 
  Popularity: 3 (history)
| Director: | Charles Guard, Thomas Guard | 
|---|---|
| Writer: | Kim Jee-woon, Carlo Bernard, Craig Rosenberg, Doug Miro | 
| Staring: | 
| Anna returns home after spending time in a psychiatric facility following her mother's tragic death and discovers that her mother's former nurse, Rachel, has moved into their house and become engaged to her father. Soon after she learns this shocking news, Anna is visited by her mother's ghost, who warns her that Rachel has evil intentions. | |
| Release Date: | Jan 30, 2009 | 
|---|---|
| Director: | Charles Guard, Thomas Guard | 
| Writer: | Kim Jee-woon, Carlo Bernard, Craig Rosenberg, Doug Miro | 
| Genres: | Horror | 
| Keywords | remake, death of mother, evil stepmother, evil woman, white dress, unsent letter, medical kit, hanging a picture, chalkboard | 
| Production Companies | DreamWorks Pictures, Vertigo Entertainment, Cold Spring Pictures, The Montecito Picture Company, Parkes+MacDonald Image Nation | 
| Box Office | Revenue: $41,624,046 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Emily Browning | Anna | 
| Arielle Kebbel | Alex | 
| David Strathairn | Steven | 
| Elizabeth Banks | Rachael | 
| Maya Massar | Mom | 
| Kevin McNulty | Sheriff Emery | 
| Jesse Moss | Matt | 
| Dean Paul Gibson | Dr. Silberling | 
| Don S. Davis | Mr. Henson | 
| Lex Burnham | Iris | 
| Matthew Bristol | David | 
| Danny Bristol | Samuel | 
| Heather Doerksen | Mildred | 
| Alf Humphreys | Priest | 
| Ryan Cowie | Orderly | 
| Troy Rudolph | Orderly | 
| John Prowse | Butcher | 
| Name | Job | 
|---|---|
| Charles Guard | Director | 
| Thomas Guard | Director | 
| Jim Page | Editor | 
| Dominique Fauquet-Lemaitre | Set Decoration | 
| Christian Wagner | Editor | 
| Daniel Landin | Director of Photography | 
| Margot Ready | Art Direction | 
| Chris Roff | Visual Effects Producer | 
| Vince Filippone | First Assistant Editor | 
| Greg P. Russell | Sound Re-Recording Mixer | 
| Andrew W. Davidson | Gaffer | 
| Gitte Axen | Makeup Artist | 
| Dean Collins | Rigging Grip | 
| Bev Wright | Makeup Artist | 
| Dan Fraser | Lighting Technician | 
| Victoria Down | Key Makeup Artist | 
| Stephen S. Campanelli | Camera Operator | 
| Bill Terezakis | Makeup Effects Designer | 
| Miguel Rivera | Supervising ADR Editor, Supervising Dialogue Editor, ADR Supervisor | 
| James S. Harvey | Lighting Technician | 
| Hugo Weng | Dialogue Editor | 
| Heike Brandstatter | Local Casting | 
| Denise Horta | Dialogue Editor | 
| Tiffany S. Griffith | Dialogue Editor | 
| Coreen Mayrs | Local Casting | 
| Jim Brebner | First Assistant Director | 
| Michael Hibberson | Boom Operator | 
| Karen Schell | Sound Assistant | 
| Bryan Korenberg | Property Master | 
| Rob Young | Sound Mixer | 
| Anthony Chruszcz | Set Dresser | 
| Gail Barrett | Assistant Costume Designer | 
| Kathleen Whelan | Production Office Coordinator | 
| Charlene Callihoo | First Assistant Accountant | 
| Bill Burns | Location Manager | 
| Lee Anne Muldoon | Unit Publicist | 
| Teresa Ngan | Art Department Assistant | 
| Scott Irvine | Transportation Coordinator | 
| David Clarke | Set Designer | 
| Kirk Moses | Assistant Editor | 
| Rick Hromadka | Sound Effects Editor, Sound Effects Designer | 
| Terry Garcia | Assistant Sound Editor | 
| David E. Fluhr | Additional Sound Re-Recording Mixer | 
| Nick Monton | Digital Intermediate Producer | 
| Trish Keating | Costume Design | 
| Jeff Sawyer | Sound Effects Editor | 
| Kimberly French | Still Photographer | 
| Michael J. Broomberg | Foley | 
| Stefan Sonnenfeld | Digital Intermediate | 
| Donna Bis | Hairstylist | 
| Sherry Linder-Gygli | Key Hair Stylist | 
| Charles Leitrants | Construction Coordinator | 
| Tannis Vallely | Casting Associate | 
| Alicia Johnson | Visual Effects Coordinator | 
