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Notes on a Scandal Poster

Notes on a Scandal

One woman's mistake is another's opportunity.
2006 | 92m | English

(88156 votes)

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Popularity: 4 (history)

Details

A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Release Date: Dec 25, 2006
Director: Richard Eyre
Writer: Patrick Marber, Zoë Heller
Genres: Drama, Romance
Keywords adultery, based on novel or book, infidelity, obsession, blackmail, seduction, friendship, stalker, love, loneliness, teacher, conservative, relationship, art, extramarital affair, angry, antagonistic, audacious, condescending
Production Companies Fox Searchlight Pictures, Scott Rudin Productions, DNA Films, BBC Film, Ingenious Media, UK Film Council, Robert Fox Productions
Box Office Revenue: $49,814,392
Budget: $15,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Judi Dench Barbara Covett
Cate Blanchett Sheba Hart
Bill Nighy Richard Hart
Andrew Simpson Steven Connolly
Phil Davis Brian Bangs
Michael Maloney Sandy Pabblem
Juno Temple Polly Hart
Max Lewis Ben Hart
Joanna Scanlan Sue Hodge
Julia McKenzie Marjorie
Shaun Parkes Bill Rumer
Tom Georgeson Ted Mawson
Emma Kennedy Linda
Syreeta Kumar Gita
Wendy Nottingham Elaine Clifford
Tameka Empson Antonia Robinson
Leon Skinner Davis
Debra Gillett Lorraine
Barry McCarthy Dave
Adrian Scarborough Martin
Jill Baker Sheba's Mother
Diana Berriman Marcia
Alice Bird Saskia
Benedict Taylor Eddie
Miranda Pleasence Eddie's Wife
Jonathan Speer Vet
Stephen Kennedy Mr. Connolly
Derbhle Crotty Mrs. Connolly
Catherine Drew Newsreader
Anne-Marie Duff Annabel
Kevin Hudson Teacher (uncredited)
Gabrielle Brooks Choir Member (uncredited)
Name Job
Chris Menges Director of Photography
Tim Hatley Production Design, Costume Design
Grant Armstrong Standby Art Director
Richard Eyre Director
Philip Glass Original Music Composer
Patrick Marber Screenplay
Urszula Pontikos Clapper Loader
Mark Milsome Second Assistant "B" Camera
Penny Ryder Stand In
Hattie Dalton Other
Peter Burgis Foley Artist
Joseph S. DeBeasi Supervising Music Editor
Nico Muhly Other, Conductor
Michael Riesman Conductor, Scoring Mixer
Nadia Stacey Makeup & Hair Assistant
Steve Blythe Electrician
Trevor Gureckis Other
Peter Pedrero Stunts
Antonia Van Drimmelen Editor
Shaheen Baig Casting
Les Benson Props
Chris Stoaling Second Assistant Director
Kem White Graphic Designer
Ben Wilson Focus Puller
Gary Hymns Grip
Paul Bond "B" Camera Operator
Simon Fogg Grip
Jim Greenhorn Production Sound Mixer
Amanda Stevens Location Manager
Russell Lodge Location Scout
Michael Diliberti Producer's Assistant
Dan Erstad Producer's Assistant
Maggie Lunn Casting
Zoë Heller Novel
Rachel Neale Unit Production Manager
Mark Raggett Supervising Art Director
Jane Harwood Assistant Art Director
Catherine Byrne Art Department Assistant
Sam Barnes Clapper Loader
Therese Hvattum Camera Trainee
Ashley Bond First Assistant "B" Camera
Keziah Barton-White Script Supervisor
Kate Morath Boom Operator
Richard Hill Assistant Location Manager
Thomas Elgood Location Scout
James P. Queen Producer's Assistant
Nathan Kelly Producer's Assistant
Francesca Castellano Production Coordinator
Shruti Shah Production Accountant
Helen Walker Assistant Accountant
Marie Sayej Accounting Trainee
Lisa Westcott Hair Department Head, Makeup Department Head
Jayne Buxton Makeup Artist, Hairstylist
Eamonn Hughes Hairstylist
David Otzen Costume Assistant
Caroline Smith Set Decoration
John Bloom Editor
Martin Harrison First Assistant Director
Harriet Orman Set Decoration Buyer
