Sharp Corner
Obsession is a dangerous road.
2025 | 111m | English
Popularity: 1 (history)
| Director: | Jason Buxton |
|---|---|
| Writer: | Jason Buxton, Russell Wangersky |
| Staring: |
| A dedicated family man becomes obsessed with saving the lives of the car accident victims on the sharp corner in front of his house – an obsession that could cost him everything. | |
| Release Date: | May 09, 2025 |
|---|---|
| Director: | Jason Buxton |
| Writer: | Jason Buxton, Russell Wangersky |
| Genres: | |
| Keywords | |
| Production Companies | Blue Rider Pictures, Alcina Pictures, 120dB Films, Shut Up & Colour Pictures, Kobalt Films, Workhorse Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 23, 2026 Entered: Sep 13, 2024 |
| Name | Character |
|---|---|
| Ben Foster | Josh McCall |
| Cobie Smulders | Rachel Davis-McCall |
| William Kosovic | Max McCall |
| Gavin Drea | Erikson |
| Emily Jewer | Collins |
| Susan Leblanc-Crawford | Memorial Mom |
| Sebastien Labelle | Memorial Dad |
| Rudy Harris | Teen Boy - Kyle Curry |
| Isabelle MacNeil | Teen Girl |
| Eugene Sampang | Alan |
| Andrew Shaver | Ben |
| Leah Johnston | Kate |
| Stephanie MacDonald | Amy |
| Bob Mann | Stephen |
| Ryan Willis | Carnival Worker |
| Steve Lawrence | Howard Cousins |
| Gita Miller | Alicia Cousins |
| Mark A. Owen | CPR Instructor |
| Rena Kossatz | Dr. Kathleen Barrett |
| Sam Vigneault | Bystander |
| Trina Corkum | Man on Fire's Wife |
| Thomas MacLennan | Firefighter |
| Adam Smith | Brutish Cop |
| Alexandra McDonald | TV Reporter |
| Jonathan Watton | Dr. Peter Murphy |
| Reid Price | Drew |
| Allison Wilson-Forbes | Eva |
| Alexandra Castillo | Tamara Jones-Reed |
| Wayne Burns | Tim |
| David Light | Chad |
| Julia Dyan-Porter | Melissa |
| Kevin Kincaid | Sports Team Coach |
| Baheran Zewde | Sports Team Captain |
| Dan Lett | David Chapman (uncredited) |
| Ned the Dog | Drake (uncredited) |
| Name | Job |
|---|---|
| Jason Buxton | Writer, Director |
| Russell Wangersky | Story |
| Stephen McKeon | Original Music Composer |
| Guy Godfree | Director of Photography |
| Jorge Weisz | Editor |
| Bob Munroe | Senior Visual Effects Supervisor |
| Eyde Belasco | Casting |
| Jesse Griffiths | Additional Casting |
| Erin Hennessey | Additional Casting |
| Jennifer Stewart | Production Design |
| Sarah Haydon Roy | Costume Design |
| Angela Bateman | Costume Design |
| David McCallum | Supervising Sound Editor |
| Ian Wilson | Supervising Sound Editor |
| Marc Tetreault | Production Manager |
| Rob Cotterill | First Assistant Director |
| Marie David | Second Assistant Director |
| Randy Boliver | Stunt Coordinator |
| Kayla Flinn | Stunt Coordinator |
| Shelley Cook | Stunt Coordinator |
| Mike Crowtz | Stunt Double |
| Scotty Cook | Stunt Driver |
| Robert Racki | Stunt Driver |
| Cameron MacLaren | Production Supervisor |
| Maureen Dorey | Story Editor |
| Gillian Everill | Story Consultant |
| Yoann Malnati | Camera Operator, Steadycam |
| Paul Begin | First Assistant Camera |
| Kevin Kumar-Misir | Second Assistant Camera |
| Gareth Roberts | "B" Camera Operator |
| Christopher Ball | "B" Camera Operator |
| Name | Title |
|---|---|
| Paul Barkin | Producer |
| Noah Segal | Executive Producer |
| Adrian Love | Executive Producer |
| Jason Levangie | Producer |
| Marc Tetreault | Producer |
| Jason Buxton | Producer |
| Susan Mullen | Producer |
| Cameron MacLaren | Executive Producer |
| Laurie May | Executive Producer |
| Kristen Figeroid | Executive Producer |
| Marc Schaberg | Executive Producer |
| Peter Graham | Executive Producer |
| Brandon Fidanque | Executive Producer |
| Donald Johnston | Executive Producer |
| Leah Johnston | Executive Producer |
| Sheila Johnston | Executive Producer |
| Ken Dhaliwal | Executive Producer |
| Robert Munroe | Executive Producer |
| Rob Cotterill | Executive Producer |
| Walter Josten | Executive Producer |
| Patrick Josten | Executive Producer |
| Peter Jarowey | Executive Producer |
| Richard Goldberg | Executive Producer |
| Kristin Harris | Executive Producer |
| Jordan Wagner | Executive Producer |
| Niamh Fagan | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 8 | 1 |
| 2024 | 5 | 3 | 8 | 1 |
| 2024 | 6 | 5 | 26 | 0 |
| 2024 | 7 | 1 | 6 | 0 |
| 2024 | 8 | 4 | 7 | 2 |
| 2024 | 9 | 8 | 31 | 1 |
| 2024 | 10 | 3 | 7 | 1 |
| 2024 | 11 | 2 | 5 | 1 |
| 2024 | 12 | 2 | 3 | 1 |
| 2025 | 1 | 2 | 6 | 1 |
| 2025 | 2 | 1 | 3 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 2 | 0 |
| 2025 | 5 | 9 | 38 | 1 |
| 2025 | 6 | 22 | 44 | 11 |
| 2025 | 7 | 8 | 14 | 3 |
| 2025 | 8 | 4 | 5 | 3 |
| 2025 | 9 | 6 | 8 | 3 |
| 2025 | 10 | 5 | 6 | 4 |
| 2025 | 11 | 4 | 8 | 3 |
| 2025 | 12 | 2 | 7 | 1 |
| 2026 | 1 | 1 | 2 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 899 | 929 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 754 | 796 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 558 | 788 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 78 | 490 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 236 | 709 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 35 | 435 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 16 | 398 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 982 | 982 |
The mild-mannered “Josh” (Ben Foster), his wife “Rachel” (Cobie Smulders) and their son “Max” (William Kosovic) have a brand new home and are looking forward to settling in when there is a car accident outside and a tyre comes a-bouncing through their window at a seriously inopportune moment! Needle ... ss to say they are a bit flustered and she thinks maybe they ought to move. Well when it happens again, you’d think that’d be a bit of a no-brainer but he is somehow captivated. Not by the accidents, but by the time it takes the emergency services to arrive, and so he decides to do some training to be able to help out. Of course, his wife and young son are perplexed by his increasingly odd behaviour, as is his boss, and so there’s soon a lot on the line for the man. I enjoyed the start of this, and I thought this might be Foster’s best performance, but after about half an hour it became a rather joyless exhibition of obsessiveness and selfishness topped off by a truly far-fetched, though sometimes darkly comedic, desire to do good. Smulders does fine, but only features sparingly - which is just as well for given her character is supposed to be a couples therapist, “Rachel” shows a complete lack of appreciation of her husband’s trauma and of their son’s needs that is ultimately annoyingly breathtaking. Sadly, the initially good idea just turns into a series of overly contrived bad decisions stitched together with an implausible series of incidents that rushed through some universally unlikeable and undercooked characterisations and left me wanting more - or less. Sorry.