Popularity: 4 (history)
Director: | John G. Avildsen |
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Writer: | Sylvester Stallone |
Staring: |
A lifetime of taking shots has ended Rocky’s career, and a crooked accountant has left him broke. Inspired by the memory of his trainer, however, Rocky finds glory in training and takes on an up-and-coming boxer. | |
Release Date: | Nov 16, 1990 |
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Director: | John G. Avildsen |
Writer: | Sylvester Stallone |
Genres: | Drama |
Keywords | philadelphia, pennsylvania, transporter, cataclysm, parent child relationship, trainer, restart, bankrupt, boxer, career, training, world champion, challenger, street riots, sponsorship, challenge, champion, tax consultant, boxing school, praise, friendship, sports, father figure, boxing, powerful |
Production Companies | Metro-Goldwyn-Mayer, United Artists, Chartoff Productions, Winkler Films |
Box Office |
Revenue: $119,946,358
Budget: $42,000,000 |
Updates |
Updated: Aug 20, 2025 Entered: Apr 13, 2024 |
Name | Job |
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Trevor Jolly | Editor |
Michael Westmore | Special Effects Makeup Artist |
Colleen Callaghan | Hairstylist |
Audrey A. Johnson | Assistant Property Master |
Barton Kent James | Costume Supervisor |
Carole Brown-James | Costume Supervisor |
Bill Conti | Original Music Composer |
Steven Poster | Director of Photography |
Mark De Alessandro | Stunt Double |
Robert A. Ferretti | Editor |
Gary A. Hecker | Foley Artist |
Doc Kane | Foley Mixer |
Terry Funk | Stunts |
James Plannette | Chief Lighting Technician |
Kent H. Johnson | Property Master |
Michael N. Knue | Editor |
Caro Jones | Casting |
William J. Cassidy | Production Design |
William J. Durrell Jr. | Art Direction |
John M. Dwyer | Set Decoration |
Michael S. Glick | Unit Production Manager |
Lou Carlucci | Special Effects |
Joe Digaetano | Special Effects Coordinator |
Bobby Bass | Stunt Coordinator |
Clifford C. Coleman | First Assistant Director |
Hope R. Goodwin | Second Assistant Director |
Janice Polley | Location Manager |
Kathryn Weygand | Script Supervisor |
Curtis Lupo | Stunt Double |
Victor Hammer | Additional Photography |
Barton M. Susman | Leadman |
Charles Sertin | Set Dresser |
Neil Eric Wenger | First Assistant Editor |
Neil Silver | Assistant Editor |
Fran Kaplan | Assistant Editor |
Alessandra Carlino | Assistant Editor |
Douglas Brumer | Assistant Editor |
David B. Cohn | Supervising Sound Editor |
Samuel C. Crutcher | Sound Effects Editor |
Sherman Waze | Sound Effects Editor |
Stu Bernstein | Sound Effects Editor |
Allan Bromberg | Sound Effects Editor |
Harry B. Miller III | Sound Effects Editor |
Peter Michael Sullivan | Sound Effects Editor |
Julia Evershade | Sound Effects Editor |
Simon Coke | Sound Effects Editor |
Bob O'Brien | Sound Effects Editor |
Joseph Holsen | Sound Effects Editor |
Matthew C. May | First Assistant Sound Editor |
Robert Martel | Assistant Sound Editor |
Mark S. Cafolla | Assistant Sound Editor |
Judy Oseransky | Assistant Sound Editor |
Ron S. Herbes | Assistant Sound Editor |
James Beshears | ADR Supervisor |
Lauren Palmer | ADR Editor |
Renée Tondelli | ADR Editor |
Steve Livingston | Music Editor |
Ken Johnson | Music Editor |
John P. Fasal | Sound Effects |
Katie Rowe | Foley Artist |
Robert J. Litt | Sound Re-Recording Mixer |
Greg P. Russell | Sound Re-Recording Mixer |
Elliot Tyson | Sound Re-Recording Mixer |
Jack Keller | Sound Recordist |
David Behle | Sound Recordist |
Debra Dobb | Sound Recordist |
Laura Tateishi | Production Coordinator |
Missy Pray | Assistant Production Coordinator |
Robert LaBonge | Camera Operator |
George Kohut | Camera Operator |
Michael A. FauntLeRoy Sr. | First Assistant Camera |
Peter Kuttner | First Assistant Camera |
Kathina Szeto | Second Assistant Camera |
Sam Emerson | Still Photographer |
Marty Wayne Eichman | Key Grip |
Ben Beaird | Key Grip |
Stephen V. Isbell | Best Boy Grip |
Charles Lantz | Dolly Grip |
Danny Buck | Chief Lighting Technician |
Andrew M. Nelson | Best Boy Electric |
Byron White | Best Boy Electric |
Lori A. Balton | Assistant Location Manager |
Barbara Spitz | Casting Assistant |
Jack Jones | Casting Assistant |
Brad Anderson | Costumer |
Ed Fincher | Costumer |
Leah Brown | Costumer |
Barry Thomas | Sound Mixer |
Forrest Williams | Boom Operator |
Clement Scheaffer | Cableman |
Frank Carrisosa | Makeup Artist |
Katalin Elek | Makeup Artist |
Carol Schwartz | Makeup Artist |
Sugar Blymyer | Hairstylist |
David Fletcher | Special Effects |
Dennis Petersen | Special Effects |
