Da
It's never too late to open your heart.
1988 | 102m | English
Popularity: 2 (history)
| Director: | Matt Clark |
|---|---|
| Writer: | Hugh Leonard |
| Staring: |
| A New York playwright is summoned to Ireland to bury his father. While at his boyhood home, he encounters his father's spirit and relives memories both pleasant and not. | |
| Release Date: | Apr 29, 1988 |
|---|---|
| Director: | Matt Clark |
| Writer: | Hugh Leonard |
| Genres: | Drama |
| Keywords | |
| Production Companies | |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 03, 2024 Entered: Apr 27, 2024 |
| Name | Character |
|---|---|
| Barnard Hughes | Da |
| Martin Sheen | Charlie |
| William Hickey | Drumm |
| Doreen Hepburn | Mother |
| Karl Hayden | Young Charlie |
| Hugh O'Conor | Boy Charlie |
| Name | Job |
|---|---|
| Hugh Leonard | Screenplay |
| Matt Clark | Director |
| Elmer Bernstein | Music |
| Name | Title |
|---|---|
| Julie Corman | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 6 | 1 |
| 2024 | 5 | 3 | 11 | 1 |
| 2024 | 6 | 11 | 19 | 1 |
| 2024 | 7 | 15 | 22 | 8 |
| 2024 | 8 | 9 | 18 | 2 |
| 2024 | 9 | 2 | 4 | 1 |
| 2024 | 10 | 2 | 6 | 1 |
| 2024 | 11 | 1 | 3 | 1 |
| 2024 | 12 | 1 | 3 | 1 |
| 2025 | 1 | 2 | 7 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 0 | 0 |
| 2025 | 9 | 0 | 0 | 0 |
| 2025 | 10 | 0 | 2 | 0 |
Trending Position
'It was a long time before I realuzed that love turned upside down is love for all that.' Adapted by Leonard from his memory play, tapping into his own accomplished memoirs, the film covers a childhood and early career before and after Ireland’s ‘Emergency’. The script’s strong, a nuanced look at ... an adolescent’s and expat’s shifting feelings about home and the past. Its conceits translate well, too: Charlie faces both his late father and his younger self, disappointed by his past, present, and future. The characters and cast are grand, especially Hughes (who won a Tony for the stage role). The weakest links are the prodigal/producer Sheen and a dodgy timeline. Watch the film. But read the play.