Popularity: 1 (history)
Director: | Gillian Armstrong |
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Writer: | Brian Ward, Tony Grisoni |
Staring: |
On a tour of Britain in 1926, Harry Houdini enters into a passionate affair with a psychic out to con the famous magician. | |
Release Date: | Sep 13, 2007 |
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Director: | Gillian Armstrong |
Writer: | Brian Ward, Tony Grisoni |
Genres: | Drama, Romance |
Keywords | scotland, escape artist, clairvoyant, woman director, 1920s, houdini |
Production Companies | BBC Film, Myriad Pictures, Australian Film Finance Corporation, MacGowan Films, Zephyr Films |
Box Office |
Revenue: $8,380,329
Budget: $20,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Catherine Zeta-Jones | Mary McGarvie |
Guy Pearce | Harry Houdini |
Timothy Spall | Sugarman |
Saoirse Ronan | Benji McGarvie |
Malcolm Shields | Leith Romeo |
Leni Harper | Leith Romeo's wife |
Ralph Riach | Mr. Robertson |
Olivia Darnley | Flower Stall Seller |
Anthony O'Donnell | Oily Librarian |
Billy McColl | McTavish |
James Holmes | Ugly Mug |
Melanie Harris | Rose |
Miles Jupp | Ventriloquist |
Campbell Graham | Doctor |
Raymond Griffiths | |
Shaun Mason | |
Tom Cotcher | |
Carol Robb | |
Paul Grunert |
Name | Job |
---|---|
Gillian Armstrong | Director |
Haris Zambarloukos | Director of Photography |
Brian Ward | Writer |
Gemma Jackson | Production Design |
Tricia Cameron | Hairstylist |
Carol Greenfield | Hairstylist, Makeup Artist |
Uxue Laguardia | Makeup Artist |
Gemma Waugh | Makeup Artist |
Mark Franken | Sound Effects Editor |
Nicholas Beauman | Editor |
Anna Lynch-Robinson | Set Decoration |
Jane Greenwood | Costume Design |
Denise Kum | Makeup Designer |
Nuria Mbomio | Makeup Artist |
Mario Vaccaro | Foley Artist |
Cezary Skubiszewski | Original Music Composer |
Anja Müller | Art Direction |
Mandy Gold | Makeup Artist |
Graham Johnston | Makeup Artist |
Fiona Leech | Makeup Artist |
Gethin Creagh | Sound Re-Recording Mixer |
Tony Grisoni | Writer |
Gail Stevens | Casting |
Susannah Buxton | Costume Design |
George Cottle | Stunts |
Pete Ford | Stunts |
Name | Title |
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Marcia Nasatir | Executive Producer |
Tony Grisoni | Co-Producer |
Kirk D'Amico | Executive Producer |
Chris Curling | Producer |
Marian Macgowan | Producer |
Phil Robertson | Co-Producer |
Dan Lupovitz | Executive Producer |
Joe Oppenheimer | Executive Producer |
Brian Ward | Co-Producer |
Lucas Foster | Executive Producer |
David M. Thompson | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 12 | 18 | 7 |
2024 | 5 | 14 | 24 | 9 |
2024 | 6 | 12 | 19 | 7 |
2024 | 7 | 15 | 29 | 8 |
2024 | 8 | 11 | 20 | 8 |
2024 | 9 | 14 | 22 | 5 |
2024 | 10 | 12 | 23 | 7 |
2024 | 11 | 10 | 17 | 6 |
2024 | 12 | 10 | 15 | 7 |
2025 | 1 | 10 | 14 | 7 |
2025 | 2 | 8 | 14 | 3 |
2025 | 3 | 5 | 13 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 1 |
2025 | 10 | 1 | 2 | 1 |
Trending Position
Houdini Affairs of the Heart and Head. Death Defying Acts is directed by Gillian Armstrong and written by Tony Grisoni and Brian Ward. It stars Guy Pearce, Catherine Zeta-Jones, Timothy Spall and Saoirse Ronan. Music is by Cezary Skubiszewski and cinematography by Haris Zambarloukos. Not a bio ... pic of Harry Houdini, but an episode in his life, Death Defying Acts (a bum steer of a title) is lukewarm across the board. Story charts the years after the death of Houdini’s mother, where he travels to 1920s Edinburgh and falls in with Psychic Tricksters Mary (Jones) and Benji McGarvie (Ronan), a mother and daughter team who spy an opportunity to prise a cash reward offered by the great escapologist. What is intended to be a searching examination of Houdini, his mental fragility, hang-ups, strengths and etc, just plays out as a romantic period piece lacking vim and vigour. Pearce works hard as Houdini but never gets to grasp the tormented angle of the man, while Jones is miscast and not even her pretty face can light up a dull performance. Ronan is sprightly enough and Spall shows some emotive verve as Houdini’s concerned manager. The moments of trickery perk things up a bit, but even then the makers think it’s wise to debunk the mysticism. The romanticism of the era, and that of Houdini’s place in it, is well crafted onto the screen, but the flatness and confused thematic threads elsewhere leave this well below average. 4/10