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Gallant Lady Poster

Gallant Lady

BECAUSE SHE PLAYED WITH FIRE, HER CHILD, WHOM SHE SO LOVED, MUST NEVER KNOW SHE WAS HIS MOTHER...!
1933 | 82m | English

(186 votes)

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Popularity: 1 (history)

Details

Unwed mother gives up baby for adoption and hopes to get it back when the adoptive mother dies.
Release Date: Dec 07, 1933
Director: Gregory La Cava
Writer: Gilbert Emery, Sam Mintz, Douglas Z. Doty
Genres: Drama
Keywords adoption
Production Companies 20th Century Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 04, 2024
Entered: Apr 27, 2024
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Full Credits

Name Character
Ann Harding Sally Wyndham
Clive Brook Dan Pritchard
Otto Kruger Phillip Lawrence
Tullio Carminati Count Mario Carniri
Dickie Moore Deedy Lawrence
Janet Beecher Maria Sherwood
Betty Lawford Cynthia Haddon
Adrienne D'Ambricourt Nanette - Deedy's Nurse (uncredited)
Name Job
Gregory La Cava Director
Gilbert Emery Story
Barbara McLean Editor
Sam Mintz Writer
Douglas Z. Doty Story
Robert Webb Casting
Joseph C. Wright Art Direction
Gwen Wakeling Costume Design
J. Peverell Marley Director of Photography
Name Title
Darryl F. Zanuck Producer
Organization Category Person
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Reviews

Geronimo1967
6.0

Ann Harding is on good form here in this drama about a mother trying to reclaim her son. Tragically unwed and broke, and with the help of the dipso ex-con doctor "Dan" (Clive Brooks), she had to put her young lad "Deedy" (Dickie Moore) up for adoption. Many years later when she learns that the adopt ... ive mother has passed away, she is much more successful and senses that now might be the time to try and ingratiate herself with "Phillip" (Otto Kruger) and the young boy - and see if she can't get more firmly established in both of their lives. She won't have an easy ride, though, but gets off to a decent start as they meet on the Queen Mary travelling to Europe. On that trip, she also meets "Count Carniri" (Tullio Carminati) who takes a shine to her and might just prove a fly in her ointment when it comes to getting her son back. Faced with choices that may not be her first, she makes some decisions that might reunite her with her child, but at what price her own happiness? The plot is standard melodrama stuff, but Harding really does stand out with one of her more convincing performances. The scenes with the young lad work well, are quite emotional and do support the almost addictive maternal feeling that underpins most of this story. Brooks is also quite effective as the drunken physician, but there's just a bit too much dialogue and the support elements (except the young Moore) don't really make much impact. It stays the right side of sentimentality once we are up and running, and there's some feisty humour here too.

Feb 16, 2024