Popularity: 0.4 (history)
Director: | Samuel Fuller |
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Writer: | Samuel Fuller |
Staring: |
An authoritarian rancher rules an Arizona county with her private posse of hired guns. When a new Marshall arrives to set things straight, the cattle queen finds herself falling for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong. | |
Release Date: | Sep 10, 1957 |
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Director: | Samuel Fuller |
Writer: | Samuel Fuller |
Genres: | Western |
Keywords | strong woman, ranch, western noir |
Production Companies | 20th Century Fox |
Box Office |
Revenue: $6,344
Budget: $300,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Barbara Stanwyck | Jessica Drummond |
Barry Sullivan | Griff Bonell |
Dean Jagger | Sheriff Ned Logan |
John Ericson | Brockie Drummond |
Gene Barry | Wes Bonell |
Robert Dix | Chico Bonell |
Jidge Carroll | Barney Cashman |
Paul Dubov | Judge Macy |
Gerald Milton | Shotgun Spanger |
Ziva Rodann | Rio |
Hank Worden | Marshal John Chisum |
Neyle Morrow | Wiley |
Chuck Roberson | Howard Swain |
Chuck Hayward | Charlie Savage |
Sandra Wirth | Chico's Girlfriend |
Eve Brent | Louvenia Spanger |
Tex Driscoll | Barber (uncredited) |
Carol Henry | Gunman (uncredited) |
George Huggins | Townsman (uncredited) |
Eddie Parks | Sexton (uncredited) |
Jack Perrin | Townsman at Wedding (uncredited) |
Tom Smith | Townsman (uncredited) |
George Sowards | Townsman (uncredited) |
Jack Stoney | Townsman at Wedding (uncredited) |
Name | Job |
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Chuck Roberson | Stunts |
John B. Mansbridge | Art Direction |
Harry Sukman | Music |
Gene Fowler Jr. | Editor |
Chester L. Bayhi | Set Decoration |
Walter M. Scott | Set Decoration |
Charles LeMaire | Costume Design |
Leah Rhodes | Costume Design |
Robert J. Schiffer | Makeup Artist |
Joan St. Oegger | Hairstylist |
William Magginetti | Production Manager |
Harold E. Knox | Assistant Director |
Leigh Carson | Property Master |
Harry M. Leonard | Sound |
Bert Schoenfeld | Supervising Sound Editor |
Jean L. Speak | Sound |
Norman Breedlove | Special Effects |
Leroy Johnson | Stunts |
Jack N. Young | Stunts |
Samuel Fuller | Director, Screenplay |
Joseph F. Biroc | Director of Photography |
Chuck Hayward | Stunts |
Name | Title |
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Samuel Fuller | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 12 | 24 | 7 |
2024 | 5 | 17 | 37 | 8 |
2024 | 6 | 13 | 26 | 7 |
2024 | 7 | 16 | 26 | 9 |
2024 | 8 | 10 | 17 | 6 |
2024 | 9 | 14 | 26 | 7 |
2024 | 10 | 11 | 23 | 6 |
2024 | 11 | 9 | 21 | 5 |
2024 | 12 | 8 | 16 | 4 |
2025 | 1 | 9 | 20 | 5 |
2025 | 2 | 7 | 12 | 3 |
2025 | 3 | 4 | 13 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 4 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 3 | 5 | 1 |
2025 | 10 | 0 | 2 | 0 |
Trending Position
I was born upset. Forty Guns is written and directed by Sam Fuller. It stars Barbara Stanwyck, Barry Sullivan, Dean Jagger, John Ericson, Gene Barry, Robert Dix, Eve Brent and Ziva Rodann. Music is by Harry Sukman and cinematography by Joseph F. Biroc. It's all going to kick off in Arizona bet ... ween the Bonnell brothers, U.S.Marshals, and Jessica Drummond - the tough no nonsense lady rancher who controls the territory. So what do we have here then? Just another recycled Western plot that is basically the Earp's/Clanton's feud that culminated in the Gunfight At The O.K. Corral? Well no, not really, for this is Sam Fuller on devilishly twisty form. Fuller gives this particular Western a film noir make over, both in look and dialogue innuendo. Pic is filled with outstanding sequences, be it shocking deaths, bravado pumped show downs or chiaroscuro framing of key characters, no frame is wasted in this piece - visually or aurally. From a psychological stand point it's a right hornets nest, a meaty broth of cynical observations on love, power and that bastion of American cinema - the Western. The action construction on offer is electrifying, if Fuller isn't dallying with various camera techniques to keep the story on the hop, he's being kinetic with is action filming. All of which is in the Scope format, with the ace Biroc weaving some monochrome magic. Probably now it has risen above being just a cult Western classic, Fuller's standing in the decades that would follow this release have ensured that to be the case. Yet it is noted that this holds no surprises in how story eventually pans out, which is disappointing given the noir pulse beats driving it forward. In fact a charge of schmaltz at pics end is justified and stops this being the masterpiece many of us yearn it to be. Still, tis a superb genre piece of some considerable substance. A film that begs to be revisited on more than one occasion. Thank You Samuel. 8/10