Donald F. Winter | Construction Coordinator |
Anastas N. Michos | Camera Operator |
Clayton J. Liotta | First Assistant Camera |
Meredith Jacobson Marciano | Extras Casting |
Diane Kirman | Extras Casting |
Tony Dinizo | Extras Casting |
Jay Cannistraci | Makeup Artist |
Brian Ralph | Negative Cutter |
Phil Hetos | Color Timer |
Sylvester Stallone | Writer, Characters |
Richard Wright | Second Second Assistant Director |
John G. Avildsen | Director, Editor |
Name | Title |
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Robert Chartoff | Producer |
Irwin Winkler | Producer |
Tony Munafo | Associate Producer |
Michael S. Glick | Executive Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 87 | 195 | 51 |
2024 | 5 | 244 | 298 | 186 |
2024 | 6 | 135 | 251 | 51 |
2024 | 7 | 53 | 116 | 35 |
2024 | 8 | 38 | 54 | 31 |
2024 | 9 | 38 | 53 | 23 |
2024 | 10 | 33 | 69 | 24 |
2024 | 11 | 29 | 58 | 19 |
2024 | 12 | 30 | 40 | 21 |
2025 | 1 | 32 | 59 | 22 |
2025 | 2 | 20 | 33 | 5 |
2025 | 3 | 8 | 32 | 2 |
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2025 | 5 | 4 | 7 | 3 |
2025 | 6 | 4 | 5 | 3 |
2025 | 7 | 4 | 6 | 4 |
2025 | 8 | 4 | 5 | 4 |
2025 | 9 | 5 | 8 | 4 |
2025 | 10 | 3 | 5 | 2 |
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2024 | 8 | 277 | 697 |
From II to III they changed the emphasis away from Rocky's family and friends and the characters and moved it into straight boxing, but it was still inspirational, it was still fun. Here I don't know what they did. It was like they changed the focus back on the characters but somehow butchered it ... in the process. The result was just horrible. It wasn't the lack of Rocky fighting or the fact that Tommy Gun was kind of an evil traitorous friend that used him and then walked away... it was how they handled it. It could have been the start of a good story of Rocky as a trainer, but it ended up just being awful. The dramatic family dynamic was shot and it turned into a mess with a convoluted story that hinted at being decent, but always missed the boat. It should have been the more personal story, but it stopped being personal the moment Tommy Gun walked on screen and it turned into a mess that didn't seem to know which way it should go. However... the same basic concept was used with Creed, and this time (despite it's FORGIVABLE faults in the script, it was done right). Partially due to the fact that Jordan is a far better actor than Morrison, but mostly due to the fact that it kept what it promised to deliver and the story was more coherent from start to finish.
At the heart of Rocky V, there is a really intimate story about living in the past and being blinded to your present, but unfortunately that gets muddled with its somewhat convoluted screenplay. The decision to take away Rocky’s wealth with a cheap plot device is one that was not needed. Rocky ha ... s already hit rock bottom in his life, and ripping away all of his accomplishments makes his story feel like it’s going backwards. The entire plot could have been just as effective if he was still at the top of the world. I think the decision to focus on Rocky’s age and sudden loss of relevance is what really intrigued me with this installment. Rocky is no longer in fighting shape, and the one thing that made him Rocky was this fighting background. He gradually loses control of himself, not only as a professional but also as a man. This causes him to lose sight of everything in his life by focusing on gaining that fighting relevance back. This creates some really emotional conflicts with his son that feel impactful. This film was on its way to getting 3.5 stars from me until the final twenty minutes of the film. It takes a somewhat grounded story, very reminiscent of the original, and turns it into a cheap gang action flick with a bar brawl. This felt incredibly out of place, and I think a more satisfying ending would have been Rocky leaving the fighting all behind without this physical conflict. John Avildsen’s direction is back, with this film being the most reminiscent of the original. The acting is good all around, with standouts being Sylvester Stallone, Talia Shire, and, surprisingly, Sage Stallone, who was excellently cast across from his real-life father. Tommy Morrison was decent, but Richard Gant was just awful. He had such a campy presence in the film that was really out of place. I hated every time he was on the screen. Overall, I enjoyed this installment more than most due to its more serious tone and interesting look at a post-boxing Rocky Balboa, but it definitely could have been much better with a tighter script. Score: 60% Verdict: Decent