Popularity: 1 (history)
Director: | Richard Lester |
---|---|
Writer: | Alexandre Dumas, George MacDonald Fraser |
Staring: |
The Four Musketeers defend the queen and her dressmaker from Cardinal Richelieu and Milady de Winter. | |
Release Date: | Oct 31, 1974 |
---|---|
Director: | Richard Lester |
Writer: | Alexandre Dumas, George MacDonald Fraser |
Genres: | Comedy, Adventure, Action, Drama |
Keywords | france, seduction, courtly life, satire, musketeer, intrigue |
Production Companies | 20th Century Fox, Film Trust S.A., Este Films, Alexander, Michael and Ilya Salkind Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Michael York | D'Artagnan |
Oliver Reed | Athos |
Richard Chamberlain | Aramis |
Frank Finlay | Porthos |
Faye Dunaway | Milady de Winter |
Christopher Lee | Rochefort |
Raquel Welch | Constance de Bonancieux |
Geraldine Chaplin | Queen Anne of Austria |
Charlton Heston | Cardinal Richelieu |
Roy Kinnear | Planchet |
Simon Ward | Duke of Buckingham |
Jean-Pierre Cassel | Louis XIII |
Michael Gothard | Felton |
Nicole Calfan | Maid Kitty |
Ángel del Pozo | Jussac |
Eduardo Fajardo | Officer |
Sybil Danning | Eugenie |
Gitty Djamal | Beatrice |
Jack Watson | Busigny |
Richard Adams | Tortured Thug |
Bob Todd | Firing Squad Officer |
Tom Buchanan | Firing Squad Sergeant |
Norman Chappell | Submarine Inventor |
Leon Greene | Swiss Officer |
Lucy Tiller | Mother Superior |
Tyrone Cassidy | English Officer |
Oliver MacGreevy | Headsman (uncredited) |
Joss Ackland | D'Artagnan's Father (archive footage) (uncredited) |
Gretchen Franklin | D'Artagnan's Mother (archive footage) (uncredited) |
Richard Briers | Louis XIII (voice) (uncredited) |
John Bluthal | English Officer/Innkeeper and other roles (voice) (uncredited) |
Name | Job |
---|---|
Richard Lester | Director |
Alexandre Dumas | Novel |
Lalo Schifrin | Original Music Composer |
David Watkin | Director of Photography |
John Victor-Smith | Editor |
George MacDonald Fraser | Screenplay |
Tom Buchanan | Boom Operator |
Susan Germaine | Hairdresser |
Kaye Pownall | Hairdresser |
Leslie Dilley | Art Direction |
Cristóbal Criado | Makeup Artist |
Yvonne Blake | Costume Design |
Brian Eatwell | Production Design |
Pierre Spengler | Executive In Charge Of Production |
John Lanzer | Property Buyer |
Eddie Fowlie | Special Effects, Property Master |
Don Challis | Sound Editor |
Francisco Bellot | Production Manager |
Carmen Sánchez | Hairdresser |
Federico Gómez Grau | Still Photographer |
Luis Peña | Assistant Camera |
Roy Charman | Sound Mixer |
Gerry Humphreys | ADR & Dubbing |
Simon Kaye | Sound Mixer |
Joaquín Parra | Stunt Coordinator |
Enrique de la Jara | Best Boy Grip |
Clive Reed | First Assistant Director |
Doug Ferris | Matte Painter |
Alejandro Diges | Still Photographer |
José María Alarcón | Assistant Art Director |
Ronald Anscombe | Assistant Camera |
Pablo Pérez | Special Effects Supervisor |
Manuela Iglesias | Wardrobe Assistant |
Alain Walker | Assistant Director |
Emilio Ardura | Set Dresser |
Ron Talsky | Costume Designer |
Patricio Beltran Aparicio | Assistant Director |
Antonio Colmenar | Grip |
Rafael Ablanque | Assistant Art Director |
Peter Boyle | Assistant Editor |
Charlene Roberson | Makeup Artist |
Enrique Esteban | Production Supervisor |
Dusty Symonds | Assistant Director |
Dan Sharp | Sound Editor |
Marina Rodríguez | Costume Supervisor |
Ann Skinner | Continuity |
Peter Hollywood | Assistant Editor |
Frank Elliott | Assistant Camera |
Peter Ewens | Camera Operator |
Peter Holt | Assistant Editor |
Jean Zay | Costume Supervisor |
Name | Title |
---|---|
Michael Salkind | Producer |
Ilya Salkind | Producer |
Alexander Salkind | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 17 | 26 | 12 |
2024 | 5 | 19 | 27 | 10 |
2024 | 6 | 16 | 24 | 9 |
2024 | 7 | 16 | 27 | 9 |
2024 | 8 | 17 | 25 | 10 |
2024 | 9 | 12 | 17 | 8 |
2024 | 10 | 15 | 23 | 9 |
2024 | 11 | 16 | 33 | 8 |
2024 | 12 | 13 | 23 | 8 |
2025 | 1 | 13 | 18 | 8 |
2025 | 2 | 11 | 16 | 3 |
2025 | 3 | 6 | 18 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 1 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 1 |
2025 | 10 | 2 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 910 | 910 |
Whilst it's not quite as good as last year's effort, Richard Lester has managed to reassemble the cast for another romp through Alexandre Dumas' stories of derring-do at the court of King Louis XIII (Jean-Pierre Cassel). Now following his near miss last time, Cardinal Richelieu (Charlton Heston) has ... become even more fixated on exposing the Queen (Geraldine Chaplin) and her British lover Buckingham (Simon Ward) and so has commissioned "Rochefort" (Christopher Lee) and the menacing "Lady De Winter" (Faye Dunaway) to get the secrets from dressmaker "Constance" (Raquel Welch). Meantime, the loved-up "D'Artagnan" - the particularly scrawny Michael York - is also on her trail, aided by his three colleagues "Porthos" (Frank Finlay), "Aramis" (Richard Chamberlain) and "Athos" (Oliver Reed) and adventures ensue as they have to thwart the evil Cardinal's machinations and save poor "Constance" from the malevolent "Milady". It's colourful and action packed, with more from the others - especially the clearly in his element Reed who must have been swilling real vin rouge. Roy Kinnear rolls his eyes in disbelief with comic aplomb and we have quite a fun game of cricket that's far more explosive than any I've ever seen at Lords! Dunaway is great as the manipulatrix and Welch likewise as the naive young seamstress only just fitting into one of her own frocks. Heston features a little too sparingly to make much of an impact, but Christopher Lee delivers well too - his firing squad "perhaps I'll die of old age" did make me smile - as this enjoyable costume drama heads to it's rather fitting, but slightly disappointing, denouement. These are a good pair of films for fans of action comedies, and still bear watching fifty years later.