Popularity: 6 (history)
| Director: | Scott Cooper |
|---|---|
| Writer: | Scott Cooper, Warren Zanes |
| Staring: |
| Bruce Springsteen, a young musician on the cusp of global superstardom, struggles to reconcile the pressures of success with the ghosts of his past. | |
| Release Date: | Oct 22, 2025 |
|---|---|
| Director: | Scott Cooper |
| Writer: | Scott Cooper, Warren Zanes |
| Genres: | Drama, Music |
| Keywords | based on novel or book, depression, biography, mental health, singer-songwriter, 1980s |
| Production Companies | The Gotham Group, TSG Entertainment, 20th Century Studios, Night Exterior, Bluegrass 7 |
| Box Office |
Revenue: $42,656,409
Budget: $55,000,000 |
| Updates |
Updated: Nov 23, 2025 Entered: Oct 10, 2025 |
| Name | Character |
|---|---|
| Jeremy Allen White | Bruce Springsteen |
| Jeremy Strong | Jon Landau |
| Paul Walter Hauser | Mike Batlan |
| Stephen Graham | Douglas Springsteen |
| Odessa Young | Faye Romano |
| David Krumholtz | Al Teller |
| Gaby Hoffmann | Adele Springsteen |
| Harrison Gilbertson | Matt Delia |
| Grace Gummer | Barbara Landau |
| Marc Maron | Chuck Plotkin |
| Matthew Pellicano Jr. | Young Bruce Springsteen |
| Jayne Houdyshell | Viv |
| Jeff Adler | Joey Romano |
| Jimmy Iovine | Jimmy Iovine |
| Chris Jaymes | Dennis King |
| Bartley Booz | Toby Scott |
| Craig Geraghty | Faye's Father |
| Laura Sametz | Faye's Mother |
| Vienna Barrus | Haley |
| Vivienne Barrus | Haley |
| Arabella Olivia Clark | Virginia Springsteen |
| T. Ryder Smith | New Car Dealer |
| Clem Cheung | Bartender |
| Stephen Singer | Psychiatrist |
| Judah L. Sealy | Clarence Clemons |
| Johnny Cannizzaro | Stevie Van Zandt |
| Brian Chase | Max Weinberg |
| Charlie Savage | Roy Bittan |
| Andrew Fisher | Danny Federici |
| Mike Chiavaro | Garry Tallent |
| Pappy Faulkner | Fan Passing in Taxi |
| Lynn Adrianna | Gladys |
| Jay Buchanan | Cats on a Smooth Surface - Lead Singer |
| Jake Kiszka | Cats on a Smooth Surface - Guitarist |
| Sam Kiszka | Cats on a Smooth Surface - Bassist |
| Aksel Coe | Cats on a Smooth Surface - Drummer |
| Henry Hey | Cats on a Smooth Surface - Keyboards |
| Andrew Weiss | Texas Band - Guitar |
| Sam Popkin | Texas Band - Pedal Steel |
| Noah Rauchwerk | Texas Band - Guitar #2 |
| Eddie Matthews | Texas Band - Bass |
| Joe Pess | Texas Band - Drummer |
| Name | Job |
|---|---|
| Scott Cooper | Screenplay, Director |
| Francine Maisler | Casting |
| John Alcantara | Chief Lighting Technician |
| Amber Wakefield | Casting Associate |
| Paul Massey | Sound Re-Recording Mixer |
| Masanobu Takayanagi | Director of Photography |
| Jameson Eaton | Hair Designer, Hair Department Head |
| Stephen A. Pope | Second Unit Director, Stunt Coordinator |
| Jeremiah Fraites | Original Music Composer |
| Warren Zanes | Book |
| Jackie Risotto | Makeup Department Head, Makeup Designer |
| Pamela Martin | Editor |
| Stefania Cella | Production Design |
| Kris Moran | Set Decoration |
| Kim Shriver | Hairstylist |
| Kasia Walicka Maimone | Costume Design |
| Christopher J. Morris | Art Direction |
| Tod A. Maitland | Production Sound Mixer |
| Matt Sloan | Visual Effects Supervisor |
| David Giammarco | Supervising Sound Editor, Sound Re-Recording Mixer |
| Eric A. Norris | Supervising Sound Editor |
| Steve Asbell | Other |
| Eric Vetro | Vocal Coach |
| Name | Title |
|---|---|
| Eric Robinson | Producer |
| Tracey Landon | Executive Producer |
| Scott Stuber | Producer |
| Scott Cooper | Producer |
| Christopher Surgent | Co-Producer |
| Ellen Goldsmith-Vein | Producer |
| Warren Zanes | Executive Producer |
| Richard Mirisch | Co-Producer |
| Jon F. Vein | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 1 | 2 | 1 |
| 2024 | 5 | 1 | 3 | 1 |
| 2024 | 6 | 1 | 2 | 0 |
| 2024 | 7 | 2 | 5 | 0 |
| 2024 | 8 | 2 | 5 | 1 |
| 2024 | 9 | 2 | 4 | 1 |
| 2024 | 10 | 3 | 5 | 1 |
| 2024 | 11 | 3 | 7 | 1 |
| 2024 | 12 | 1 | 3 | 1 |
| 2025 | 1 | 2 | 5 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 2 | 5 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 2 | 5 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 3 | 4 | 1 |
| 2025 | 10 | 13 | 22 | 4 |
| 2025 | 11 | 9 | 17 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 60 | 353 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 16 | 112 |
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/springsteen-deliver-me-from-nowhere-review/ "Springsteen: Deliver Me from Nowhere is an overly safe picture, which fulfills the role of educating a lay viewer on the origin of Nebraska and provides musically interesting moments. However, by tra ... ding psychological complexity for the predictability of a fictional romance and shallowly treating its heavier themes, it ultimately reveals itself to be a lost opportunity to transcend the limitations of the biopic genre and its own premise. Its true power lies in reminding us that the deepest art often comes from the courageous confrontation with internal darkness." Rating: C+
a heartfelt but uneven portrait of springsteen’s creative process. it captures the boss’s spirit and solitude, but feels more like a reverent museum piece than a living, breathing story. great music, strong interviews, but the spark fades before the credits roll ...
Of all of the recent spate of rock star biopics, I think this is probably the weakest I’ve seen. That’s not because Jeremy Allen White doesn’t convince. For the most part he does. It’s that they have picked a part of his life that showcases this man’s search for his own version of emotional, musical ... and acoustic perfection, and it’s not really that interesting. Neither, I found, was the somewhat shallow depiction of his commitment-phobe relationship with Faye (Odessa Young). Supported creatively and emotionally by Jon Landau (Jeremy Strong), that element at least gives us some sense of the pressures on this man to deliver, production line style, hit after hit for their record label masters and for a public with a voracious appetite for new content but would it been better to have presented a longer, more comprehensive look as his career? I think probably yes, unless there are plans for a sequel because this tantalises in small measure but frustrates more without really delivering anywhere near enough of the music that gets us watching in the first place. The design looks great, the clothes and the cars and the cassette recorders but I’m afraid I found this all just a bit too superficial a look at a man with genius and flaws. Worth a watch, but disappointing.