Popularity: 5 (history)
Director: | Alfonso Cuarón |
---|---|
Writer: | Carlos Cuarón, Alfonso Cuarón |
Staring: |
In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other. | |
Release Date: | Jun 08, 2001 |
---|---|
Director: | Alfonso Cuarón |
Writer: | Carlos Cuarón, Alfonso Cuarón |
Genres: | Drama, Romance |
Keywords | mexico, travel, roadtrip, adolescence, road trip, self reflection, amused, group sex, human relationship, sexual discovery, beach, coming of age, self-reflexive, friendship, male friendship, new mexican cinema, melodrama |
Production Companies | Anhelo Productions, Bésame Mucho Pictures |
Box Office |
Revenue: $33,600,000
Budget: $5,000,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 25, 2025 |
Name | Character |
---|---|
Diego Luna | Tenoch Iturbide |
Gael García Bernal | Julio Zapata |
Maribel Verdú | Luisa Cortés |
Daniel Giménez Cacho | Narrator (voice) |
Diana Bracho | Silvia Allende de Iturbide |
Verónica Langer | María Eugenia Calles de Huerta |
María Aura | Cecilia Huerta |
Emilio Echevarría | Miguel Iturbide |
Marta Aura | Enriqueta 'Queta' Allende |
Silverio Palacios | Jesús 'Chuy' Carranza |
Ana López Mercado | Ana Morelos |
Andrés Almeida | Diego 'Saba' Madero |
Nathan Grinberg | Manuel Huerta |
Giselle Audirac | Nicole Bazaine |
Arturo Ríos | Esteban Morelos |
Juan Carlos Remolina | Alejandro 'Jano' Montes de Oca |
Liboria Rodríguez | Leodegaria 'Leo' Victoria |
Mayra Sérbulo | Mabel Juárez de Carranza |
Andrea López | Lucero Carranza |
Amaury Sérbulo | Christian Carranza |
Jorge Vergara | President (uncredited) |
Name | Job |
---|---|
Emmanuel Lubezki | Director of Photography |
Miguel Ángel Álvarez | Art Direction, Production Design |
Sandra Solares | Production Manager, Line Producer |
Carlos Cuarón | Screenplay |
Alex Rodríguez | Editor |
Marc Bèdia | Production Supervisor, Production Design |
Guillermo del Toro | Thanks |
David Gray | Assistant Editor |
Natalia Pollak | Extras Casting Coordinator |
Blake Leyh | Sound Effects Editor |
Maria Carolina Larrosa | Art Department Coordinator |
Carlos Sánchez | Makeup Artist, Hairstylist |
Berenice Manjarrez Vericat | Assistant Director |
Oscar González | Extras Casting Coordinator |
Felipe Zavala | Boom Operator |
Sue Shufro | Music Editor |
Jesse Ehredt | Sound Recordist |
Alfonso Rojas | Construction Manager |
Jennifer Ruff | Assistant Editor |
Gonzalo García Barcha | Title Designer |
José Enrique Fernández | Music Coordinator |
Alex Vázquez | Special Effects |
Lila Yomtoob | Apprentice Sound Editor |
Annette Fradera | Music Supervisor |
Timothy J. Sexton | Thanks |
Kathy Thomson | Digital Colorist |
José Antonio García | Production Sound Mixer |
Phillip Fuller | Sound Mix Technician |
Manuel Teil | Casting |
Keary Jenkins | Production Supervisor |
Jonás Cuarón | Thanks |
Philip Stockton | Sound Supervisor |
Simón Bross | Thanks |
Roberto Loera | Set Decoration |
Bryan McMahan | Colorist |
Frank Kern | Sound Editor |
Ted Hope | Thanks |
Fernanda Arce | Assistant Director |
Carlos Hernández | Construction Manager |
Camilo Lara | Music Coordinator |
Ruy García | Sound Designer |
Debora Lilavois | Assistant Sound Editor |
Enrique Bunbury | Thanks |
Jeff Rath | Post Production Supervisor |
Mily Moreno | Property Master |
Steve Golin | Thanks |
Raúl Olvera Ferrer | Thanks |
Salvador Servín | Special Effects |
Liza Richardson | Music Supervisor |
Manuel Billeter | Translator, Additional Editor |
Guillermo Cossío | Art Direction |
Maury Carvajal | Script Supervisor |
Fernando Trueba | Thanks |
César González | Extras Casting Coordinator |
Mario Ontal | Assistant Editor |
Diana Quiroz | Art Direction |
Gabriela Diaque | Costume Design |
James E. 'Eddie' Nichols Jr. | Assistant Editor |
Marko Costanzo | Foley Artist |
Skip Lievsay | Sound Re-Recording Mixer |
Eamon O'Farrill | Unit Production Manager |
Steve Rabineau | Thanks |
Kelly Miller | Production Executive |
Miho Hatori | Thanks |
Dean Lyras | Thanks |
Noëlle Penraat | Negative Cutter |
Manuel Hinojosa | Assistant Director |
Rocío Ortega | Animal Wrangler |
Hugo Noriega Valencia | Sound Assistant |
Henry W. Holmes Jr. | Thanks |
Dante Aguilar | Unit Manager |
Silvia Garza Bermúdez | Assistant Editor |
Michael Holmstrom | Sound |
Tom Fleischman | Sound Re-Recording Mixer |
Marissa Littlefield | ADR Editor |
Alejandro González Iñárritu | Thanks |
Hal Levinsohn | ADR Editor |
Alfonso Cuarón | Screenplay, Director, Editor |
Name | Title |
---|---|
Amy J. Kaufman | Executive Producer |
David Linde | Executive Producer |
Sergio Aguero | Executive Producer |
Jorge Vergara | Producer |
Alfonso Cuarón | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 42 | 61 | 28 |
2024 | 5 | 86 | 105 | 60 |
2024 | 6 | 56 | 97 | 27 |
2024 | 7 | 41 | 63 | 28 |
2024 | 8 | 35 | 52 | 30 |
2024 | 9 | 32 | 46 | 23 |
2024 | 10 | 35 | 53 | 25 |
2024 | 11 | 34 | 60 | 22 |
2024 | 12 | 32 | 45 | 21 |
2025 | 1 | 38 | 54 | 28 |
2025 | 2 | 32 | 51 | 5 |
2025 | 3 | 13 | 43 | 3 |
2025 | 4 | 6 | 9 | 4 |
2025 | 5 | 6 | 8 | 5 |
2025 | 6 | 6 | 8 | 4 |
2025 | 7 | 5 | 7 | 3 |
2025 | 8 | 5 | 7 | 4 |
2025 | 9 | 6 | 6 | 5 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 674 | 868 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 461 | 774 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 293 | 589 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 600 | 845 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 691 | 762 |
While recently watching "Blue Is the Warmest Color," I was reminded of this film, and like "Blue," I was drawn to how the film's central relationship between Tenoch and Julio felt both astoundingly ecstatic and yet isolating, especially when it ends. It's as if the passions from their road trip to H ... eaven's Mouth burned too brightly to be sustained once they returned to their normal lives. I first looked at this film as a coming-of-age film, albeit one that happened to include sex scenes much more graphic than others of its genre. That opinion helps me find a reflective starting point for this film, but every time I watch it, I think more and more about the socioeconomic points Cuarón interjects throughout. I think more about how little I know about other countries, especially the one just south of my own. (I suppose Tenoch and Julio don't know that much either.) After this last viewing, I thought more about whether the the two actually learned something positive from the experience. We're told they never meet again after the film ends. What happens next? And how does this trip I witnessed mean to that answer?