Popularity: 4 (history)
| Director: | Richard Eyre |
|---|---|
| Writer: | Patrick Marber, Zoë Heller |
| Staring: |
| A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship. | |
| Release Date: | Dec 25, 2006 |
|---|---|
| Director: | Richard Eyre |
| Writer: | Patrick Marber, Zoë Heller |
| Genres: | Drama, Romance |
| Keywords | adultery, based on novel or book, infidelity, obsession, blackmail, seduction, friendship, stalker, love, loneliness, teacher, conservative, relationship, art, extramarital affair, angry, antagonistic, audacious, condescending |
| Production Companies | Fox Searchlight Pictures, Scott Rudin Productions, DNA Films, BBC Film, Ingenious Media, UK Film Council, Robert Fox Productions |
| Box Office |
Revenue: $49,814,392
Budget: $15,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Judi Dench | Barbara Covett |
| Cate Blanchett | Sheba Hart |
| Bill Nighy | Richard Hart |
| Andrew Simpson | Steven Connolly |
| Phil Davis | Brian Bangs |
| Michael Maloney | Sandy Pabblem |
| Juno Temple | Polly Hart |
| Max Lewis | Ben Hart |
| Joanna Scanlan | Sue Hodge |
| Julia McKenzie | Marjorie |
| Shaun Parkes | Bill Rumer |
| Tom Georgeson | Ted Mawson |
| Emma Kennedy | Linda |
| Syreeta Kumar | Gita |
| Wendy Nottingham | Elaine Clifford |
| Tameka Empson | Antonia Robinson |
| Leon Skinner | Davis |
| Debra Gillett | Lorraine |
| Barry McCarthy | Dave |
| Adrian Scarborough | Martin |
| Jill Baker | Sheba's Mother |
| Diana Berriman | Marcia |
| Alice Bird | Saskia |
| Benedict Taylor | Eddie |
| Miranda Pleasence | Eddie's Wife |
| Jonathan Speer | Vet |
| Stephen Kennedy | Mr. Connolly |
| Derbhle Crotty | Mrs. Connolly |
| Catherine Drew | Newsreader |
| Anne-Marie Duff | Annabel |
| Kevin Hudson | Teacher (uncredited) |
| Gabrielle Brooks | Choir Member (uncredited) |
| Name | Job |
|---|---|
| Chris Menges | Director of Photography |
| Tim Hatley | Production Design, Costume Design |
| Grant Armstrong | Standby Art Director |
| Richard Eyre | Director |
| Philip Glass | Original Music Composer |
| Patrick Marber | Screenplay |
| Urszula Pontikos | Clapper Loader |
| Mark Milsome | Second Assistant "B" Camera |
| Penny Ryder | Stand In |
| Hattie Dalton | Other |
| Peter Burgis | Foley Artist |
| Joseph S. DeBeasi | Supervising Music Editor |
| Nico Muhly | Other, Conductor |
| Michael Riesman | Conductor, Scoring Mixer |
| Nadia Stacey | Makeup & Hair Assistant |
| Steve Blythe | Electrician |
| Trevor Gureckis | Other |
| Peter Pedrero | Stunts |
| Antonia Van Drimmelen | Editor |
| Shaheen Baig | Casting |
| Les Benson | Props |
| Chris Stoaling | Second Assistant Director |
| Kem White | Graphic Designer |
| Ben Wilson | Focus Puller |
| Gary Hymns | Grip |
| Paul Bond | "B" Camera Operator |
| Simon Fogg | Grip |
| Jim Greenhorn | Production Sound Mixer |
| Amanda Stevens | Location Manager |
| Russell Lodge | Location Scout |
| Michael Diliberti | Producer's Assistant |
| Dan Erstad | Producer's Assistant |
| Maggie Lunn | Casting |
| Zoë Heller | Novel |
| Rachel Neale | Unit Production Manager |
| Mark Raggett | Supervising Art Director |
| Jane Harwood | Assistant Art Director |
| Catherine Byrne | Art Department Assistant |
| Sam Barnes | Clapper Loader |
| Therese Hvattum | Camera Trainee |
| Ashley Bond | First Assistant "B" Camera |
| Keziah Barton-White | Script Supervisor |
| Kate Morath | Boom Operator |
| Richard Hill | Assistant Location Manager |
| Thomas Elgood | Location Scout |
| James P. Queen | Producer's Assistant |
| Nathan Kelly | Producer's Assistant |
| Francesca Castellano | Production Coordinator |
| Shruti Shah | Production Accountant |
| Helen Walker | Assistant Accountant |
| Marie Sayej | Accounting Trainee |
| Lisa Westcott | Hair Department Head, Makeup Department Head |
| Jayne Buxton | Makeup Artist, Hairstylist |
| Eamonn Hughes | Hairstylist |
| David Otzen | Costume Assistant |
| Caroline Smith | Set Decoration |
| John Bloom | Editor |
| Martin Harrison | First Assistant Director |
| Harriet Orman | Set Decoration Buyer |
