On the whole I definitely liked this movie. It had a “Tolkienesque” athmosphere, decent acting, decent story and loads and loads of special effects. Even though it does not reach the heights of The Lord of The Rings it is definitely great entertainment for the fantasy, not to mention special effects, lovers.
Comparing the _Lord of the Rings_ trilogy and the _Hobbit_ trilogy was already like comparing apples and mediocre oranges, but none so mediocre as _Battle of the Five Armies_. Don't get me wrong, I love a "battle" as much as the next guy, more maybe, I don't even mind a movie that's 95% battle, but ... in this? It does. Not. Work. _Five Armies_ is a movie that never made it out of pre-viz, let alone to a polished, well-rounded, final cut. I enjoy it to some degree when running through a Middle-Earth marathon as a whole, but only when the group I'm with will let me roll my eyes and complain about it. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Exactly what it says on the tin - to a fault. Don't get me wrong, I like it. However, towards the end <em>'The Hobbit: The Battle of the Five Armies'</em> definitely begins to drag quite heavily - the impact of what eventually happens did not, to be honest, hit as strongly as it could've/should'v ... e. The pure action is good, but there's not much to remember about everything else. None of the characters, with the exception of Richard Armitage (Thorin) and Luke Evans (Bard) I guess, stand out amidst the wall-to-wall battle. Martin Freeman (Bilb), Ian McKellen (Gandalf) & Co. are are of little importance really, which is a shame. <em>'The Hobbit'</em> series, unfortunately, gets inferior as it goes by. Loved the first film, enjoyed the second but this third installment - while passable - leaves me with a feeling of wanting something else from it. Happy to have watched them though, I'd still recommend them for sure.