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Bottle Rocket Poster

Bottle Rocket

They're not really criminals, but everyone's got to have a dream.
1996 | 91m | English

(87098 votes)

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Popularity: 3 (history)

Details

Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a harebrained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry.
Release Date: Feb 21, 1996
Director: Wes Anderson
Writer: Wes Anderson, Owen Wilson
Genres: Comedy, Drama, Crime
Keywords sibling relationship, robbery, burglar, language barrier, motel, heist, psychiatric hospital, maid, theft, nervous breakdown, escapade, laundry room, based on short, joyous, absurd
Production Companies Columbia Pictures, Gracie Films, Boyle-Taylor Productions
Box Office Revenue: $1,040,879
Budget: $7,000,000
Updates Updated: Sep 28, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Luke Wilson Anthony Adams
Owen Wilson Dignan
Robert Musgrave Bob Mapplethorpe
Lumi Cavazos Inez
James Caan Mr. Abe Henry
Andrew Wilson John "Future Man" Mapplethorpe
Teddy Wilson Hector Mapplethorpe
Donny Caicedo Rocky
Ned Dowd Dr. Nichols
Jenni Tooley Stacy Sinclair
Shea Fowler Grace
Kumar Pallana Kumar
Jim Ponds Applejack
Haskel Craver Jackson
Haley Miller Bernice
Brian Tenenbaum H. Clay Murchison
Temple Nash Temple
Darryl Cox Bookstore Manager
Dipak Pallana Bookstore Employee
Stephen Dignan Rob
Julie Mayfield Wife in Motelroom
Don Phillips, Jr. Husband in Motelroom
Anna Cifuentes Carmen
Melinda Renna Anita
Richard Reyes Man in Bar
Julio Cesar Cedillo Man outside Bar
Tak Kubota Rowboat
Jill Parker-Jones Motel Manager
Nena Smarz Maid
Héctor García Freezer Guy
Daniel R. Padgett Freezer Guy
Russell Towery Cop
Ben Loggins Cop
Linn Mullin Detective
Antonia Bogdanovich Girl at Psych Hospital (uncredited)
Amanda Welles Bob's Date
Jordan Elliott Little Girl (uncredited)
Name Job
Holly Sachi Assistant Editor
David Moritz Editor
Liz Keigley Casting
Nena Smarz Makeup Designer, Hair Designer
Ray Zimmerman Unit Production Manager
Jerry Fleming Art Direction
Karen Patch Costume Design
Manny Sarris Jr. Makeup Artist
Robert Appere Sound Re-Recording Mixer
John M. Chalfant Sound Effects Editor
Harry Cheney Dialogue Editor
David M. Cowan Dialogue Editor
Carlos Delarios Sound Re-Recording Mixer
Jeremy J. Gordon Supervising Sound Editor
Roxanne Jones McCarthy Supervising Sound Editor
Devin Joseph Dialogue Editor
Mark Larry Sound Effects Editor
R. Russell Smith Sound Re-Recording Mixer
Rich Tavtigian Sound Effects Editor
Steven Ticknor Sound Effects Editor
Randy E. Moore Special Effects
Margaret Johnson Special Effects Supervisor
Jim Goldthwait First Assistant Director
Heather Kritzer Second Assistant Director
Gretchen Goetz Assistant Set Decoration
Daniel R. Padgett First Assistant Editor
Terry Hubbard Assistant Editor
Scott Peterson Script Supervisor
John Boccaccio First Assistant Camera
Paul Janossy Second Assistant Camera
John Nuler Steadicam Operator
Heather Mosher Wardrobe Supervisor
Cathie Filian Costumer
Tere Duncan Wardrobe Assistant
Chris Morley Chief Lighting Technician
Curtis Failor Assistant Chief Lighting Technician
Phill Fulton Key Grip
Stephen Beasley Grip
Michael Dunson Dolly Grip
Lisa Matsukawa Production Coordinator
Jim Flowers Second Second Assistant Director
Thom Dunaway Boom Operator
John Sisti ADR Editor
James C. Flores Assistant Production Coordinator
Charles C. Chambers Location Manager
John DeWees Assistant Location Manager
Anthony Miller Assistant Location Manager
Roy Metcalf Construction Coordinator
McPherson O. Downs Set Dresser
James L. Avery Jr. Assistant Set Dresser
Eric Henshaw Assistant Set Dresser
Christian Kastner Assistant Set Dresser
Ross Dreyer Leadman
Kim Naves Music Editor
Ali Derakhshan Assistant Sound Editor
Scott A. Tinsley Foley Supervisor
Allan Bromberg Foley Editor
Willy Allen Foley Editor
David W. Alstadter Foley Mixer
Carmine Rubino Foley Mixer
Eddie Sykes Utility Sound
Stacy Brownrigg Production Sound Mixer
Sheridan Farrell Camera Loader
Deana Newcomb Still Photographer
Theresa Repola Mohammed Negative Cutter
Wes Anderson Director, Writer
Mark Mothersbaugh Original Music Composer
Robert D. Yeoman Director of Photography
David Wasco Production Design
Sandy Reynolds-Wasco Set Decoration
Ralph Watson Steadicam Operator
Russell Towery Stunt Coordinator
Owen Wilson Writer
Name Title
Cynthia Hargrave Producer
Barbara Boyle Executive Producer
Ray Zimmerman Co-Producer
Michael Lang Associate Producer
James L. Brooks Executive Producer
Richard Sakai Executive Producer
Michael Taylor Executive Producer
L.M. Kit Carson Co-Producer
Polly Platt Producer
Andrew Wilson Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 19 30 10
2024 5 19 43 12
2024 6 16 24 10
2024 7 20 33 11
2024 8 13 23 8
2024 9 15 23 8
2024 10 13 34 7
2024 11 11 19 7
2024 12 11 15 7
2025 1 13 26 8
2025 2 9 13 3
2025 3 5 15 1
2025 4 1 1 1
2025 5 1 2 1
2025 6 2 3 1
2025 7 1 2 1
2025 8 1 2 0
2025 9 2 4 1
2025 10 3 3 3

