Popularity: 2 (history)
Director: | Alexander Payne |
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Writer: | Bob Nelson |
Staring: |
An aging, booze-addled father takes a trip from Montana to Nebraska with his estranged son in order to claim what he believes to be a million-dollar sweepstakes prize. | |
Release Date: | Sep 21, 2013 |
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Director: | Alexander Payne |
Writer: | Bob Nelson |
Genres: | Adventure, Drama |
Keywords | montana, small town, dementia, aging, road trip, dysfunctional family, f word, pickup truck, estranged father, lincoln nebraska, nebraska, sweepstakes, estranged son, confronting the past |
Production Companies | Bona Fide Productions, Echo Lake Entertainment |
Box Office |
Revenue: $27,700,000
Budget: $12,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Bruce Dern | Woody Grant |
Will Forte | David Grant |
June Squibb | Kate Grant |
Bob Odenkirk | Ross Grant |
Stacy Keach | Ed Pegram |
Mary Louise Wilson | Aunt Martha |
Rance Howard | Uncle Ray |
Tim Driscoll | Bart |
Devin Ratray | Cole |
Angela McEwan | Peg Nagy |
Glendora Stitt | Aunt Betty |
Elizabeth Moore | Aunt Flo |
Kevin Kunkel | Cousin Randy |
Dennis McCoig | Uncle Verne |
Ronald Vosta | Uncle Albert |
Missy Doty | Noel |
John Reynolds | Bernie Bowen |
Jeffrey Yosten | ER Doctor |
Neal Freudenberg | George Westendorf |
Eula Freudenberg | Jean Westendorf |
Ray Stevens | Dale Slaasted |
Lois Nemec | Kathy Slaasted |
Francisco Mendez | Mechanic |
Catherine Rae Schutz | Bartender |
Jose Muñoz | Mechanic |
Terry Kotrous | Sheriff |
Dennis McCave | Sheriff |
Rachel Lynn Leister | Waitress |
Melinda Simonsen | Receptionist |
Noah Matteo | Cub Photographer |
Scott Goodman | Mark |
Colleen O'Doherty | Janice |
Sherry Ristow | Karaoke Singer |
Roger Stuckwisch | Karaoke Singer |
Franklin Dennis Jones | Uncle Cecil |
Jason Speidel | Appliance Store Employee |
Bob Knollenberg | Used Car Salesman |
Robert Dach | Bar Patron |
Sherry Ferris | Bar Patron |
Anthony G. Schmidt | Biker (uncredited) |
Bob Nelson | Applauding Karaoke Patron (uncredited) |
Name | Job |
---|---|
Alexander Payne | Director |
Phedon Papamichael | Director of Photography |
Kevin Tent | Editor |
John Jackson | Casting |
J. Dennis Washington | Production Design |
Sandy Veneziano | Art Direction |
Beauchamp Fontaine | Set Decoration |
Waldo Sanchez | Hair Department Head |
Robin Fredriksz | Makeup Department Head |
Jay Wejebe | Makeup Artist |
Mads Hansen | Unit Production Manager |
Rick Reynolds | Post Production Supervisor |
Valerie Flueger Veras | Post Production Supervisor |
George Parra | Assistant Director |
Wes Clowers | Construction Coordinator |
Billy 'Jilly Bones' Jones | Scenic Artist |
Hope M. Parrish | Property Master |
Jessica Ripka | Art Department Coordinator |
David Bach | ADR & Dubbing |
Scott Curtis | Foley |
Patrick Cyccone Jr. | Sound Re-Recording Mixer |
Jonathan Fuh | Boom Operator |
Joe Lemola | Sound Editor |
Timothy D. McKeown | Dialogue Editor |
Erika Abrams | Executive Visual Effects Producer |
Chuck 'Chaz' Hosack | Stunts |
Carrick O'Quinn | Stunts |
Geoff Ernst | Electrician |
Hilton Garrett | Grip |
Erik F. Hill | Grip |
David Luckenbach | Steadicam Operator |
Bryan Arenas | Dolby Consultant |
Chris Weigand | Electrician |
Tari Segal | Camera Operator |
Merie Weismiller Wallace | Still Photographer |
Nate Selee | Grip |
Marisa Clayton | Digital Intermediate |
Josh Land | Post Production Assistant |
Mark Sahagun | Digital Intermediate |
Richard Ford | Music Editor, Executive Music Producer |
Gary Edelman | Transportation Coordinator |
Tom Rebber | Picture Car Coordinator |
Billy Scoles | Transportation Captain |
Gracie Klein | Driver |
John Latenser V | Location Manager |
Rebecca Robertson | Script Supervisor |
Jeff Winn | Craft Service |
Bob Nelson | Writer |
Nathan Carlson | Graphic Designer |
