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Turn the Key Softly Poster

Turn the Key Softly

An Intimate Study in Passion and Suspense...!
1953 | 81m | English

(762 votes)

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Popularity: 1 (history)

Director: Jack Lee
Writer: Jack Lee, Maurice Cowan
Staring:
Details

A bitter burglar, a prostitute and an elderly shoplifter spend their first day out of jail.
Release Date: Apr 29, 1953
Director: Jack Lee
Writer: Jack Lee, Maurice Cowan
Genres: Drama, Crime
Keywords london, england, prostitute, based on novel or book, burglar, ex-con
Production Companies Maurice Cowan Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024
Entered: Apr 29, 2024
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Full Credits

Name Character
Yvonne Mitchell Monica Marsden
Terence Morgan David
Joan Collins Stella Jarvis
Kathleen Harrison Granny Quilliam
Thora Hird Mrs. Rowan, landlady
Geoffrey Keen Mr Gregory
Simone Silva Marie (uncredited)
Dorothy Alison Joan
Glyn Houston Bob
Russell Waters George Jenkins
Clive Morton Walters
Richard Massingham Bystander
Edward Evans Commissionaire (uncredited)
Lyn Evans Butcher (uncredited)
Hilda Fenemore Granny's Daughter (uncredited)
Fred Griffiths Newspaper Seller (uncredited)
Vi Stevens Barmaid (uncredited)
Toke Townley Prison Guard (uncredited)
Herbert C. Walton Man in Pub (uncredited)
Name Job
Jack Lee Director, Screenplay
Maurice Cowan Screenplay
Name Title
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 2 7 1
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2024 12 1 2 1
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2025 10 1 1 1

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Reviews

Geronimo1967
6.0

Three women are released from prison at the same time on the same day and arrange to meet for a drink later that evening. Their paths diverge with one - petty shoplifter Kathleen Harrison anxious to get home to her "Tommy"; Joan Collins to her bus conductor boyfriend "Bob" (Glyn Houston) and finally ... Yvonne Mitchell ("Monica") who appears to have been set up by her safe-cracking boyfriend "David" (Terence Morgan). The narrative tracks their day - sometimes joyful, sometimes sad - but usually interesting. Sadly, Collins, who has a bit of a penchant for fleecing elderly men, adds very little to the proceedings; it's down to an engaging performance from Harrison and a troubled one from Mitchell to inject some humour, depth and personality to this curious triptych. The last half hour dominates the well written screenplay as a tense rooftop robbery goes awry, and the cops close in... It's got some interesting scenes from post war London, a lovely one where folks cram onto the tube, just as they do 70 years later, and a sense of the glamour and social divisions that were starting to fade as Britain emerged from the War years, and is worth watching for that alone.

Mar 28, 2022