Popularity: 2 (history)
| Director: | Alex Russell |
|---|---|
| Writer: | Alex Russell |
| Staring: |
| When a twenty-something retail clerk meets a rising popstar, he takes the opportunity to edge his way into the in-crowd. But as the line between friend and fan blurs beyond recognition, access and proximity become a matter of life and death. | |
| Release Date: | Aug 22, 2025 |
|---|---|
| Director: | Alex Russell |
| Writer: | Alex Russell |
| Genres: | Drama, Thriller |
| Keywords | affectation, pop star, los angeles, california, ambiguous, baffled |
| Production Companies | High Frequency Entertainment, MeMo Films, Adler Entertainment, Wise Pictures, Case Study Films, Twin Productions, Arts & Sciences, Va Bene Productions |
| Box Office |
Revenue: $455,555
Budget: $0 |
| Updates |
Updated: Jan 09, 2026 Entered: Oct 15, 2025 |
| Name | Character |
|---|---|
| Théodore Pellerin | Matthew |
| Archie Madekwe | Oliver |
| Havana Rose Liu | Shai |
| Sunny Suljic | Jamie |
| Daniel Zolghadri | Noah |
| Zack Fox | Swett |
| Cam Hicks | Sebastian |
| Chaize Macklin | The Fan |
| Sean Wang | Photographer |
| Brian Niles | Concerned Fan |
| Myra Turley | Grandma Christine |
| Jonas Gindin | Curious Fan |
| Hannah Christine Shetler | Kendra |
| Mikaela Poon | Ava |
| Willa Shaw | Girl |
| Rene Leech | Last Fan |
| Olawale Onayemi | Bowen |
| Gene Hong | Dad |
| Sofia Hasmik | Sofia |
| Greta Gould | Grace |
| Cathy Bui | Cassie |
| Mekki Leeper | Moderator |
| Andrea Jin | Lisa |
| Biniam Bizuneh | Gerald |
| Emiliano Luna | Oscar |
| Galen Core | |
| Marc Marrie | |
| Charlie McDowell | |
| Francesco Melzi d'Eril | |
| Duncan Montgomery | |
| Olmo Schnabel | |
| Emma Weinswig | Maggie |
| Jack Selby |
| Name | Job |
|---|---|
| Miranda Lorenz | Production Design |
| Sean O'Malley | Sound Mixer |
| Alfred Hsing | Stunt Coordinator |
| Jim Reed | Songs |
| Nathan People | Stunt Double |
| Matt Kubas | Chief Lighting Technician |
| Rudy Marcial | Lighting Technician |
| Mark Lane | Gaffer |
| Jo Caron | Foley Mixer |
| Kenny Beats | Original Music Composer, Songs |
| Pavy Olivarez | Hair Department Head |
| John Warrin | Sound Re-Recording Mixer, Sound Designer, Supervising Sound Editor |
| Dania Ridgway | Key Makeup Artist |
| Rex Orange County | Songs |
| Alex Suarez | Stunt Double |
| Elver Hernandez | Camera Operator |
| John Massaro | Lighting Technician |
| Arthur T. Haynes | Special Effects Technician |
| Adam Kopald | Sound Effects Editor |
| Alex Russell | Director, Writer |
| David Kashevaroff | Editor |
| Megan Gray | Costume Design |
| LJ LaVecchia | Stunt Double |
| Stacey Rice | Casting Associate |
| Abby Antweil | Lighting Technician |
| Piper Riley | Set Decoration |
| Linda Wu | Second Unit Director of Photography |
| Guy Francoeur | Foley Artist |
| Pat Scola | Director of Photography |
| Lindsay Garrison | Makeup Department Head |
| Marisa Pinuelas | Key Hair Stylist |
| Andy Ross | Music Supervisor |
| Gianna “Gigi” Todisco | Choreographer |
| Dwayne Coote | Lighting Technician |
| Simon White | Special Effects Technician |
| Callum Fletcher | Second Assistant Director |
| Albin Holmqvist | Title Designer |
| Rebecca Dealy | Casting |
| Matt Toth | Art Direction |
| Nick Pavey | Dialogue Editor |
| Heather Lynn | Background Casting Director |
| Jason M. Norman | Lighting Technician |
| Bart Barber | Special Effects Technician |
| Oliver Snook | Sound Effects Editor |
| Name | Title |
|---|---|
| Alex Orlovsky | Producer |
| Marc Marrie | Producer |
| Gabriele Moratti | Executive Producer |
| Rick Covert | Executive Producer |
| Ben Shafer | Executive Producer |
| Olmo Schnabel | Producer |
| Lily Collins | Executive Producer |
| Matt Aselton | Executive Producer |
| Galen Core | Producer |
| Francesco Melzi d'Eril | Producer |
| Alfonso de Angoitia | Executive Producer |
| Sam Romano | Executive Producer |
| Jack Selby | Producer |
| Lee Sung Jin | Executive Producer |
| Mal Ward | Executive Producer |
| Charles M. Barsamian | Executive Producer |
| Duncan Montgomery | Producer |
| Charlie McDowell | Producer |
| Marco Colombo | Executive Producer |
| Archie Madekwe | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 9 | 1 |
| 2024 | 5 | 2 | 5 | 1 |
| 2024 | 6 | 4 | 22 | 1 |
| 2024 | 7 | 2 | 4 | 0 |
| 2024 | 8 | 2 | 4 | 1 |
| 2024 | 9 | 1 | 1 | 1 |
| 2024 | 10 | 1 | 3 | 1 |
| 2024 | 11 | 2 | 5 | 1 |
| 2024 | 12 | 2 | 4 | 1 |
| 2025 | 1 | 8 | 27 | 2 |
| 2025 | 2 | 4 | 9 | 1 |
| 2025 | 3 | 2 | 4 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 6 | 8 | 1 |
| 2025 | 11 | 4 | 8 | 3 |
| 2025 | 12 | 4 | 11 | 1 |
| 2026 | 1 | 4 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 422 | 834 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 174 | 633 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 285 | 692 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 44 | 290 |
When acclaimed musician “Oliver” (Archie Madekwe) comes into his boutique, shop worker “Matthew” (Théodore Pellerin) finds a more subtle way to attract his attention, and is swiftly invited to attend that night’s gig. After a bit of light-hearted initiation, he finds himself backstage then back at t ... he band’s house where he develops a fairly rapid friendship with an “Oliver” who knows how to make him feel invaluable. He's an amateur photographer and is soon co-opted to work on a documentary, then a trip to London beckons and “Matty” is to do the photo shoot for the cover. By this point, though, we can see that his clothes designer friend "Jamie" (Sunny Suljic) is behining to steal some the limelight and that his patron is a bit flakey when it comes to loyalty, uktmately leaving this erstwhile flavour of the month cast adrift. Determined not to remain so, though, "Matthew" puts in plan a plan that he hopes will ensure that he can remain a permanent fixture in the life of "Ollie" - whether he wants it or not. Now some of the story isn’t the most plausible, especially towards the end - but before then both men offer us quite an effective look at the toxicity and fragility of both fame and adulation. The ultimate human equivalence of the disposable culture is on display for us to squirm at, certainly, but maybe to associate with a little too. Like a favourite song, or film, or toy that we can’t be without until - well, we can. It takes a pop at groupiedom, from both the star and the punter’s perspective and though flawed, is still worth ninety minutes.