| Lucy Eyre | Assistant Set Decoration |
| Cian O'Clery | Art Department Assistant |
| Diana Dill | Script Supervisor |
| Alex Hobbs | Video Report |
| Jason Bennett | Sound Assistant |
| Lee Robertson | Assistant Location Manager |
| Iggy Ellis | Location Scout |
| Mira Shin | Producer's Assistant |
| Danny Roman | Producer's Assistant |
| Holly Pullinger | Assistant Production Coordinator |
| Polly Fletcher | Assistant Accountant |
| Jay Weeks | Accounting Trainee |
| Tarn Harper | Post Production Accountant |
| Rebecca Lafford | Makeup Artist |
| Helen Johnson | Makeup Artist, Hairstylist |
| Allison Wyldeck | Costume Supervisor |
| Jane Leonard | Costume Assistant |
| Maxie McDonald | Property Master |
| Neil Murrum | Dressing Prop |
| Lee Walters | Gaffer |
| Sarah Richardson | Producer's Assistant |
| Vanraaj Padhaal | Production Secretary |
| Dan Hillsdon | Assistant Accountant |
| Nwachukwu Aghanya | Accounting Trainee |
| Vandra Howard | Costume Assistant |
| Emma Heath | Costume Assistant |
| Stephen McDonald | Standby Property Master |
| Ben Wilkinson | Dressing Prop |
| Paul Sharp | Best Boy Electric |
| Jimmy Harris | Electrician |
| Mark Thomas | Electrician |
| Charlie Waller | Second Second Assistant Director |
| Emily Graham | Floor Runner |
| Philip Ball | Stand In |
| Robin Thistlethwaite | Construction Manager |
| Greg Press | Standby Rigger |
| Jonathan Wells | Carpenter |
| John Davies | Painter |
| Neil Dickson | Other |
| Martin Corbett | Assistant Editor |
| Eric Strausser | Sound Assistant |
| James Mather | Sound Supervisor |
| Nigel Stone | ADR Editor |
| Lionel Johnson | Assistant Sound Editor |
| Edward Colyer | Foley Recording Engineer |
| Dave Wren | Sound Mix Technician |
| Missy Cohen | Music Editor |
| Sam Jones | Score Engineer |
| Vic Fraser | Other |
| Ichiho Nishiki | Scoring Mixer |
| Christian Rutledge | Music Coordinator |
| Tina Maskell | Stunts |
| Stuart Brisdon | Special Effects Coordinator |
| Linda Gamble | Unit Publicist |
| Kirsty Wilkinson | Lead Costumer |
| Stephen Conway | Standby Property Master |
| Peter Watson | Dressing Prop |
| Gavin Walters | Rigging Gaffer |
| Peter Harris | Electrician |
| Emily Plant | Electrician |
| Heidi Gower | Third Assistant Director |
| Joan Washington | Vocal Coach |
| Sara Dony | Unit Medic |
| Josh Jones | Standby Carpenter |
| Pete Hodge | Other |
| David Martin | Carpenter |
| Matt Parsons | Painter |
| Tony Kernan | Other |
| Jason Ribikoff | Supervising Sound Editor |
| Lee Dichter | Sound Re-Recording Mixer |
| Joseph Stracey | Sound Effects Editor |
| Derek Trigg | Foley Editor |
| Andy Thompson | ADR Recording Engineer |
| Nigel Heath | Foley Recording Engineer |
| Derek Somaru | Assistant Music Supervisor |
| Chris Dibble | Score Engineer |
| John Bradbury | Orchestrator |
| Nrinder Dhudwar | Stunt Coordinator |
| Rob Hunt | Stunts |
| Mark Haddenham | Special Effects |
| Mike Prestwood Smith | Sound Re-Recording Mixer |
| Eamonn Fitzgerald | Electrician |
| Dennis Watson | Electrician |
| Barney Miller | Production Runner |
| Collette Appleby | Stand In |
| Jemma Kearney | Actor's Assistant |
| Gary Birmingham | Transportation Coordinator |
| Simon Hutchings | Standby Painter |
| Ian Bee | Supervising Carpenter |
| Paul Bowring | Carpenter |
| Amanda Waddington | Painter |
| Polly Duval | Post Production Supervisor |
| Stuart Stanley | Sound Editor |
| Martin Czembor | Sound Re-Recording Mixer |
| Tim Owens | Dialogue Editor |
| Diana Smith | Assistant Sound Editor |
| Howard Halsall | ADR Voice Casting |
| Andie Derrick | Foley Artist |
| Doug Cooper | Sound Re-Recording Assistant |
| Graham Sutton | Music Editor |
| Jake Jackson | Score Engineer |
| Isobel Griffiths | Orchestrator |
| Dan Bora | Scoring Mixer |
| John Street | Stunts |
| Olivia Coote | Still Photographer |
| Name | Title |
|---|---|
| Robert Fox | Producer |
| Scott Rudin | Producer |
| Redmond Morris | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 24 | 33 | 17 |
| 2024 | 5 | 27 | 36 | 16 |
| 2024 | 6 | 23 | 43 | 10 |
