Popularity: 2 (history)
Director: | J.C. Chandor |
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Writer: | J.C. Chandor |
Staring: |
During a solo voyage in the Indian Ocean, a veteran mariner awakes to find his vessel taking on water after a collision with a stray shipping container. With his radio and navigation equipment disabled, he sails unknowingly into a violent storm and barely escapes with his life. With any luck, the ocean currents may carry him into a shipping lane -- but, with supplies dwindling and the sharks circling, the sailor is forced to face his own mortality. | |
Release Date: | Aug 23, 2013 |
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Director: | J.C. Chandor |
Writer: | J.C. Chandor |
Genres: | Adventure, Action, Drama |
Keywords | sea, yacht, alone, struggle for survival, sailor, storm at sea, unconsciousness, life raft, container, navigation, emergency, distress, indian ocean, survival at sea, one man film |
Production Companies | Universal Pictures, Roadside Attractions, Lionsgate, Sudden Storm Productions, FilmNation Entertainment, Treehouse Pictures, Before the Door Pictures, Washington Square Films, Black Bear Pictures, Baja Studios |
Box Office |
Revenue: $6,108,720
Budget: $9,000,000 |
Updates |
Updated: Sep 16, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Robert Redford | Our Man |
Name | Job |
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Tony Perez | Property Master |
Pete Beaudreau | Editor |
Marco Niro | Art Direction |
Leo Corey Castellano | Makeup Department Head |
Hector Vázquez Sánchez | Construction Coordinator |
Andy Malcolm | Foley |
Bob Munroe | Visual Effects Supervisor |
Richard Foreman Jr. | Still Photographer |
Ramírez Gabriela | Set Decoration |
Van Broughton Ramsey | Costume Design |
Sandra Zambrano | Art Department Coordinator |
George Macri | Visual Effects Producer |
Daniel Daza | Still Photographer |
Miles E. Frances | Additional Camera |
Gillian Arthur | Boom Operator |
Laurell Burrows | Hairstylist |
Erika Gomez León | Graphic Designer |
John P. Goldsmith | Production Design |
Frankie DeMarco | Director of Photography, Camera Operator |
Hector H. Rivera | Set Designer |
Alfredo Hernandez | Scenic Artist |
Frank Iudica | Special Effects Coordinator |
Colin Davies | Visual Effects Supervisor |
Iram Collantes | Transportation Coordinator |
Micah Bloomberg | Sound Mixer |
Laine Trzinski | Hair Department Head |
Josue Palos | Graphic Designer |
Angel Orona Moreno | Swing |
Suzana Peric | Music Editor |
Peter Zuccarini | Underwater Director of Photography |
Ernesto S. Martinez | Construction Buyer |
Daniel Martinez | Painter |
Todd SanSone | Digital Imaging Technician |
Javier Garcia | Electrician |
Constancio Castillo | Electrician |
Peter Manno | First Assistant "B" Camera |
Jose Marquez | Generator Operator |
Clay Platner | Libra Head Technician |
Eric S. Guthrie | Second Assistant Camera |
Sergio Berry | Second Assistant "A" Camera |
Barbarella Pardo | Casting |
Brett Gathrid | Costumer |
Christian Moreno | Swing |
Evan A. Nesbitt | Digital Imaging Technician |
Benito Guerrero | Electrician |
Philip Shanahan | First Assistant "A" Camera |
Fidel Flores | Generator Operator |
Bryan Fletchall | Libra Head Technician |
Eduardo Servin | Rigging Grip |
Nicole Martinez | Second Assistant "A" Camera |
Henry Flores | Techno Crane Operator |
Alfredo Michelle | Costume Assistant |
Tony Gonzaga | Electrician |
Federico Hernandez | Electrician |
David Elwell | Rigging Gaffer |
Sean P. Gilbert | Second Assistant Camera |
Edgar Luzanilla | Second Assistant "B" Camera |
Phyllis Thurber-Moffit | Ager/Dyer |
Abel Jimenez | First Assistant Director |
J.C. Chandor | Director, Screenplay |
Greg Vanzyck | Digital Imaging Technician |
Radium Cheung | Gaffer |
Mark Norby | Stunt Coordinator |
Alex Ebert | Original Music Composer |
Daniel Talavera | Leadman |
Steve Boeddeker | Supervising Sound Editor, Sound Designer, Sound Re-Recording Mixer |
Brandon Proctor | Sound Re-Recording Mixer |
Goro Koyama | Foley |
Richard Hymns | Supervising Sound Editor |
Pat O'Mara | Key Grip |
Joe Machota | Thanks |
Erin Feeley | Script Supervisor |
Danielle Dupre | Sound Recordist |
Name | Title |
---|---|
Neal Dodson | Producer |
Cassian Elwes | Executive Producer |
Justin Nappi | Producer |
Anna Gerber | Producer |
Teddy Schwarzman | Producer |
Zachary Quinto | Executive Producer |
Laura Rister | Executive Producer |
Glen Basner | Executive Producer |
Eric d'Arbeloff | Executive Producer |
Corey Moosa | Executive Producer |
Kevin Turen | Executive Producer |
Howard Cohen | Executive Producer |
Joshua Blum | Executive Producer |
Organization | Category | Person | |
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Spirit Awards | Best Actress | Bérénice Bejo | Won |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 15 | 20 | 12 |
2024 | 5 | 23 | 34 | 12 |
2024 | 6 | 19 | 38 | 11 |
2024 | 7 | 28 | 55 | 16 |
2024 | 8 | 16 | 28 | 12 |
2024 | 9 | 21 | 37 | 11 |
2024 | 10 | 15 | 24 | 9 |
2024 | 11 | 14 | 31 | 8 |
2024 | 12 | 12 | 20 | 7 |
2025 | 1 | 13 | 18 | 9 |
2025 | 2 | 11 | 18 | 3 |
2025 | 3 | 5 | 16 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 2 | 2 | 1 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 4 | 7 | 1 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 144 | 561 |
Year | Month | High | Avg |
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2025 | 7 | 225 | 399 |
Year | Month | High | Avg |
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2025 | 6 | 237 | 595 |
Year | Month | High | Avg |
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2025 | 2 | 693 | 693 |
Robert Redford is quietly circumnavigating somewhere in his yacht when he wakes up with a puncture. During the night, the boat has clashed with a ten ton piece of flotsam and is holed above the waterline. He’s not unduly worried as he can still navigate freely and has plenty of supplies, but a serie ... s of storms soon reduce him to living in his life raft, creatively desalinating his water and hoping he can manoeuvre his way into the shipping lanes where one of the great freighters who caused his predicament in the first place might be able to help him. What chance rescue? There is virtually no dialogue, save for the odd SOS attempt on the wireless, and so we are left like a fly-on-the-mast observing as he has to survive the worse that the ocean can throw at him, plot his course and attract the attention of those skyscraper-esque vessels as the last thing their lookouts (assuming they have any) expect to see in the middle of nowhere is a bloke on a rubber dinghy! It’s a slowly paced drama, this, so don’t expect too much to happen minute by minute, but as we watch this man use his ingenuity to survive it becomes quite an intensely photographed and compelling feature with us far from certain that he, even if he is Robert Redford, will make it to safety. I love boats, especially with a glass of Veuve Clicquot and the odd prawn sandwich. This one, though, maybe not so much.