Popularity: 3 (history)
Director: | Wes Anderson |
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Writer: | Wes Anderson, Owen Wilson |
Staring: |
Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a harebrained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry. | |
Release Date: | Feb 21, 1996 |
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Director: | Wes Anderson |
Writer: | Wes Anderson, Owen Wilson |
Genres: | Comedy, Drama, Crime |
Keywords | sibling relationship, robbery, burglar, language barrier, motel, heist, psychiatric hospital, maid, theft, nervous breakdown, escapade, laundry room, based on short, joyous, absurd |
Production Companies | Columbia Pictures, Gracie Films, Boyle-Taylor Productions |
Box Office |
Revenue: $1,040,879
Budget: $7,000,000 |
Updates |
Updated: Sep 28, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Luke Wilson | Anthony Adams |
Owen Wilson | Dignan |
Robert Musgrave | Bob Mapplethorpe |
Lumi Cavazos | Inez |
James Caan | Mr. Abe Henry |
Andrew Wilson | John "Future Man" Mapplethorpe |
Teddy Wilson | Hector Mapplethorpe |
Donny Caicedo | Rocky |
Ned Dowd | Dr. Nichols |
Jenni Tooley | Stacy Sinclair |
Shea Fowler | Grace |
Kumar Pallana | Kumar |
Jim Ponds | Applejack |
Haskel Craver | Jackson |
Haley Miller | Bernice |
Brian Tenenbaum | H. Clay Murchison |
Temple Nash | Temple |
Darryl Cox | Bookstore Manager |
Dipak Pallana | Bookstore Employee |
Stephen Dignan | Rob |
Julie Mayfield | Wife in Motelroom |
Don Phillips, Jr. | Husband in Motelroom |
Anna Cifuentes | Carmen |
Melinda Renna | Anita |
Richard Reyes | Man in Bar |
Julio Cesar Cedillo | Man outside Bar |
Tak Kubota | Rowboat |
Jill Parker-Jones | Motel Manager |
Nena Smarz | Maid |
Héctor García | Freezer Guy |
Daniel R. Padgett | Freezer Guy |
Russell Towery | Cop |
Ben Loggins | Cop |
Linn Mullin | Detective |
Antonia Bogdanovich | Girl at Psych Hospital (uncredited) |
Amanda Welles | Bob's Date |
Jordan Elliott | Little Girl (uncredited) |
Name | Job |
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Holly Sachi | Assistant Editor |
David Moritz | Editor |
Liz Keigley | Casting |
Nena Smarz | Makeup Designer, Hair Designer |
Ray Zimmerman | Unit Production Manager |
Jerry Fleming | Art Direction |
Karen Patch | Costume Design |
Manny Sarris Jr. | Makeup Artist |
Robert Appere | Sound Re-Recording Mixer |
John M. Chalfant | Sound Effects Editor |
Harry Cheney | Dialogue Editor |
David M. Cowan | Dialogue Editor |
Carlos Delarios | Sound Re-Recording Mixer |
Jeremy J. Gordon | Supervising Sound Editor |
Roxanne Jones McCarthy | Supervising Sound Editor |
Devin Joseph | Dialogue Editor |
Mark Larry | Sound Effects Editor |
R. Russell Smith | Sound Re-Recording Mixer |
Rich Tavtigian | Sound Effects Editor |
Steven Ticknor | Sound Effects Editor |
Randy E. Moore | Special Effects |
Margaret Johnson | Special Effects Supervisor |
Jim Goldthwait | First Assistant Director |
Heather Kritzer | Second Assistant Director |
Gretchen Goetz | Assistant Set Decoration |
Daniel R. Padgett | First Assistant Editor |
Terry Hubbard | Assistant Editor |
Scott Peterson | Script Supervisor |
John Boccaccio | First Assistant Camera |
Paul Janossy | Second Assistant Camera |
John Nuler | Steadicam Operator |
Heather Mosher | Wardrobe Supervisor |
Cathie Filian | Costumer |
Tere Duncan | Wardrobe Assistant |
Chris Morley | Chief Lighting Technician |
Curtis Failor | Assistant Chief Lighting Technician |
Phill Fulton | Key Grip |
Stephen Beasley | Grip |
Michael Dunson | Dolly Grip |
Lisa Matsukawa | Production Coordinator |
Jim Flowers | Second Second Assistant Director |
Thom Dunaway | Boom Operator |
John Sisti | ADR Editor |
James C. Flores | Assistant Production Coordinator |
Charles C. Chambers | Location Manager |
John DeWees | Assistant Location Manager |
Anthony Miller | Assistant Location Manager |
Roy Metcalf | Construction Coordinator |
McPherson O. Downs | Set Dresser |
James L. Avery Jr. | Assistant Set Dresser |
Eric Henshaw | Assistant Set Dresser |
Christian Kastner | Assistant Set Dresser |
Ross Dreyer | Leadman |
Kim Naves | Music Editor |
Ali Derakhshan | Assistant Sound Editor |
Scott A. Tinsley | Foley Supervisor |
Allan Bromberg | Foley Editor |
Willy Allen | Foley Editor |
David W. Alstadter | Foley Mixer |
Carmine Rubino | Foley Mixer |
Eddie Sykes | Utility Sound |
Stacy Brownrigg | Production Sound Mixer |
Sheridan Farrell | Camera Loader |
Deana Newcomb | Still Photographer |
