 
  Popularity: 2 (history)
| Director: | Michel Hazanavicius | 
|---|---|
| Writer: | Michel Hazanavicius, Jean-François Halin, Jean Bruce | 
| Staring: | 
| Set in 1955, French secret agent Hubert Bonisseur de La Bath/OSS 117 is sent to Cairo to investigate the disappearance of his best friend and fellow spy Jack Jefferson, only to stumble into a web of international intrigue. | |
| Release Date: | Apr 19, 2006 | 
|---|---|
| Director: | Michel Hazanavicius | 
| Writer: | Michel Hazanavicius, Jean-François Halin, Jean Bruce | 
| Genres: | Comedy, Adventure, Action, Crime | 
| Keywords | france, cairo, nazi, secret agent, espionage, french intelligence | 
| Production Companies | Gaumont, M6 Films, Artémis Productions | 
| Box Office | Revenue: $23,055,884 Budget: $15,200,000 | 
| Updates | Updated: Sep 20, 2025 Entered: Feb 25, 2025 | 
| Name | Character | 
|---|---|
| Jean Dujardin | Hubert Bonisseur de La Bath, alias OSS 117 | 
| Bérénice Bejo | Larmina El Akmar Betouche | 
| Aure Atika | La princesse Al Tarouk | 
| Philippe Lefebvre | Jack Jefferson | 
| Konstantin Aleksandrov | Setine | 
| Saïd Amadis | Le ministre égyptien | 
| Laurent Bateau | Gardenborough | 
| Claude Brosset | Le patron | 
| François Damiens | Raymond Pelletier | 
| Youssef Hamid | L'imam | 
| Khalid Maadour | Le suiveur | 
| Arsène Mosca | Loktar | 
| Abdellah Moundy | Slimane | 
| Eric Prat | Plantieux | 
| Richard Sammel | Moeller | 
| Name | Job | 
|---|---|
| Michel Hazanavicius | Adaptation, Director | 
| Amina El Halhouli | Makeup Artist | 
| Jean-François Halin | Adaptation, Scenario Writer | 
| Noureddine Aberdine | First Assistant Director | 
| Jean Bruce | Novel | 
| Luc Bricault | Second Assistant Director | 
| Betty Beauchamp | Makeup Artist | 
| Bettina Keller | Key Hair Stylist | 
| Jean-Baptiste Pouilloux | Assistant Director | 
| Harry Bardak | Visual Effects | 
| Delphine Heude | Third Assistant Director | 
| Didier Saïn | Sound | 
| Philippe Guégan | Stunt Coordinator | 
| Rachid Doha | Third Assistant Director | 
| Matthew Gledhill | First Assistant Director | 
| Sade Zeriffi | Second Assistant Director | 
| Mustapha Grumij | Second Assistant Director | 
| Natacha Raymond | Assistant Camera | 
| Julien Fabbris | Visual Effects | 
| Fabrice Leuci | Art Direction | 
| Stéphane Touitou | Casting | 
| Ludovic Bource | Original Music Composer | 
| Alexandre Husson | Set Decoration | 
| Reynald Bertrand | Editor | 
| Maamar Ech-Cheikh | Production Design | 
| Guillaume Schiffman | Director of Photography | 
| Hind Ghazali | Set Decoration | 
| Kamel Ech-Cheik | Original Music Composer | 
| Charlotte David | Costume Design | 
| Name | Title | 
|---|---|
| Nicolas Altmayer | Producer | 
| Eric Altmayer | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 16 | 24 | 12 | 
| 2024 | 5 | 18 | 25 | 11 | 
| 2024 | 6 | 17 | 29 | 11 | 
| 2024 | 7 | 21 | 42 | 13 | 
| 2024 | 8 | 13 | 22 | 8 | 
| 2024 | 9 | 17 | 31 | 10 | 
| 2024 | 10 | 14 | 24 | 9 | 
| 2024 | 11 | 14 | 25 | 8 | 
| 2024 | 12 | 14 | 25 | 9 | 
| 2025 | 1 | 14 | 22 | 11 | 
| 2025 | 2 | 11 | 20 | 4 | 
| 2025 | 3 | 5 | 15 | 1 | 
| 2025 | 4 | 2 | 2 | 1 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 2 | 3 | 1 | 
| 2025 | 7 | 2 | 2 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 1 | 2 | 1 | 
| 2025 | 10 | 2 | 2 | 1 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 472 | 677 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 718 | 788 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 622 | 745 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 487 | 487 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 869 | 869 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 750 | 750 | 
This was a solid debut for Hazanavicius and a very fun film. There's uneven pacing, but I was very pleased with this, which seemed an interesting hybrid between the James Bond and Pink Panther film series. I loved the scoring and cinematography as well. Dujardin's character was a bit strange and the ... pacing was a tad uneven, but those are small flaws. This is the first of Hazanavicius' films I have seen, though I have 'The Artist' on blu. I've heard that in the sequel, he jumps a decade to the 60's--it would be interesting, if they decide to eventually continue the series, if each film could be of following decades, straight through to the present day. It was clever of the writers, through parallelism, to subconsciously suggest a linkage of the Nazis to radical Arab terrorists, so soon after 9/11, and, six years before 'Skyfall', what anyone knowing anything about espionage and counterintelligence would undoubtedly know--that all agents would probably be bisexual. I look forward to checking out Hazanavicius' other films, and hope there are eventually more in this series, for I have loved all kinds of spy films and spoofs of them, in the history of cinema.