| 2024 | 7 | 26 | 44 | 13 |
| 2024 | 8 | 22 | 44 | 15 |
| 2024 | 9 | 20 | 33 | 13 |
| 2024 | 10 | 22 | 35 | 14 |
| 2024 | 11 | 18 | 33 | 11 |
| 2024 | 12 | 18 | 30 | 12 |
| 2025 | 1 | 18 | 30 | 13 |
| 2025 | 2 | 14 | 21 | 3 |
| 2025 | 3 | 7 | 21 | 1 |
| 2025 | 4 | 3 | 4 | 2 |
| 2025 | 5 | 2 | 2 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 2 | 2 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 4 | 5 | 2 |
| 2025 | 10 | 4 | 6 | 3 |
Trending Position
This is one of those films like a great pasta dish where everything is just right but somehow you still don't feel the restaurant is justified charging $21.95 for a plate of noodles and tomato sauce. The direction is top notch, Cate Blanchett as Sheba Hart is great and Bill Nighy supporting just wor ... ks. As much as I usually adore Judi Dench's acting, I thought she was a little too one-dimensional in this role. But given her choice, she executed the role with the usual Dench precision. This is a twisted love triangle story with very real characters. If you're the kind that picks up the dirt rags in the checkout line at the supermarket, you'll probably love the story. I gave it a 7 on my scale. It won't blow you away, but you won't feel like you've wasted your time either.
**Lust, loneliness and bitterness in an engaging film with two great actresses.** I was very impressed with this film, which combines two huge and very talented actresses and a script full of tension and very well developed. It's not something new or original, and there are a lot of relatively te ... nse films that are set in a school environment. I can quote one that I saw recently, and that I remembered while watching this film: “The Children’s Hour”. Alright, the movie is about a hypothetical lesbian relationship between teachers, it's a different kind of scandal than what we have in this movie, but somehow it came to my mind. It is not an award-winning film, but it was nominated for two BAFTA, three Globes and four Oscars. Moreover, it was a competitive year, with several great films competing. The script is very loosely based on a real case in which a female teacher had a sexual affair with a minor student. The situation is scabrous and criminal, despite the fact that it is also a type of frequent sexual fantasy to be found. However, the film is not about that, but about the tortuous relationship between the young teacher and an older colleague, who discovers the secret. Lonely, bitter, critical, psychologically unstable, with serious problems relating to other people and, eventually, a strongly repressed lesbian, the elderly woman creates an abusive relationship where she subjugates and blackmails her supposed friend, mercilessly manipulating her to obtain almost exclusivity of your attention. In addition to a really good story, the film has an excellent cast and two great actresses who do a superb job. Judi Dench deserves a standing ovation for the work she leaves in this film: in addition to the sarcastic, almost cruel way in which she narrates the story, the actress was huge and impressive in the way she brought the character to life and played opposite Cate Blanchett. This one, in turn, was also very good, and does an equally good job, but it does not manage to have the magnetism of Dench. The two characters are also very different: Blanchett has on her hands a softer, more one-dimensional, less complex character than Dench, who is given more challenging, more complicated material, and a character who is really challenging to play convincingly. Despite being young, and having a minor role in the film, I also enjoyed Andrew Simpson's contribution. Technically, it is a discreet film, with excellent cinematography, with dark notes of great skill, which help to thicken the tense environment in which the film develops. With good sets and costumes, but within the predictable, and a relatively good soundtrack that was composed by Phillip Glass (not as good as the one he made in other films, however), the film is discreet, but competent, and gives us excellent production values.