Popularity: 22 (history)
| Director: | Lotfy Nathan |
|---|---|
| Writer: | Lotfy Nathan |
| Staring: |
| A remote village in Roman-era Egypt explodes into spiritual warfare when a carpenter, his wife and their child are targeted by supernatural forces. | |
| Release Date: | Nov 13, 2025 |
|---|---|
| Director: | Lotfy Nathan |
| Writer: | Lotfy Nathan |
| Genres: | Horror |
| Keywords | greece, crete, faith, carpenter, temptation, attica, temptation of christ, jesus christ, supernatural horror, biblical, natural horror, baffled, inflammatory, supernatural thriller, faith based, roman egypt |
| Production Companies | Saturn Films, Anonymous Content, BlueLight, Spacemaker Productions, Cinenovo, Curious Gremlin |
| Box Office |
Revenue: $0
Budget: $10,000,000 |
| Updates |
Updated: Jan 08, 2026 Entered: Nov 23, 2025 |
| Name | Character |
|---|---|
| Nicolas Cage | The Carpenter |
| Noah Jupe | The Boy |
| FKA twigs | The Mother |
| Isla Johnston | The Stranger |
| Souheila Yacoub | Lilith |
| Kaiti Manolidaki | Leper Woman |
| Penelope Markopoulou | Lilith's Mother |
| Orestis Paliadelis | The Teacher |
| Elena Topalidou | The Old Fiend |
| Manolis Mavromatakis | The Shopkeeper |
| Thekla Gaiti | Female Villager |
| Kaiti Manolidaki | Old Leper Woman |
| Name | Job |
|---|---|
| Simon Beaufils | Director of Photography |
| Marie-Eglantine Leibfried | Special Effects Makeup Artist |
| Sarah Roman | Makeup Department Head |
| Domniki Papadopoulou | Second Assistant Director |
| Argiris Rallias | Sculptor |
| Hugues Namur | Visual Effects Supervisor |
| Constantinos Vazeos | Location Manager |
| Lila Vander Elst | Makeup Artist |
| Marie-Eglantine Pirson | Special Effects Makeup Artist |
| Elena Novakovits | Production Assistant |
| Yaseen Noon | Construction Coordinator |
| Dario Le Bars | Boom Operator |
| Kladji Llupi | Unit Manager |
| Lorenz Dangel | Original Music Composer |
| Lotfy Nathan | Director, Writer |
| Sophie Corra | Editor |
| Iosif Adaloglou | Line Producer |
| Maria Staikou | Special Effects Makeup Artist |
| Panos Dimitriou | Art Department Coordinator |
| Brendan Smithers | Construction Manager, Supervising Art Director |
| Viktor Hristov | Stunts |
| Maria Simati | Script Supervisor |
| Maria Chatzitheodorou | Hairstylist |
| Oriane De Neve | Special Effects Makeup Artist |
| Yannis Chatzistavris | Third Assistant Director |
| Danai Kriki | Decorator |
| Georgiadis Konstantinos | Boom Operator |
| Alan Scott Neal | Additional Casting |
| Stella Giannakakis | Art Direction |
| Maxime Herve | Line Producer |
| Prokopis Vlaseros | Special Effects Makeup Artist |
| Etienne Harris | Art Department Coordinator |
| Radoslav Ignatov | Stunts |
| Panagiotis Chatzinikolaou | Transportation Captain |
| Name | Title |
|---|---|
| Riccardo Maddalosso | Producer |
| Alain de la Mata | Co-Producer |
| Christopher Granier-Deferre | Co-Producer |
| Jennifer Venditti | Executive Producer |
| Lotfy Nathan | Executive Producer |
| Alexandra Boussiou | Co-Producer |
| Harry Finkel | Executive Producer |
| Nick Shumaker | Executive Producer |
| Metin Alihan Yalcindag | Executive Producer |
| Nicolas Cage | Producer |
| Jackie Bernon | Executive Producer |
| Sinan Eczacıbaşı | Executive Producer |
| Eugene Kotlyarenko | Executive Producer |
| Julie Viez | Producer |
| David Levine | Executive Producer |
| Alex Hughes | Producer |
| Scott Aharoni | Executive Producer |
| Noémie Devide | Executive Producer |
| Yiannis Iakovidis | Executive Producer |
| Theo Vieljeux | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 5 | 2 | 4 | 1 |
| 2024 | 6 | 2 | 4 | 1 |
| 2024 | 7 | 3 | 9 | 1 |
| 2024 | 8 | 2 | 3 | 0 |
| 2024 | 9 | 3 | 5 | 1 |
| 2024 | 10 | 3 | 5 | 1 |
| 2024 | 11 | 2 | 5 | 1 |
| 2024 | 12 | 2 | 3 | 1 |
| 2025 | 1 | 2 | 5 | 1 |
| 2025 | 2 | 2 | 3 | 1 |
| 2025 | 3 | 2 | 4 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 3 | 4 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
| 2025 | 11 | 5 | 7 | 2 |
| 2025 | 12 | 58 | 114 | 3 |
| 2026 | 1 | 28 | 32 | 22 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 63 | 552 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 6 | 279 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 253 | 643 |
The Carpenter’s Son is a film that makes a strong first impression, but ultimately stumbles where it matters most: the story. The production excels technically — the visual adaptation is stunning, with symbolic religious imagery and dark, atmospheric cinematography that pulls the viewer into the fil ... m’s harsh desert environment. The sound design and musical score are equally impressive, adding tension and depth to every scene. From an audiovisual standpoint, the movie is exceptional. The problem begins when the narrative takes over. The film attempts to adapt elements from the Infancy Gospel of Thomas, but the result is a storyline that feels confusing, uneven, and at times incoherent. It flirts with deep themes like faith, fear, guilt, and destiny, yet fails to develop any of them in a meaningful way. More often than not, the movie seems more focused on provoking than on delivering a cohesive or compelling plot. Nicolas Cage delivers an intense performance, as expected, but even his presence isn’t enough to stabilize a script that collapses under its own ambition. The overall feeling is that the premise had tremendous potential, but the execution ends up fragmented, leaving audiences more puzzled than thoughtful. In short: The Carpenter’s Son is technically excellent, with outstanding visuals and sound, but its story — already described by many as confusing — weakens the final impact. It’s a film that grabs attention, but doesn’t quite earn lasting admiration.