Lucy Eyre Assistant Set Decoration
Cian O'Clery Art Department Assistant
Diana Dill Script Supervisor
Alex Hobbs Video Report
Jason Bennett Sound Assistant
Lee Robertson Assistant Location Manager
Iggy Ellis Location Scout
Mira Shin Producer's Assistant
Danny Roman Producer's Assistant
Holly Pullinger Assistant Production Coordinator
Polly Fletcher Assistant Accountant
Jay Weeks Accounting Trainee
Tarn Harper Post Production Accountant
Rebecca Lafford Makeup Artist
Helen Johnson Makeup Artist, Hairstylist
Allison Wyldeck Costume Supervisor
Jane Leonard Costume Assistant
Maxie McDonald Property Master
Neil Murrum Dressing Prop
Lee Walters Gaffer
Sarah Richardson Producer's Assistant
Vanraaj Padhaal Production Secretary
Dan Hillsdon Assistant Accountant
Nwachukwu Aghanya Accounting Trainee
Vandra Howard Costume Assistant
Emma Heath Costume Assistant
Stephen McDonald Standby Property Master
Ben Wilkinson Dressing Prop
Paul Sharp Best Boy Electric
Jimmy Harris Electrician
Mark Thomas Electrician
Charlie Waller Second Second Assistant Director
Emily Graham Floor Runner
Philip Ball Stand In
Robin Thistlethwaite Construction Manager
Greg Press Standby Rigger
Jonathan Wells Carpenter
John Davies Painter
Neil Dickson Other
Martin Corbett Assistant Editor
Eric Strausser Sound Assistant
James Mather Sound Supervisor
Nigel Stone ADR Editor
Lionel Johnson Assistant Sound Editor
Edward Colyer Foley Recording Engineer
Dave Wren Sound Mix Technician
Missy Cohen Music Editor
Sam Jones Score Engineer
Vic Fraser Other
Ichiho Nishiki Scoring Mixer
Christian Rutledge Music Coordinator
Tina Maskell Stunts
Stuart Brisdon Special Effects Coordinator
Linda Gamble Unit Publicist
Kirsty Wilkinson Lead Costumer
Stephen Conway Standby Property Master
Peter Watson Dressing Prop
Gavin Walters Rigging Gaffer
Peter Harris Electrician
Emily Plant Electrician
Heidi Gower Third Assistant Director
Joan Washington Vocal Coach
Sara Dony Unit Medic
Josh Jones Standby Carpenter
Pete Hodge Other
David Martin Carpenter
Matt Parsons Painter
Tony Kernan Other
Jason Ribikoff Supervising Sound Editor
Lee Dichter Sound Re-Recording Mixer
Joseph Stracey Sound Effects Editor
Derek Trigg Foley Editor
Andy Thompson ADR Recording Engineer
Nigel Heath Foley Recording Engineer
Derek Somaru Assistant Music Supervisor
Chris Dibble Score Engineer
John Bradbury Orchestrator
Nrinder Dhudwar Stunt Coordinator
Rob Hunt Stunts
Mark Haddenham Special Effects
Mike Prestwood Smith Sound Re-Recording Mixer
Eamonn Fitzgerald Electrician
Dennis Watson Electrician
Barney Miller Production Runner
Collette Appleby Stand In
Jemma Kearney Actor's Assistant
Gary Birmingham Transportation Coordinator
Simon Hutchings Standby Painter
Ian Bee Supervising Carpenter
Paul Bowring Carpenter
Amanda Waddington Painter
Polly Duval Post Production Supervisor
Stuart Stanley Sound Editor
Martin Czembor Sound Re-Recording Mixer
Tim Owens Dialogue Editor
Diana Smith Assistant Sound Editor
Howard Halsall ADR Voice Casting
Andie Derrick Foley Artist
Doug Cooper Sound Re-Recording Assistant
Graham Sutton Music Editor
Jake Jackson Score Engineer
Isobel Griffiths Orchestrator
Dan Bora Scoring Mixer
John Street Stunts
Olivia Coote Still Photographer
Name Title
Robert Fox Producer
Scott Rudin Producer
Redmond Morris Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 24 33 17
2024 5 27 36 16
2024 6 23 43 10
2024 7 26 44 13
2024 8 22 44 15
2024 9 20 33 13
2024 10 22 35 14
2024 11 18 33 11
2024 12 18 30 12
2025 1 18 30 13
2025 2 14 21 3
2025 3 7 21 1
2025 4 3 4 2
2025 5 2 2 1
2025 6 2 3 1
2025 7 2 2 1
2025 8 2 2 1
2025 9 4 5 2
2025 10 4 6 3

