 
  Popularity: 2 (history)
| Director: | André de Toth | 
|---|---|
| Writer: | Ladislas Fodor, Erich Maria Remarque, Harry Brown | 
| Staring: | 
| Seriously ill, concert pianist Karen Duncan is admitted to a Swiss sanitorium. Despite being attracted to Dr Tony Stanton she ignores his warnings of possibly fatal consequences unless she rests completely. Rather, she opts for a livelier time in Monte Carlo with dashing Paul Clermont. | |
| Release Date: | May 14, 1947 | 
|---|---|
| Director: | André de Toth | 
| Writer: | Ladislas Fodor, Erich Maria Remarque, Harry Brown | 
| Genres: | Drama, Romance | 
| Keywords | concert pianist, sanitorium | 
| Production Companies | Enterprise Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 03, 2024 Entered: Apr 28, 2024 | 
| Name | Character | 
|---|---|
| Barbara Stanwyck | Karen Duncan | 
| David Niven | Doctor Anthony Stanton | 
| Richard Conte | Paul Clermont | 
| Gilbert Roland | Croupier | 
| Joan Lorring | Celestine | 
| Lenore Aubert | Yvonne Dupré | 
| Maria Palmer | Huberta | 
| Natalie Schafer | Dora Shelton | 
| Edward Ashley | Richard Shelton | 
| Richard Hale | Professor Linnaker | 
| Mary Field | Nurse (uncredited) | 
| John Indrisano | Party Guest (uncredited) | 
| Manuel París | Baccarat Dealer (uncredited) | 
| Dick Gordon | Party Guest (uncredited) | 
| Name | Job | 
|---|---|
| André de Toth | Director | 
| Miklós Rózsa | Original Music Composer | 
| Edith Head | Costume Design | 
| Nathan H. Juran | Art Direction | 
| Ladislas Fodor | Screenplay | 
| Erich Maria Remarque | Story | 
| Victor Milner | Director of Photography | 
| Walter Thompson | Editor | 
| Edward G. Boyle | Set Decoration | 
| Marion Herwood Keyes | Costume Design | 
| Harry Brown | Screenplay | 
| Max M. Hutchinson | Sound Engineer | 
| Name | Title | 
|---|---|
| David Lewis | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 3 | 8 | 1 | 
| 2024 | 5 | 6 | 9 | 3 | 
| 2024 | 6 | 4 | 9 | 2 | 
| 2024 | 7 | 9 | 19 | 3 | 
| 2024 | 8 | 5 | 9 | 3 | 
| 2024 | 9 | 7 | 10 | 2 | 
| 2024 | 10 | 5 | 12 | 3 | 
| 2024 | 11 | 4 | 8 | 2 | 
| 2024 | 12 | 3 | 5 | 2 | 
| 2025 | 1 | 3 | 7 | 2 | 
| 2025 | 2 | 2 | 4 | 1 | 
| 2025 | 3 | 2 | 3 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 4 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 0 | 1 | 0 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
Despite the quality of the cast here, this is really just a rather lacklustre melodrama centring around the poorly pianist "Karen" (Barbara Stanwyck). She is admitted to a sanitorium high in the Swiss Alps after she is diagnosed with a debilitating illness that is going to require her to rest comple ... tely, indefinitely! Despite an attraction to her well-meaning doctor "Stanton" (David Niven) she is determined not to just die of boredom, and soon her disobedience leads her to meet with racer "Clermont" (Richard Comte) - a man who is soon keen on her, but oblivious to her health concerns until the doctor realises that his options for her continued survival are limited, and... This is a standard, gentle, love triangle affair with a bit too much dialogue and precious little chemistry between Niven and Stanwyck - all abetted by a real rather downbeat Miklós Rózsa score (peppered with the odd bit of classical piano music that does lift it from time to time). It's also rather slow to get going, and the plot has a rather depressing inevitability to it that doesn't really help engage either. Watchable, but forgettable - sorry.