| Jeffrey J. Haboush | Sound Re-Recording Mixer | 
| Sean M. Harding | First Assistant Camera | 
| Susan Lambie | Script Supervisor | 
| Missy Papageorge | Digital Intermediate | 
| Lorraine Rozon | Visual Effects Producer | 
| Keith Woods | Rigging Gaffer | 
| Michel Aller | First Assistant Editor | 
| David Werntz | Sound Effects Editor | 
| William H. Orr | Special Effects Coordinator | 
| Bruce Woloshyn | Visual Effects Supervisor | 
| Jason Crosby | Marine Coordinator | 
| G.W. Brown | Dialogue Editor, ADR Editor | 
| James Bitonti | Second Assistant Director | 
| Casey Grant | Unit Production Manager | 
| Kim Olsen | Key Grip | 
| Haida Harper | Assistant Property Master | 
| Shannon McFarlane | Set Dresser | 
| Debbie Geaghan | Costume Supervisor | 
| Lisa Leung | Art Department Coordinator | 
| David Holm | Transportation Captain | 
| Abigail Callahan | Post Production Supervisor | 
| Clint Wilcox | Transportation Co-Captain | 
| Shaun Gordon | Post Production Coordinator | 
| Derek Pippert | Foley Editor | 
| Shelley Maclean | Visual Effects Editor | 
| Tricia Chiarenza | Color Timer | 
| Byron Brisco | Stunt Double | 
| Kimberly Chiang | Stunts | 
| Stephen Nakamura | Digital Intermediate Colorist | 
| Debra Zane | Casting | 
| Andrew Menzies | Production Design | 
| Scott A. Hecker | Supervising Sound Editor | 
| Gary A. Hecker | Foley | 
| Leigh Folsom Boyd | First Assistant Editor | 
| Caitlin McKenna | ADR Voice Casting | 
| Kim Jee-woon | Original Story | 
| Christopher Young | Original Music Composer | 
| Michael Grillo | Unit Production Manager | 
| David Parker | Additional Sound Re-Recording Mixer | 
| Marny Eng | Stunt Coordinator | 
| Laura Lee Connery | Stunt Double | 
| Maja Aro | Stunt Double | 
| Daniel Browning Smith | Stunt Double | 
| Carlo Bernard | Writer | 
| Craig Rosenberg | Writer | 
| Doug Miro | Writer | 
| Name | Title | 
|---|---|
| Doug Davison | Executive Producer | 
| Casey Grant | Co-Producer | 
| Michael Grillo | Executive Producer | 
| Roy Lee | Producer | 
| Laurie MacDonald | Producer | 
| Tom Pollock | Executive Producer | 
| Ivan Reitman | Executive Producer | 
| Walter F. Parkes | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 29 | 50 | 16 | 
| 2024 | 5 | 33 | 73 | 19 | 
| 2024 | 6 | 21 | 29 | 12 | 
| 2024 | 7 | 27 | 38 | 20 | 
| 2024 | 8 | 20 | 28 | 12 | 
| 2024 | 9 | 25 | 43 | 14 | 
| 2024 | 10 | 21 | 34 | 13 | 
| 2024 | 11 | 20 | 47 | 11 | 
| 2024 | 12 | 19 | 29 | 14 | 
| 2025 | 1 | 23 | 50 | 14 | 
| 2025 | 2 | 14 | 26 | 3 | 
| 2025 | 3 | 6 | 18 | 1 | 
| 2025 | 4 | 3 | 4 | 1 | 
| 2025 | 5 | 3 | 3 | 2 | 
| 2025 | 6 | 2 | 3 | 1 | 
| 2025 | 7 | 2 | 2 | 1 | 
| 2025 | 8 | 2 | 2 | 1 | 
| 2025 | 9 | 3 | 4 | 2 | 
| 2025 | 10 | 3 | 4 | 2 | 
Trending Position
***Haunting mysteries on the coast of Maine with Emily Browning and Elizabeth Banks*** After her mother dies in a tragedy, a teen girl (Emily Browning) is sent to a mental hospital. Upon returning to her father’s mansion on the coast of Maine, she reunites with her older sister (Arielle Kebbel) a ... nd tries to get along with her dad’s new girlfriend (Elizabeth Banks), her mother’s former nurse, who appears to be taking over. David Strathairn plays the father, a successful author. “The Uninvited” (2009) is a mystery/horror that combines elements of “The Sixth Sense” (1999), “Half Light” (2006) and “The Ring” (2002), although it’s a little more subdued than the latter. If you like the haunting tone of those movies and the spectacular locations of the latter two, you’ll appreciate it. Browning with her ultra-cute face was 20 during filming, but looks 14. Meanwhile Banks is effective as the biyatch gold-digger and Strathairn is convincing as the clueless father. The story plays out in a too-predicable manner. If you saw the trailer beforehand it