 
  Popularity: 1 (history)
| Director: | Sidney Gilliat | 
|---|---|
| Writer: | Sidney Gilliat, Norman Collins, J.B. Williams | 
| Staring: | 
| Classic British drama about the residents of a large terrace house in London between Christmas 1938 and September 1939. Percy Boon lives with his mother in a shared rented house with an assortment of characters in central London. Although well intentioned, he becomes mixed up with gangsters and murder. The story focuses on the effects this has on Percy and the other residents. | |
| Release Date: | Nov 05, 1948 | 
|---|---|
| Director: | Sidney Gilliat | 
| Writer: | Sidney Gilliat, Norman Collins, J.B. Williams | 
| Genres: | Drama | 
| Keywords | suspicion of murder, gangster, 1930s | 
| Production Companies | Individual Pictures, J. Arthur Rank Organisation | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 03, 2024 Entered: Apr 27, 2024 | 
| Name | Character | 
|---|---|
| Richard Attenborough | Percy Boon | 
| Alastair Sim | Mr. Squales | 
| Fay Compton | Mrs. Josser | 
| Stephen Murray | Uncle Henry | 
| Wylie Watson | Mr. Josser | 
| Susan Shaw | Doris Josser | 
| Hugh Griffith | Headlam Fynne | 
| Joyce Carey | Mrs Vizzard | 
| Ivy St. Helier | Connie Coke | 
| Andrew Crawford | Bill | 
| Eleanor Summerfield | The Blonde | 
| Jack McNaughton | Jimmy | 
| Maurice Denham | Jack Rufus | 
| Aubrey Dexter | Mr Battlebury | 
| Henry Hewitt | Verriter | 
| Arthur Howard | Mr Chinkwell | 
| Fabia Drake | Mrs Jan Byl | 
| Sydney Tafler | Night Club Receptionist | 
| Henry Edwards | Police Superintendant | 
| George Cross | Inspector Cartwright | 
| Cyril Chamberlain | Det Sgt Wilson | 
| Edward Evans | Det Sgt Taylor | 
| John Salew | Mr Banks | 
| Russell Waters | Clerk of the Court | 
| Cecil Trouncer | Mr Henry Wassall KC | 
| Kenneth Downey | Mr Veezey Blaize KC | 
| Ivor Barnard | Mr Justice Plymme | 
| Basil Cunard | Foreman of the Jury | 
| Wensley Pithey | 1st Warden | 
| Manville Tarrant | 2nd Warden | 
| Arthur Lowe | Commuter on Train (uncredited) | 
| Ewen Solon | Clerk (uncredited) | 
| Jack May | Bystander (uncredited) | 
| Reg Thomason | Bystander (uncredited) | 
| Myrette Morven | Female Employee (uncredited) | 
| Ewan Roberts | 1st Policeman (uncredited) | 
| Stanley Beard | 2nd Policeman (uncredited) | 
| Leo Genn | Narrator (uncredited) | 
| Name | Job | 
|---|---|
| Sidney Gilliat | Screenplay, Director | 
| Norman Collins | Novel | 
| J.B. Williams | Screenplay | 
| Benjamin Frankel | Original Music Composer | 
| Wilkie Cooper | Director of Photography | 
| Thelma Connell | Editor | 
| Roy Oxley | Art Direction | 
| Name | Title | 
|---|---|
| Sidney Gilliat | Producer | 
| Frank Launder | Producer | 
| J. Arthur Rank | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 3 | 6 | 1 | 
| 2024 | 5 | 4 | 7 | 1 | 
| 2024 | 6 | 3 | 7 | 1 | 
| 2024 | 7 | 3 | 6 | 1 | 
| 2024 | 8 | 3 | 6 | 1 | 
| 2024 | 9 | 6 | 15 | 2 | 
| 2024 | 10 | 3 | 7 | 1 | 
| 2024 | 11 | 2 | 8 | 1 | 
| 2024 | 12 | 2 | 4 | 1 | 
| 2025 | 1 | 2 | 4 | 1 | 
| 2025 | 2 | 1 | 3 | 1 | 
| 2025 | 3 | 3 | 5 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 0 | 0 | 
| 2025 | 9 | 0 | 0 | 0 | 
| 2025 | 10 | 1 | 1 | 0 | 
Trending Position
Richard Attenborough leads a somewhat disjointed cast in this rather lengthy drama. He is "Percy", a rather impressionable young man who lives with his beloved mother (Gladys Henson) in a boarding house amidst a host of interesting lodgers. Sadly for him, he is soon mixed up with the wrong sort - so ... me small time hoodlums - and becomes a murder suspect. I suppose the house to be a metaphor for the broader United Kingdom following the end of WWII - a collection of the aspirational, the optimistic, and the resigned - but there are too many characters for us to keep tabs on, and though the efforts from Alastair Sim as the Dickensianly titled "Mr. Squales"; Stephen Murray, the lovely Fay Compton ("Mrs. Josser") and a superb series of scenes, rather late in the day, from Hugh Griffith all stand up fine on their own, the film as a combination piece is pretty much all over the place. Attenborough tries hard, and at times he does fire on all cylinders, but he isn't quite good enough to pull all the strands together, nor is the Sidney Gilliat direction/screenplay, so it can come across as just a little too much of an episodic compendium of loosely connected stories rather than a cohesive feature. Still, it does provide us with quite an interesting observation of post war London and of a way of communal life now (mercifully) long gone for most of us.