Trending Position


Year Month High Avg
2025 10 541 772
Year Month High Avg
2025 9 279 594
Year Month High Avg
2025 3 811 833
Year Month High Avg
2025 1 1000 1000

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Reviews

robotseinfeld
10.0

It's always staggering to me that _Bottle Rocket_ is almost universally considered one of Wes Anderson's worst movies. Seeing the sub-70% rating on this website nearly broke my heart. And since there were no reviews of the film, I decided it was my duty as a _Bottle Rocket_ stan to make a feeble att ... empt at evangelizing on its behalf. People complain about how twee and pretentious Anderson's movies come across. Yet, somehow, as one of his movies that largely sidesteps those pitfalls, Bottle Rocket usually gets shit on the most. Part of the "problem" is that there's a subtlety to the humor and the storytelling that is unmatched in Anderson's filmography. It's not as "mainstream quirky" as a _Moonrise Kingdom_, nor does it have the flashiness (relatively speaking) of a _Rushmore_ or a _Life Aquatic_. It's much more than that -- to me, at least. It's a very low-stakes film, something which I always appreciate in my fiction. It's just a bunch of morons who want to be criminals. Why? Because they're morons and they have names like Dignan and Applejack and it's funny. You want a compelling plot, go watch _The Royal Tenenbaums_. You want to laugh at Owen Wilson dressing up in a banana-colored jumpsuit and riding around on a tiny motorcycle, _Bottle Rocket_'s ya boy. Luke Wilson's Anthony is, ostensibly, the star of this film. His struggle with his vague mental illness really resonates with me because I, too, am nuts. Owen Wilson is the main attraction here, though. He brings a sort of low-key freneticism to Dignan that always makes me smile. Look at that little guy go. I honestly don't think Wes Anderson has ever written a better character, though I know that I'm, inexplicably, the only person in the world who thinks that. I don't know what I can say to make people like this movie more. It's good! It's fun and cute and sweet! It's very Wes Anderson without being too Wes Anderson. You know? I would think more people would appreciate that. If this were made today, Timothee Chalamet would undoubtedly be cast as one of the two leads, so let's be glad it lives forever encased in 1996 carbonite.

Jun 15, 2022
r96sk
6.0

<em>'Bottle Rocket'</em> felt like it was running on fumes for me, the conclusion is an improvement on what procedes but it doesn't quite do enough to salvage my feelings towards this Wes Anderson feature directorial debut. With that noted, I didn't explicitly dislike it either. Owen Wilson and L ... uke Wilson make their acting bows, quite interesting that the brothers don't actually portray brothers; kinda refreshing to see, actually. Robert Musgrave and James Caan are also involved. Owen is the standout in my opinion, though the main trio are on a similar-ish level. It coulda done with more laughs, but that's obviously a personal thing - no doubt many will find it funny, just not me; albeit with a few chuckles scattered in there. It also isn't the most Wes Anderson-y film, with his signature MO evidently not quite fully developed yet (as expected, tbf).

Jul 08, 2025