Popularity: 14 (history)
| Director: | Osgood Perkins |
|---|---|
| Writer: | Nick Lepard |
| Staring: |
| Liz and Malcolm escape for a romantic anniversary weekend at a secluded cabin. When Malcolm suddenly returns to the city, Liz finds herself isolated and in the presence of an unspeakable evil that reveals the cabin's horrifying secrets. | |
| Release Date: | Nov 12, 2025 |
|---|---|
| Director: | Osgood Perkins |
| Writer: | Nick Lepard |
| Genres: | Horror, Mystery |
| Keywords | cabin, ritual, cake, woods, torture, couple, taunting, anniversary, folk horror, supernatural horror, psychological horror, horror |
| Production Companies | Oddfellows Entertainment, Range Media Partners, Wayward Entertainment, Phobos, Big Rodeo Films |
| Box Office |
Revenue: $4,365,292
Budget: $6,000,000 |
| Updates |
Updated: Nov 23, 2025 Entered: Nov 23, 2025 |
| Name | Character |
|---|---|
| Tatiana Maslany | Liz |
| Rossif Sutherland | Malcolm Westbridge |
| Birkett Turton | Darren |
| Eden Weiss | Minka |
| Cassandra Ebner | Baghead |
| Tess Degenstein | Maggie / Baghead |
| Erin Boyes | Julia |
| Gina Vultaggio | Francis |
| Claire Friesen | Ada / Louise |
| Christin Park | Leslie |
| Glen Gordon | Teen Malcolm |
| Logan Pierce | Teen Darren |
| Dolores Drake | Mrs. McCallum |
| Evelyn Burke | Peasant Girl |
| Ella Wejr | Teen Peasant Girl |
| Erin Tipple |
| Name | Job |
|---|---|
| Jeremy Cox | Director of Photography |
| Brent Canning | Location Manager |
| Bonnie Riley | Production Accountant |
| Eric Cairns | Set Decoration Buyer, Assistant Set Decoration |
| Giselle Bourget Morales | Assistant Costume Designer |
| Edo van Breemen | Original Music Composer |
| Eugenio Battaglia | Supervising Sound Editor, Sound Designer, Sound Re-Recording Mixer |
| Jared Boyce | First Assistant Camera |
| Tianna Volpe | Assistant Location Manager |
| Annalese Tilling | Casting |
| Mica Kayde | Costume Design |
| Adam McCarthy | First Assistant Director |
| Trevor Johnston | Set Decoration |
| Andrew David James Burke | Production Assistant |
| Werner Pretorius | Makeup Effects Designer |
| Aaron Becker | Main Title Designer, Title Designer |
| Tom Rolfe | Visual Effects Supervisor |
| Iñigo Aizpurua Pérez | Rotoscoping Artist |
| Nick Lepard | Writer |
| Greg Ng | Editor |
| Danny Vermette | Production Design |
| Yannie Yu | Gaffer |
| Jacob Straat | Location Manager, Assistant Location Manager |
| Troy James Miller | Title Designer |
| Brian Sepanzyk | Visual Effects Producer |
| Jason Yeung | Third Assistant Director |
| Dwayne Murray | Sound Editor |
| Johnny Fan | Visual Effects Compositor |
| Osgood Perkins | Director |
| Graham Fortin | Editor |
| Errin Lally | Casting |
| Jonathan DuBois | Line Producer |
| Allison Deleo | Art Direction |
| Asterios Moutsokapas | Still Photographer |
| Dana Bontempo | Property Master |
| Bria Rose Wilk | Script Supervisor |
| Natasha Duprey | Music Supervisor |
| Shelby Tony | Production Accountant |
| Ty Trand | Stunts |
| Jack Evans | Visual Effects Supervisor |
| Jenn Taylor | Visual Effects Supervisor |
| Andy Levine | Post Production Supervisor |
| Javier Ivan Perez | Foley Editor |
| Edward J. Douglas | Visual Effects Supervisor |
| Michael Yu | Visual Effects Producer |
| Name | Title |
|---|---|
| Noah Segal | Executive Producer |
| John Hegeman | Executive Producer |
| AJ Bourscheid | Co-Executive Producer |
| Marlaina Mah | Executive Producer |
| Peter Micelli | Executive Producer |
| Jesse Savath | Producer |
| Brian Kavanaugh-Jones | Executive Producer |
| Bonner Bellew | Executive Producer |
| Giuliana Bertuzzi | Co-Executive Producer |
| Andrew Levin | Co-Executive Producer |
| Tatiana Maslany | Executive Producer |
| Laurie May | Executive Producer |
| Fred Berger | Executive Producer |
| Vince Totino | Executive Producer |
| Chris Ferguson | Producer |
| Laura Wheeler | Co-Executive Producer |
| Rossif Sutherland | Co-Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 5 | 2 | 4 | 1 |
| 2024 | 6 | 2 | 7 | 1 |
| 2024 | 7 | 3 | 8 | 1 |
| 2024 | 8 | 3 | 9 | 1 |
| 2024 | 9 | 3 | 9 | 1 |
| 2024 | 10 | 2 | 4 | 1 |
| 2024 | 11 | 2 | 3 | 1 |
| 2024 | 12 | 1 | 1 | 1 |
| 2025 | 1 | 2 | 4 | 1 |
| 2025 | 2 | 2 | 3 | 1 |
| 2025 | 3 | 2 | 5 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 3 | 5 | 1 |
| 2025 | 11 | 9 | 15 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 65 | 72 |
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/keeper-review/ "Keeper is that type of movie whose personal opinion improves the more one reflects on it. Powerful, atmospheric, and visually impactful, it not only confirms Osgood Perkins' talent in constructing dense horror environments but a ... lso features a top-tier performance from Tatiana Maslany, as well as truly unforgettable VFX-makeup work. It's psychological and folkloric horror that elevates relational toxicity to a plane of physical horror and leaves us thinking about the dynamics of control long after the lights come up. It's a chilling descent into the nature of coercion, reminding us that the deepest terror resides in the shadows we accept and the creatures hiding within them." Rating: B
“Liz” (Tatiana Maslany) heads into the wilderness with her doctor boyfriend “Malcolm” (Rossif Sutherland) for a weekend of fun and frolicking. He has a rather more sophisticated residence than the usual cabin in the woods, and he also has a cousin who lives next door (Birkett Turton) but she is assu ... red that he won’t bother them on their getaway. Everything seems to be going fine, they’ve even got a chocolate cake left by the caretaker, but when he has to go back into the city for a medical emergency and leave her alone for the day - well, things start going bump in the day. Is it the cake, or the red wine she has consumed? Is it just the wind rustling the foliage or her vivid imagination? Is it the enigmatic cousin “Darren”? Well, when “Malcolm” returns it soon transpires that virtually nothing in this idyllic location is as it seems, and things for her start to look fairly ominous. Technically, this is quite a spooky thriller with innovative photography and some clever use of acoustics and shadow. The story, on the other hand, is really very thin and neither actor at the sharp end of this drama really engage at all. We wait for about eighty minutes of not a lot, before a conclusion that I felt was hastily arrived at and a bit of a let down - unless maybe you were some sort of gruesome “Winnie the Pooh” after an encounter with “Grendel”. The woods are the gift that keep on giving for this mystical horror genre, but we still need some meat on the bones of the characters if we are to care one way or the other, and this is largely devoid of that.