Theresa Repola Mohammed | Negative Cutter |
Wes Anderson | Director, Writer |
Mark Mothersbaugh | Original Music Composer |
Robert D. Yeoman | Director of Photography |
David Wasco | Production Design |
Sandy Reynolds-Wasco | Set Decoration |
Ralph Watson | Steadicam Operator |
Russell Towery | Stunt Coordinator |
Owen Wilson | Writer |
Name | Title |
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Cynthia Hargrave | Producer |
Barbara Boyle | Executive Producer |
Ray Zimmerman | Co-Producer |
Michael Lang | Associate Producer |
James L. Brooks | Executive Producer |
Richard Sakai | Executive Producer |
Michael Taylor | Executive Producer |
L.M. Kit Carson | Co-Producer |
Polly Platt | Producer |
Andrew Wilson | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 19 | 30 | 10 |
2024 | 5 | 19 | 43 | 12 |
2024 | 6 | 16 | 24 | 10 |
2024 | 7 | 20 | 33 | 11 |
2024 | 8 | 13 | 23 | 8 |
2024 | 9 | 15 | 23 | 8 |
2024 | 10 | 13 | 34 | 7 |
2024 | 11 | 11 | 19 | 7 |
2024 | 12 | 11 | 15 | 7 |
2025 | 1 | 13 | 26 | 8 |
2025 | 2 | 9 | 13 | 3 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 2 | 4 | 1 |
2025 | 10 | 3 | 3 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 541 | 772 |
Year | Month | High | Avg |
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2025 | 9 | 279 | 594 |
Year | Month | High | Avg |
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2025 | 3 | 811 | 833 |
Year | Month | High | Avg |
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2025 | 1 | 1000 | 1000 |
It's always staggering to me that _Bottle Rocket_ is almost universally considered one of Wes Anderson's worst movies. Seeing the sub-70% rating on this website nearly broke my heart. And since there were no reviews of the film, I decided it was my duty as a _Bottle Rocket_ stan to make a feeble att ... empt at evangelizing on its behalf. People complain about how twee and pretentious Anderson's movies come across. Yet, somehow, as one of his movies that largely sidesteps those pitfalls, Bottle Rocket usually gets shit on the most. Part of the "problem" is that there's a subtlety to the humor and the storytelling that is unmatched in Anderson's filmography. It's not as "mainstream quirky" as a _Moonrise Kingdom_, nor does it have the flashiness (relatively speaking) of a _Rushmore_ or a _Life Aquatic_. It's much more than that -- to me, at least. It's a very low-stakes film, something which I always appreciate in my fiction. It's just a bunch of morons who want to be criminals. Why? Because they're morons and they have names like Dignan and Applejack and it's funny. You want a compelling plot, go watch _The Royal Tenenbaums_. You want to laugh at Owen Wilson dressing up in a banana-colored jumpsuit and riding around on a tiny motorcycle, _Bottle Rocket_'s ya boy. Luke Wilson's Anthony is, ostensibly, the star of this film. His struggle with his vague mental illness really resonates with me because I, too, am nuts. Owen Wilson is the main attraction here, though. He brings a sort of low-key freneticism to Dignan that always makes me smile. Look at that little guy go. I honestly don't think Wes Anderson has ever written a better character, though I know that I'm, inexplicably, the only person in the world who thinks that. I don't know what I can say to make people like this movie more. It's good! It's fun and cute and sweet! It's very Wes Anderson without being too Wes Anderson. You know? I would think more people would appreciate that. If this were made today, Timothee Chalamet would undoubtedly be cast as one of the two leads, so let's be glad it lives forever encased in 1996 carbonite.
<em>'Bottle Rocket'</em> felt like it was running on fumes for me, the conclusion is an improvement on what procedes but it doesn't quite do enough to salvage my feelings towards this Wes Anderson feature directorial debut. With that noted, I didn't explicitly dislike it either. Owen Wilson and L ... uke Wilson make their acting bows, quite interesting that the brothers don't actually portray brothers; kinda refreshing to see, actually. Robert Musgrave and James Caan are also involved. Owen is the standout in my opinion, though the main trio are on a similar-ish level. It coulda done with more laughs, but that's obviously a personal thing - no doubt many will find it funny, just not me; albeit with a few chuckles scattered in there. It also isn't the most Wes Anderson-y film, with his signature MO evidently not quite fully developed yet (as expected, tbf).