Jeannine Bourdaghs | Costume Supervisor |
Mark Orton | Original Music Composer |
Wendy Chuck | Costume Design |
Frank Gaeta | Sound Designer |
Alicia Stevenson | Foley |
Lawson Deming | Visual Effects Supervisor |
Erik Rondell | Stunt Coordinator |
Danny Epper | Stunts |
Jim Palmer | Stunts |
Anthony G. Schmidt | Stunts |
Tim Sitarz | Stunts |
Don Poole | Transportation Captain |
Dawn Fintor | Foley |
José Antonio García | Sound Mixer |
Gary Archer | Prosthetics |
Name | Title |
---|---|
Albert Berger | Producer |
Ron Yerxa | Producer |
George Parra | Executive Producer |
Julie M. Thompson | Executive Producer |
Doug Mankoff | Executive Producer |
Neil Tabatznik | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Picture | N/A | Nominated |
Academy Awards | Best Director | Alexander Payne | Nominated |
Academy Awards | Best Actor | Bruce Dern | Nominated |
Golden Globes | Best Director | Alexander Payne | Nominated |
Golden Globes | Best Actor | Bruce Dern | Nominated |
Golden Globes | Best Picture | N/A | Nominated |
BAFTA Awards | Best Picture | N/A | Nominated |
Berlin International Film Festival | Best Picture | N/A | Won |
Venice Film Festival | Best Supporting Actor | Will Forte | Nominated |
BAFTA Awards | Best Supporting Actress | June Squibb | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 16 | 27 | 10 |
2024 | 5 | 20 | 35 | 12 |
2024 | 6 | 17 | 27 | 9 |
2024 | 7 | 18 | 33 | 8 |
2024 | 8 | 13 | 26 | 7 |
2024 | 9 | 14 | 25 | 9 |
2024 | 10 | 14 | 26 | 8 |
2024 | 11 | 11 | 24 | 7 |
2024 | 12 | 10 | 14 | 7 |
2025 | 1 | 12 | 21 | 7 |
2025 | 2 | 9 | 18 | 3 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 4 | 1 |
Trending Position
**Payne Relief** The black and white photography is a nice touch. It gives a kind of Karsh look to the weathered faces of the aging, reflective, yet still yearning cast of characters, and suits the rapidly fading memories of a bygone era in recent American history. The acting was pretty good. Bru ... ce Dern gives an effortless performance as a cranky old coot with one attention-seeking foot in the spotlight and the other half-buried in the shadows of utter dementia. The interpersonal conflicts among family and community, past and present are presented in a simple, linear uncomplicated way. The story seems to want to explore the sad truths of a regressive, bankrupt nation and the ridiculous dreams and delusions people cling to. Life is limited and unfinished. Like the heads carved out of Mount Rushmore. Like the forlorn characters wandering on and off the screen. For even after a lifetime of honest hard work aligned with various fixed Christian principles, a restless, quiet desperation lingers. Lies and illusions are necessary to prevent a lonely, inconsolable reality from setting in. And while Alexander Payne manages to keeps things relatively upbeat to prevent dragging us down into a pit of futile despair, he also fails to fully develop and realize the themes he puts forward. Every time Payne rustles up a movie (Sideways, The Descendants) he gets high praise, and this time he almost deserves it. He's a fairly astute cinematician who wants to make meaningful pictures without getting in too deep. Specifically, road movies on half a tank. Thankfully, he doesn't tread into murky Bergman territory, or puff his stuff up with Goddard-like self-importance, but he doesn't do himself much justice by avoiding or brushing off the potential worth and urgency of the matters he introduces. His concepts are cut short. While I'm watching Nebraska, I can't help but wonder how adept filmmakers like Kieslowski or Cassavettes would have treated and serviced the material. What's almost more disappointing than getting old, losing a presence of mind and attempting to reconcile broken memories, is not being able to fully grasp, much less handle and nurture, your own brainchild.