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Reviews

badelf
6.0

This is one of those films like a great pasta dish where everything is just right but somehow you still don't feel the restaurant is justified charging $21.95 for a plate of noodles and tomato sauce. The direction is top notch, Cate Blanchett as Sheba Hart is great and Bill Nighy supporting just wor ... ks. As much as I usually adore Judi Dench's acting, I thought she was a little too one-dimensional in this role. But given her choice, she executed the role with the usual Dench precision. This is a twisted love triangle story with very real characters. If you're the kind that picks up the dirt rags in the checkout line at the supermarket, you'll probably love the story. I gave it a 7 on my scale. It won't blow you away, but you won't feel like you've wasted your time either.

Jun 23, 2021
FilipeManuelNeto
9.0

**Lust, loneliness and bitterness in an engaging film with two great actresses.** I was very impressed with this film, which combines two huge and very talented actresses and a script full of tension and very well developed. It's not something new or original, and there are a lot of relatively te ... nse films that are set in a school environment. I can quote one that I saw recently, and that I remembered while watching this film: “The Children’s Hour”. Alright, the movie is about a hypothetical lesbian relationship between teachers, it's a different kind of scandal than what we have in this movie, but somehow it came to my mind. It is not an award-winning film, but it was nominated for two BAFTA, three Globes and four Oscars. Moreover, it was a competitive year, with several great films competing. The script is very loosely based on a real case in which a female teacher had a sexual affair with a minor student. The situation is scabrous and criminal, despite the fact that it is also a type of frequent sexual fantasy to be found. However, the film is not about that, but about the tortuous relationship between the young teacher and an older colleague, who discovers the secret. Lonely, bitter, critical, psychologically unstable, with serious problems relating to other people and, eventually, a strongly repressed lesbian, the elderly woman creates an abusive relationship where she subjugates and blackmails her supposed friend, mercilessly manipulating her to obtain almost exclusivity of your attention. In addition to a really good story, the film has an excellent cast and two great actresses who do a superb job. Judi Dench deserves a standing ovation for the work she leaves in this film: in addition to the sarcastic, almost cruel way in which she narrates the story, the actress was huge and impressive in the way she brought the character to life and played opposite Cate Blanchett. This one, in turn, was also very good, and does an equally good job, but it does not manage to have the magnetism of Dench. The two characters are also very different: Blanchett has on her hands a softer, more one-dimensional, less complex character than Dench, who is given more challenging, more complicated material, and a character who is really challenging to play convincingly. Despite being young, and having a minor role in the film, I also enjoyed Andrew Simpson's contribution. Technically, it is a discreet film, with excellent cinematography, with dark notes of great skill, which help to thicken the tense environment in which the film develops. With good sets and costumes, but within the predictable, and a relatively good soundtrack that was composed by Phillip Glass (not as good as the one he made in other films, however), the film is discreet, but competent, and gives us excellent production values.

Feb 26, 2023