basically tells you everything you need to know. But not really: The last 15 minutes pulls the rug out with some surprising revelations. I heard there was a twist before viewing and went over various possibilities in my mind while watching, but the movie fooled me. Great job on this front. Not everything is as it appears. I’d say more, but I don’t want to spoil it. My relatively high rating is due to the lingering power of the film's message on individual perception. It's potent and applicable stuff, expertly executed. The film doesn’t overstay its welcome at a mere 1 hour, 27 minutes. It wasn’t shot in the Northeast, however, but obviously British Columbia (Bowen Island). It’s an American remake of the Korean film “A Tale of Two Sisters” (2003). GRADE: B+/A-
We survive by remembering. But sometimes we survive by forgetting. The Uninvited is directed by The Guard Brothers and written by Craig Rosenberg, Doug Miro and Carlo Bernard. It stars Emily Browning, Elizabeth Banks, Arielle Kebbel and David Strathairn. Music is by Christopher Young and cinemat ... ography by Daniel Landin. A remake of Korean film "A Tale of Two Sisters", plot finds Anna (Browning) released from a psychiatric institution, she was placed in there following a suicide attempt when her terminally mother died in a boathouse fire. Once home she begins to encounter bad dreams and supernatural visions... It was yet another American remake of an Asian horror film, at a time when doing so was in vogue, unfortunately this is one of the weakest of the bunch. Not exactly terrible, it's just so unoriginal and devoid of any suspense or chiiling atmosphere. In fact it feels more like a murder mystery piece but with a couple of spook scenes inserted into the narrative. Pic is predominantly saved by the finale, where the story unravels with some genuine surprises. Cast are all fine in perfs, even if Strathairn is utterly wasted in his under written role. 5/10
Okay psychological thriller featuring a fine performance by Emily Browning. This is one I saw back in '09 and pretty much feel the same way I did back then. Nothing great but worth checking out I suppose. **3.0/5** ...
Hmmm. There isn't really much worth saying about this truly mediocre horror effort. "Anna" (Emily Browning) is having a torrid time after her mother died in a fire. Having tried suicide, she is placed in an institution from where, after ten long months, she is released back into the care of her fath ... er. "Steven" (David Strathairn) is pretty ill-equipped to deal with this young woman, and things are not helped by the fact that in the intervening months, he has married her late mum's former nurse "Rachel" (Elizabeth Banks). It's fair to say that this new step-mother/daughter relationship isn't a rip-roaring success, and after a while "Anna" and her sister "Alex" (Arielle Kebbel) begin to suspect that perhaps their mother's death may not have been as accidental as everyone thought. The former girl's beliefs being fuelled by what she thinks are beyond-the-grave visitations from their wronged mother. This film presents a sort of clunky amalgam of detective story and mystic horror with a fair degree of family melodrama thrown in. The acting is very by-the-numbers and there is way too much wordy dialogue and nowhere near enough by way of menace before an ending that isn't quite what I was expecting. Somehow, though, I was expecting that! There had to be something a little quirky about this otherwise procedural affair, else why bother to adapt it from the original Korean "Tale of Two Sisters" (2003)? It's reasonably well produced, the effects are adequate and it has a pace that keeps it from stalling, but it really could have been doing with a bit more emphasis on the characterisations and a darker, more sinister execution of the plot.